National Register of Historic Places; University of North Alabama; Governor Emmett O'Neil; Civil War; Architecture
Courtview was built as the two story brick townhouse of successful planter and businessman George Washington Foster. The 1854-55 Greek Revival house faces the Tennessee River (southwest) down the length of Court Street in Florence. According to the NR nomination Foster had to get a special act of the Alabama State Legislature to block the street. The NR nomination lists multiple areas of significance for this prominent house. It is significant for architecture, of particular note and in keeping with the buildings Greek Revival style are the 4 full height fluted Ionic columns, the broad entablature and low hipped roof along with the symmetry of both the house and the landscape. The house is also significant for its ties to political and military history. The grounds were used by both Federal and Confederate troops during the Civil War and the house itself briefly served as headquarters for General Sherman’s officers. After the war and the death of owner George Washington Foster the house was inherited by his daughter Sarah Independence Foster and her husband Capt. Sterling Payne McDonald. In 1900 the house was sold to Emmett O’Neil who was elected governor in 1910. Thomas Rogers obtained the house in 1922 and extensively restored the property. The Rogers family sold the house in 1948 to Florence State Teachers College which later became the University of North Alabama. The house continues to be an important part of the University. The property was documented by the Works Progress Administration in 1935 and is part of the Historic American Building Survey that can be found in the Library of Congress. The property was also listed on the National Register of Historic Places in 1974. The nomination could use additional research.
Missy Brown, University of North Alabama
Floyd, W. Warner. National Register Nomination. “Courtview : Rogers Hall”(#74000415) (6/13/74).
Established in 1872, St. Michael’s Catholic Church was the first Catholic Church in Lauderdale County. The church was organized in St. Florian, Alabama, a community founded by German Catholic settlers. A prominent Catholic minister in the southwest region of Tennessee, Reverend J. House, bought over two thousand acres of land in north Alabama. It was on this land that St. Florian was founded and the Catholic Church was erected. Consisting of a large frame, the first church was completed in 1872 on the south side of Military Road and was pastored by the German priest Father Michael Merz until 1876. Merz’ sister, Annie, attended St. Michael’s Catholic Church and became the first teacher at the church’s sponsored school. Due to the town’s cultural background, the school regularly taught classes in German. In 1878 the congregation relocated the church across the Military road, at which is still the current location. Due to growth in attendance the congregation needed a larger church, so the construction process to erect a new church structure began in 1914. From 1914 to 1918, parishioners voluntarily contributed to the erection of the new church. Stones from Shoals Creek were carried to the construction site and a local Shoals stone mason, Casper Haeger, laid the foundation. Also, members of the congregation cut down trees in wooded areas and took them to the local sawmill owned by Ed Rasch. Today, one of the most astonishing sights at the church is the nineteen stained glass windows--twelve large and seven small. These windows, made in Munich, Germany, were purchased in 1924 as a memorial for the early settlers of St. Florian.
Jesse Brock, University of North Alabama
Text: Jill Garrett, “First Catholic Church in County,” in folder “McDonald Collection: Church Information-Vol. 7: Other Denomination-Catholic, Churches 7.2,” Box 37, Bill McDonald Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama. “Church Started in 1872,” in folder “McDonald Collection: Church Information-Vol. 7: Other Denomination-Catholic, Churches 7.2,” Box 37, Bill McDonald Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama.
Another lumber company located in the downtown Florence area, W.E. Temple Company and Planning Mills was a fixture in Florence at the beginning of the twentieth century. W.E. Temple was well known for his architectural ability because he constructed the 1901 Lauderdale County Courthouse and the 1903 Florence First United Methodist Church, which met an unfortunate demise in a fire in 1920, and the Florence Post Office in 1912-1913. Shortly after completing the federal building, the Temples left for Hopewell, Virginia to make a new home. Temple’s Planning Mill was originally located alongside Sweetwater Creek on Huntsville Road between Sweetwater Avenue and Minnehaha Street.
M.C. Fesmire, University of North Alabama
Text Sources: McDonald, William Lindsey. "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003. McDonald, William Lindsey. "Remembering Sweetwater: The Mansions, The Mills, The People." photos by L.D. Staggs, Jr. Killen, Ala., Bluewater Publications, 2002. Picture Source: UNA Archives & Special Collection. William L. McDonald Collection. “W.E. Temple Company and Planning Mills.” Florence, Alabama. Box 12: Florence Industry, 12-15.
The son of Edward A. O’Neal, Emmet O’Neal was the thirty-sixth governor of Alabama and a resident of Lauderdale County. He served as governor from 1911-1915. Emmet O’Neal was born on September 6, 1853, in Florence, Alabama. After graduating from Florence Wesleyan University and the University of Alabama, Emmet joined his father in practicing law. Emmet O’Neal married Elizabeth Kirkman in 1881. Courtview, the mansion originally built for George Washington Foster, became the O’Neal’s home in 1900. He was elected governor in 1911, serving two terms in this position. He passed away in 1930 and is buried in Florence Cemetery.
