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Watch and Listen:&#13;
"Talk Back Trembling Lips" https://www.youtube.com/watch?v=UtCB6fftSwA&#13;
"Ernie Ashworth Talks 'Talk Back Trembling Lips'" https://www.youtube.com/watch?v=ddgmQBMu4x0&#13;
"The D.J. Cried" https://www.youtube.com/watch?v=vpdt4Hrp2Lg&#13;
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Ernie Ashworth: Alabama Music Hall of Fame http://alamhof.org/inductees/timeline/2008/ernie-ashworth/ Accessed November 1, 2016&#13;
&#13;
All images courtesy of Mr. George Lair and the Alabama Music Hall of Fame, unless otherwise noted.</text>
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                <text>McCarthy, Dennis M. 1983. The First Fifty Years: Changed Land, Changed Lives: State Of The Environment Of The Tennessee Valley. Knoxville: Tennessee Valley Authority.</text>
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                <text>Birmningham, Jefferson County, Big Band music, trumpet, Alabama State Teachers College,Fess Whatley, Ensley, Tuxedo Junction, Alabama Jazz Hall of Fame, Alabama Music Hall of Fame&#13;
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Watch and Listen:&#13;
"After Hours" https://www.youtube.com/watch?v=3CYQ6YZHMEE&#13;
"Tuxedo Junction" https://www.youtube.com/watch?v=IFeFaZoj2QY&#13;
"Tippin' In" https://www.youtube.com/watch?v=HWc0ObIJydc</text>
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When philanthropists donate money to various organizations, schools and charities, most often the result is either a building named in in their honor, or a scholarship, or even a seat on a board of directors. Alabama industrialist Erskine Ramsay took this one step further, by opening savings accounts for families who would name their newborn sons after him. And while most of children did not achieve any amount of celebrity, one did, as a bandleader and trumpeter whose contemporaries included Louis Armstrong. Erskine Ramsay Hawkins was born on July 26, 1914, in Birmingham, Alabama. Erskine early on demonstrated musical proficiency. As a student at the Tuggle Institute, a private African-American boys school in Birmingham, Erskine learned to play the drums, trombone and saxophone. But it was the trumpet that would eventually elevate Hawkins to the heights he eventually reached. Under the tutelage of famed director J.T. “Fess” Whatley, Erskine not only learned how to master the trumpet, but how to read music, as well. After graduating from Tuggle, Hawkins attended the Alabama State Teachers College in Montgomery, Alabama, on an athletic scholarship. Soon, Erskine was spending more time on the stage than on the ballfield. Leading first, the ‘Bama State Revelers, then the ‘Bama State Collegians, Erskine started to show the ability to reach notes on the trumpet thought too high to reach. This ability later led his being called “The Twentieth Century Gabriel.” As the band became more and more popular, causing the group, all students at the college, to miss more classes than they attended, they all soon left school to pursue their musical careers full-time. Leaving Alabama, “Erskine Hawkins and his ‘Bama State Collegians” soon found themselves as one of the house bands at the famed Savoy Ballroom in Harlem. Famed as the place where the “Lindy Hop” was developed, the Savoy was one of the premier venues for music during and after the Harlem Renaissance. It was here that Erskine and the band, now simply called “Erskine Hawkins and His Orchestra” signed with RCA Victor and began cutting records on their Bluebird label. It was also here that Erskine co-wrote what would become his signature song, “Tuxedo Junction.” The title of the songs refers to an area in the Ensley neighborhood of Erskine’s hometown of Birmingham. Tuxedo Park was an area where the lines of the Wylam and Pratt City streetcars crossed, and where a jazz and dance club was located, hence, “Tuxedo Junction.” While Hawkins’ version reached #7 on the National Hit Parade in 1939, it is Glenn Miller’s #1 1940 rendition that most are familiar with. While Erskine penned other songs, like “Don’t Cry Baby” (#11 – Pop, 1943) “After Hours” (#3 R&amp;B – 1946) and “Tippin’ In” (#1 R&amp;B -1945) which were hits, “Tuxedo Junction” is his most famous. Often, when playing the Savoy, the band would sign off with that song to keep the crowds dancing as the next band came to the stage. By the 1950s, the Savoy had closed and Erskine, due to rising costs, had downsized his orchestra, although he would reunite the orchestra on special occasions. During the 1960s, he was a frequent player at the Embers Club in New York City, and, from 1967 to 1993, was the bandleader in the nightclub in The Concord Resort Hotel in Kiamesha Lake, New York, located in the Catskills of New York, about two hours upstate from New York City. Among the many honors that Erskine Hawkins received during his lifetime is an honorary doctorate in music from Alabama State Teachers College in 1947, was one of the first inductees into the Alabama Jazz Hall of Fame in 1978, and a Lifework Award and induction into the Alabama Music Hall of Fame in 1989. Also, the park that inspired the name of Tuxedo Junction was renamed Erskine Hawkins Park in his honor. On November 11, 1993, Erskine Hawkins passed away in Willingboro, New Jersey.&#13;
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                <text>Alabama Music Hall of Fame: Erskine Hawkins  http://www.alamhof.org/inductees/timeline/1989/erskine-hawkins/ Accessed December 4, 2016&#13;
Erskine Hawkins  http://www.encyclopediaofalabama.org/article/h-1365/  Accessed December 4, 2016&#13;
Erskine Hawkins  http://www.allmusic.com/artist/erskine-hawkins-his-orchestra-mn0000206380/biography/  Accessed December 4, 2016&#13;
Erskine Hawkins  http://www.encyclopedia.com/people/literature-and-arts/music-popular-and-jazz-biographies/erskine-hawkins/ Accessed December 4, 2016&#13;
Obituary: Erskine Hawkins  http://articles.latimes.com/1993-11-14/news/mn-56807_1_tuxedo-junction/  Accessed December 4, 2016&#13;
&#13;
All images courtesy of Mr. George Lair and the Alabama Music Hall of Fame, unless otherwise noted.</text>
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                <text>During the 1960s, 1970s, and 1980s (years generally known as the “recording years”), the success of FAME Recording Studio in Muscle Shoals, Alabama, brought national attention to the region. Musicians such as the Swampers, Joe Tex, Aretha Franklin, Wilson Pickett, The Osmonds, Duane Allman have cut hits at the legendary studio ran by Rick Hall.  However, the studio did not originate in Muscle Shoals. Instead, the recording studio was founded in downtown Florence, Alabama, at the intersection of Tennessee St. and Seminary Street. &#13;
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Christopher S. Fuqua, Music Fell on Alabama (Huntsville: Honeysuckle Imprint, 1991), 14-19. </text>
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Carolyn Murray Greer, "One of Our Best, Most Respected Citizens," Remembering the Shoals, https://rememberingtheshoals.wordpress.com/2011/02/27/one-of-our-best-most-respected-citizens (accessed December 6, 2015).&#13;
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&#13;
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                <text>William Lindsey McDonald, A Walk Through The Past: People and Places of Florence and Lauderdale County, Alabama. Bluewater Publications, 2003, p. 3, 11-12.&#13;
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&#13;
Image Courtesy of UNA Collier Library Archives</text>
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                <text>J.T. “Fess” Whatley: Alabama Music Hall of Fame  http://alamhof.org/inductees/timeline/1991/j-t-fes-whatley/  Accessed December 5, 2016&#13;
Alabama Music Office: Whatley bio  http://www.alabamamusicoffice.com/artists-a-z/w/1967-whatley-john-t-fess/  Accessed December 5, 2016&#13;
Encyclopedia of Alabama: Whatley bio  http://www.encyclopediaofalabama.org/article/h-3240/  Accessed December 5, 2016&#13;
Alabama Women’s Hall of Fame: Carrie Tuggle  http://www.awhf.org/tuggle.html/  Accessed December 5, 2016&#13;
Alabama Jazz Hall of Fame website  http://www.jazzhall.com/index.htm/  Accessed December 5, 2016&#13;
"Fess Whatley's Saxo Society Orchestra" photo http://www.chipstern.com/chip_tribal_wilson.htm/ Accessed December 9, 2016.&#13;
&#13;
All images courtesy of Mr. George Lair and the Alabama Music Hall of Fame, unless otherwise noted.&#13;
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                <text>On the first Friday of each month from March through December, Florence residents come together at historic downtown Florence to celebrate the town’s rich culture in the arts. The scene is a festive atmosphere and the admission is free. Streets are closed for vehicle transportations while the sidewalks and street corners are occupied by pedestrian traffic, booths, and music stages. Florence citizens and local businesses and organizations set up booths in order to sell photography, paintings, ceramics, foodstuff, and other artistic matters. On this night, many downtown stores and restaurants stay open after hours for in order to provide business and browsing. Stages are set up for local bands to perform to a mixed crowd of recognizable and new faces.     &#13;
	The city of Florence has put on this event since 2005. Numerous organizations and departments had to agree in order to establish the First Friday festival. Downtown Florence Unlimited, which comprises of retail and service businesses, educational institutions, and non-profit organizations, collaborated with the City of Florence, Florence Main Street Program, the University of North Alabama, and the Florence/Lauderdale Tourism Department for the event to take off. Two partner organizations associated with Florence First Fridays are The Kiwanis Club and the Kennedy-Douglas Center for the Arts. &#13;
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“First Fridays Art Event in Downtown Florence,” Explore the Shoals, 2008-2009, 140. &#13;
Downtown Florence Unlimited, “Partner Organizations,” Florence First Fridays, http://www.firstfridaysflorence.org/partners.html (accessed May 1, 2015). &#13;
&#13;
Images: &#13;
“October First Friday in Florence,” Times Daily, http://www.timesdaily.com/collection_1a88741a-2d58-11e3-9a28-001a4bcf6878.html (accessed May 1, 2014).&#13;
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21st Century</text>
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Keith S. Hebert</text>
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                <text>The First National Bank in downtown Florence had connections to one of the more powerful Northern transplants to the Florence area in founder, Nial C. Elting.  Elting, one of the founding partners of the Cherry Cotton Mill in Sweetwater,  was a financial power broker in the industrial boom in Florence.  Elting spent many years in Florence, eventually becoming the president of twenty-four businesses.   Elting was an ambitious entrepreneur investing in a multitude of businesses in Florence while accumulating a massive amount of wealth.   He and his wife, Annie Van Sickler, did not have any children, thus they left almost all of their estate to the First Presbyterian Church of Florence where the two were devout members of the congregation.   &#13;
&#13;
When the First National Bank was founded in 1889, Elting partnered with Colonel Robert L. Bliss, who already owned a dry goods business, to form the First National Bank.   Colonel Bliss was the first President of the bank;  whereas, Nial C. Elting was the first cashier of the bank in 1889.   When founded by Elting and Bliss, they had a capital stock of one hundred thousand dollars.   Elting was an intelligent banker and did not make poor investments with the money he loaned out from the bank, because of his ability to judge proper character in loaning money from the bank, he was able to survive the economic depression of the 1890s in Florence. &#13;
&#13;
The original home of the First National Bank was in the Bliss Building in downtown Florence on the corner of Court and Tennessee Street.   Then, in 1919, First National Bank moved from the Bliss Building to the corner of Mobile and Court street after building a new bank site.   The First National Bank remained at the 1919 location before branching out into the community with new satellite branches in the 1950s.   By 1983, The First National Bank was renamed The First National Bank of Florence.   In 1985, The First National Bank of Florence moved to the multi-story building located at 201 South Court Street.   In 1995, The First National Bank of Florence was renamed SunTrust Bank, Alabama, and became an independent bank associated with the SunTrust Bank organization out of Atlanta, Georgia.   By 2000, SunTrust bought the independent branch of SunTrust Bank, Alabama, and merged it into its national organization of banks, therefore ending the First National Bank as an independent entity in downtown Florence. &#13;
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                <text>Text Sources:&#13;
&#13;
McDonald, William Lindsey.  "Remembering Sweetwater: The Mansions, The Mills, The People."  photos by L.D. Staggs, Jr. Killen, Ala., Bluewater Publications, 2002.&#13;
&#13;
“First National Bank Was Organized 1889.”  The Florence Herald, 1968, 20, sesquicentennial edition.&#13;
&#13;
 “Florence As She Is.” The Florence Times, 1903.&#13;
&#13;
“Florence Main Branch.”  last updated January, 2000.  National Information Center. http://www.ffiec.gov/nicpubweb/nicweb/InstitutionHistory.aspx?parID_RSSD=623137&amp;parDT_END=99991231.&#13;
&#13;
Picture Source:&#13;
&#13;
UNA Archives &amp; Special Collection.  William L. McDonald Collection.  “First National Bank.”  Florence, Alabama, Box 12: Downtown Business, 12-53.&#13;
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                <text>The First Presbyterian Church of Florence is the oldest continually operating congregation in Florence, Alabama.  Early Presbyterian settlers of Florence bought land lot 84 from the Cypress Land Company in 1818 for a total of $1,600 and built a wooden structure that acted as the church. During the early years of existence, prominent members of the Florence community claimed to be members of the church. For instance, Ferdinand Sannoner (the town’s land surveyor) and John Coffee (War of 1812 Veteran and a founder of Florence) both financed the construction and were members of the church. In 1824 the congregation replaced the wooden structure with a brick building. This new building consisted of a gallery for slaves and designated pews for children. Also during the early years in Florence, the First Presbyterian Church housed other denominational worships due to the structure being the only church building in town.  &#13;
William Mitchell served as the church’s pastor from 1851 to 1872. One of the most interesting stories of Florence history derives from Mitchell’s actions in First Presbyterian Church during the Civil War. Union troops occupied Florence on numerous occasion during the war, which was the case on July 27, 1862. On this summer day, Rev. Mitchell entered the pulpit and faced a congregation filled with Florence citizens and Union troops. Before his sermon Mitchell prayed for the well-being of the President of the Confederacy, Jefferson Davis, and the success of the Confederate army. After Mitchell’s prayer Col. John Harlan arrested Mitchell and sent the reverend to the Union prison camp in Alton, Illinois, for six months. Mitchell later returned to Florence and continued preaching at First Presbyterian Church.  &#13;
	Despite the Civil War and Reconstruction, the First Presbyterian Church never moved from its original location. However, since the 1890s there have been numerous renovations and expansions. The most recent being in 1971 when a three story classroom, an office, and a fellowship hall were added to the church.  Today, in addition to proving worship services, the church houses wedding venues and many Florence community organizations use the building as a meeting place. &#13;
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Carolyn Barske. Images of America: Florence (Charleston: Arcadia Publishing, 2014), 96. &#13;
Jill Knight Garrett, A History of Lauderdale County, Alabama, 145.&#13;
Bill McDonald, “Mitchell Best Known for Prayer,” Times Daily, January 4, 2001, in folder “McDonald Collection: Church Iformation Collection-Vol. 8: Other Denominations-Presbyterian, Churches 8.4,” Bill McDonald Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama.&#13;
  First Presbyterian Church, “Our History,” http://www.fpcflorence.org/our-history.html (accessed May 1, 2015). &#13;
&#13;
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Auburn University&#13;
Keith S. Hebert</text>
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                <text>First United Methodist Church is one of Florence’s oldest congregations. The congregation’s first meeting took place in a log home on September 8, 1822, and consisted of eight people. The log home was the property of the congregation’s first minister, Reverend John Cox, and was located on West Tuscaloosa Street. Also, worship services were conducted in Florence resident Thomas Farmer’s home. Some of the early charter members of the church were Reverend Cox, his wife Frances, their three children (Thomas, James, and Mary), John Kerr, newspaper editor Dr. Shadrack Nye, and Joseph Paddleford.  &#13;
	In 1823 a Methodist circuit rider named Nathaniel R. Jarret was appointed the minister of the congregation. However, it was not until 1826 when the congregation had the funds to build a church building. The first church building, a 24 x 30 foot structure, was built on the intersecting corner of West Tombigbee and Locust Streets. After the congregation required land located on the corner of East Tuscaloosa and North Seminary Streets from the Cypress Land Company in 1827, the congregation placed the church building on logs and rolled it to the new site, where the current church stands today.  &#13;
	The first addition to the building came in 1834, when a sanctuary that could hold five hundred people was added. This made the church the largest meeting place in Florence. According to records, there were forty-six total congregation members in 1834. Out of those forty-six, three were colored. The next major renovation to the church took place in the early 1900s. Around 1905, a new brick structure was built on the site, however this burned in a fire in 1920. Two years later the members of the church had erected a new building on top of the ashes. The sanctuary was not completed until 1924, and during those four years the congregation conducted worship services at the old Coffee High School. &#13;
	During the Great Depression the church experienced hardships due to its mortgage. The congregation could not afford to pay the mortgage for the church during the times of financial constraints and the building was on the brink of closing down and being sold off. However, local Jewish entrepreneur and philanthropists Louis Rosenbaum negotiated with the National Bank of New York for a loan and wrote a personal check, which together managed to stop the selling of the church. The church kept its doors open during the Depression years and continues to be a meeting place of worship in Florence.  Today, the brick structure includes a seven million dollar expansion that provides ministry to all ages and acts as a children’s nursery.&#13;
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                <text>Text: &#13;
 “The First United Methodist Church, Florence, Alabama-A Brief History,” in Bill McDonald Collection, Box 36, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama.&#13;
Jill Knight Garrett, A History of Lauderdale County, Alabama, 142. &#13;
 Carolyn Barske, Images of America: Florence (Charleston: Arcadia Publishing, 2014), 100. &#13;
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                <text>The present building of the First United Methodist Church was built in 1914 although the congregation dates back almost a hundred years prior. The Methodist church is the oldest church in Jasper, Alabama with the first formal organization occurring in 1833. Around 1858, a frame building was built on the site of the present building. This frame building was burnt during the American Civil War by Union soldiers. In 1888 the congregants began to build a new church; however, plans changed and in 1912, Reverend J. L. Morris petitioned to build a new church. This church was finished and dedicated in 1921. The First United Methodist Church was added to the Alabama Register of Landmarks and Heritage in 1983.</text>
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&#13;
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Keith S. Hebert</text>
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&#13;
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                <text>	The oldest river bridge in Alabama connected Florence to Sheffield for more than one hundred and fifty years. The Florence Bridge Company was authorized by the Alabama legislature in 1832. It was founded for the purpose of realizing a dream for the citizen of Florence, to construct a bridge connecting the city with the south side of the river and eventually the Memphis and Charleston Railroad. The site for the bridge was chosen as the ferry crossing on Jackson’s Military Road. &#13;
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                <text>McDonald, William Lindsey. 2003. Civil War tales of the Tennessee Valley. n.p.: Killen, Ala. : Heart of Dixie Pub. (1812 CR 111, Killen, Ala., 35645), [2003], 2003. UNA Library Catalog, EBSCOhost (accessed April 30, 2015).&#13;
Hubbs, G. Ward. 2008. "Civil War in Alabama." Encyclopedia of Alabama. January 10. Accessed April 15, 2015. http://www.encyclopediaofalabama.org/article/h-1429.&#13;
Wallace, Harry E. n.d. "Lauderdale County, Alabama History." algw.org. Accessed April 14, 2015. http://www.algw.org/lauderdale/historyshoals4.htm.</text>
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                <text>Photo from following websites:&#13;
 http://www.washingtonky.com/civilwar.html&#13;
 	Photo from following websites:&#13;
 	http://www.lrc.ky.gov/record/Moments08RS/46_web_leg_moments.htm&#13;
 	Photo from following websites:&#13;
 	https://www.pinterest.com/pin/333336809893643376/&#13;
Photo from following websites:&#13;
http://oldrailroadbridge.com/old-railroad-bridge-landmark/&#13;
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Keith S. Hebert</text>
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                <text>Established in 1818, Florence Cemetery was the first city cemetery. The marker reads, "When the city was surveyed, this land described as 'outside city limits' was designated as the burying grounds for the new town. It contains the graves of early settlers, including a son and brother of Ferdinand Sannoner, surveyor of Florence, and served as the principal cemetery for over 130 years. Two former governors of Alabama from the O'Neal family, as well as many prominent community leaders, are interred here. "Soldier's Rest", a Confederate Cemetery is located near the south property line. &#13;
&#13;
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                <text>McCord, Timothy. "Florence City Cemetery." Rootsweb. August 2001. http://www.rootsweb.ancestry.com/~allauder/cem-florence1.htm. Accessed April 2, 2015. &#13;
&#13;
"Florence Cemetery -1818." Latitude 34 North. http://www.lat34north.com/historicmarkersal/MarkerDetail.cfm?KeyID=39-057&amp;MarkerTitle=Florence%20Cemetery%20%3F%20-1818-. Accessed April 11, 2015. </text>
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                <text>The Ashcraft Cotton Mill began not as a cotton mill for the weaving of textiles, but as a refinery for cotton oil.   In the spring of 1898, C.W. and Erister Ashcraft founded and incorporated the Florence Cotton Oil Company.  The distance of other similar facilities in Nashville, Memphis, and Birmingham, made for a lengthy treks for local farmers, hence the formation of the company and the refinery.   In 1898, cottonseed had a going rate of five dollars per ton.   So the elimination of distance created a rise of about 500 percent in the amount paid for local cottonseed to process into cotton oil.   In the single year of operation for Florence Cotton Oil, they employed in between 50 to 75 workers.   About a year later, the Ashcraft clan decided to stop producing cotton oil and start producing cotton textiles.&#13;
&#13;
 John T., C.W., Lee, Erister, and Fletcher Ashcraft, all brothers, in addition to Andrew J. Ashcraft, their father, formed a partnership in creating the Ashcraft Cotton Mill.   The mill was located at the intersection of South Cherry and Terrace Streets in the Sweetwater area of Florence.   At the time of incorporation in 1899, Ashcraft had an organized capital stock of one hundred thousand dollars, then in 1900 one hundred and fifty thousand dollars, giving the company a well-capitalized beginning.   One of the largest cotton mills operating in Lauderdale County, the mill had over 3,600 spindles and 100 looms ready for operation in 1899.   Upon the opening of the mill in 1900, the city of Florence celebrated in grand fashion, having a large celebration for the local citizens and dignitaries with a big brass band to boot.   By 1903, the Ashcraft mill was valued at two hundred thousand dollars.   By 1903, Ashcraft Cotton Mill employed at least 250 men and women and provided housing for the employees.   The production of the workers helped the mill use 4,000 bales of locally grown cotton annually, which the finished product was sent across North America. &#13;
	&#13;
In 1927, the Ashcraft Cotton Mill was renamed the Florence Cotton Mill.   The Florence Cotton Mill survived the Great Depression and paid a decent wage during the economic depression at about fifteen dollars per week.   Even though the mill survived the Great Depression, it could not survive the foreign textile industry and closed its doors at the end of World War II. &#13;
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                <text>Matthew C. Fesmire, University of North Alabama</text>
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                <text>Text Sources:&#13;
&#13;
McDonald, William Lindsey.  "Remembering Sweetwater: The Mansions, The Mills, The People." photos by L.D. Staggs, Jr. Killen, Ala., Bluewater Publications, 2002.&#13;
&#13;
McDonald, William Lindsey.  "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003.&#13;
&#13;
“Florence As She Is.”  "The Florence Times." 1903.&#13;
&#13;
Image Source: &#13;
&#13;
UNA Archives &amp; Special Collection.  William L. McDonald Collection.  “Ashcraft Cotton Mill."  Florence, Alabama.  Box 12: Florence Industry, 12-36.&#13;
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                <text>The Florence Main Street Program, a non-profit organization, strives to renovate the downtown sector of Florence, Alabama. One of the organization’s recent projects is the beautiful mural located on the exterior wall of Fred’s Super Dollar store located at 321 North Court St. The project required a two-step process during the years 2013 and 2014 and cost a total of $14,000. Beginning in 2013 Shoals artists Tim Stevenson, Robin Campbell, and Ronnie Riner designed and painted the mural’s panels, which according to Stevenson “captures the quality of life enjoyed in the Shoals.”  The mural’s seven panels offers a glimpse into life in the Shoals and represents the rich culture in the region.&#13;
The first phase of the project consisted of five panels.  The first panel depicts the Forks of Cypress, the house of James Jackson. The second panel is of The University of North Alabama. The flowing waters of the Tennessee River are painted on the third panel, while the fourth panel shows a front porch scene. Stevenson designed the first phase’s final panel, which shows a Renaissance woman playing the fiddle, in order to express how “music is the heart beat of the area.”  In the following year Stevenson, Campbell, and Riner completed the second phase of the mural, which consisted of two panels. The sixth panel’s design consisted of arrowheads, pottery, and feathers, and acted as an homage to the region’s Native American culture. The last panel shows a man and his dog walking along the water banks.  Overall, the mural’s artwork represents five components of Florence—local history, education, music, the Tennessee River, and Native American culture. &#13;
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                <text>Jesse Brock, University of North Alabama</text>
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Jennifer Edwards, “Muralis Interruptus in Florence,” Times Daily,July 7, 2013. </text>
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Keith S. Hebert</text>
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                <text>This company was the leader in fuel production for the people of Florence.  The old Florence Gas Light and Fuel Company/Florence Gas Works operated on Old Huntsville Road, west of the Florence Steam Laundry in Sweetwater.   The main office of the company that ran the Florence Gas Works had its headquarters in Cincinnati, Ohio.   Production at the facility began in 1903, a year after the company was established in east Florence in 1902.   The gas plant produced about 75,000 cubic feet of gas that was used for lighting of street lamps and homes, heating within homes, and cooking as well.   The people of Florence had to pay two dollars a thousand cubic feet for lighting in their homes and four dollars and fifty cents per thousand cubic feet for heating and cooking in 1903.   The company also sold Welsbach incandescent light appliances and gas stoves for heating and cooking. </text>
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&#13;
McDonald, William Lindsey.  "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003.&#13;
&#13;
McDonald, William Lindsey.  "Remembering Sweetwater: The Mansions, The Mills, The People." Killen, Ala., Bluewater Publications, 2002.&#13;
&#13;
Picture Source:&#13;
&#13;
UNA Archives &amp; Special Collection.  William L. McDonald Collection.  “Florence Gas Light and Fuel Company/Florence Gas Works.”  Florence, Alabama.  Box 12: Florence Industry, 12-02.</text>
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