Kayla Scott, University of North Alabama
William Lindsey McDonald, A Walk Through The Past: People and Places of Florence and Lauderdale County, Alabama. (Bluewater Publications, 2003), 50-53. Debra Glass and Larry Fisher, eds. Remembering Florence: A Pictorial History Volume 1. 2011, 105. Image of Emmet A. O'Neal courtesy of UNA Collier Library Archives Image of Courtview/Rogers Hall courtesy of Kayla Scott
Prior to 1898 the Catholic population in Florence, Alabama, traveled to Tuscumbia’s Our Sacred Heart. The pastor of Our Sacred Heart, Father Bassen, characterized Florence as a mission of the Catholic Church. As a result, St. Joseph Catholic Church was established in 1898 in Florence. Before the congregation had the funds to build a structure, they conducted mass in the home of Joe Beckman. During the 1880s, Mrs. Lena Peters donated property on Laughton Heights for the congregation to build a little framed church, which was erected in 1889 and also served as a school. The church’s construction was done by St. Florian resident Mr. Stumpe. The first pastor of Saint Joseph Catholic Church was Reverend Gamblert Brunner (an original member of Sain Bernard Abby in Cullman,Alabama), who served at St. Josephs from 1889 to 1907. During his time as pastor, Brunner constructed a rectory that served as the pastor’s home until the 1970s. Bishop Edward Allen dedicated the church on June 8, 1902. Throughout its history, the church has had numerous pastors and renovations. Three during the 1930s were Rev. Henry Watson, Father Alfred Trottman, and Father Anselm Spitzer. During the years of World War II, Father Isidore Fussnecker made efforts to reach out to the black population in the area. In the late 1950s Father Paul Koehler became the pastor of the church. Koehler implemented renovations to the church. For instance, he added additional wings to the school, a Parish hall, and a modern convent. The greatest renovations happened during the 1970s. The old church, considered too small, was demolished and a new church erected in 1974. The new church building is made of brick and consists of a tower, a statue of Saint Joseph the Worker, and a huge cross. Today, the church is one of the chief religious and educational centers for Catholics in northwest Alabama.
Text: Rose Gibbons Lovett, excerpt from Catholic Church in the Deep South (The Diocese, 1980), in folder “McDonald Collection: Church Information-Vol. 7: Other Denomination-Catholic, Churches 7.2,” Box 37, Bill McDonald Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama. “A Brief History of St. Joseph’s Parish Florence, Alabama,” in folder “McDonald Collection: Church Information-Vol. 7: Other Denomination-Catholic, Churches 7.2,” Box 37, Bill McDonald Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama.
Coffee High School opened in 1916, becoming the first public high school in Florence. The building cost $96,000, a very large amount for the early 1900's. The school was named Coffee High School after Mrs. A.D. Coffee, the daughter-in-law of General Coffee, donated the land the school was built on. The first graduating class consisted of 11 students. Coffee High School was moved from its original building in 1951 to new buildings on Hermitage. The school then was merged with Bradshaw high school in 2004 to form Florence High School.
Claire Eagle, University of North Alabama
Elizabeth Womack McDonald. History of the Florence City schools, 1820-1967, 1900. UNA Library Catalog, EBSCOhost (accessed April 29, 2015).
Sweetwater Mill has a relationship to the Sweetwater area because it is an old part of the Cherry Cotton Mill plant. The J.T. Flagg Knitting Company purchased the mill after the conclusion of World War II because the company was looking to expand because of the success the company had providing clothing for troops. During the 1960s, J.T. Flagg sold his knitting company to Genesco Textile Manufacturers out of Nashville, Tennessee, thereby transferring possession of Sweetwater Mill to Genesco. As the 1970s progressed, the textile operations of J.T. Flagg were moved from east Florence to the Florence Industrial Park before being closed down by the end of the 1970s. Sadly, the Sweetwater Mill, the last facility used from the Cherry Cotton Mill, closed about fifty years ago.
Text Sources: McDonald, William Lindsey. "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003. Picture Source: UNA Archives & Special Collection. William L. McDonald Collection. “Sweetwater Mill.” Florence, Alabama. Box 12: Florence Industry, 12-61.
First United Methodist Church is one of Florence’s oldest congregations. The congregation’s first meeting took place in a log home on September 8, 1822, and consisted of eight people. The log home was the property of the congregation’s first minister, Reverend John Cox, and was located on West Tuscaloosa Street. Also, worship services were conducted in Florence resident Thomas Farmer’s home. Some of the early charter members of the church were Reverend Cox, his wife Frances, their three children (Thomas, James, and Mary), John Kerr, newspaper editor Dr. Shadrack Nye, and Joseph Paddleford. In 1823 a Methodist circuit rider named Nathaniel R. Jarret was appointed the minister of the congregation. However, it was not until 1826 when the congregation had the funds to build a church building. The first church building, a 24 x 30 foot structure, was built on the intersecting corner of West Tombigbee and Locust Streets. After the congregation required land located on the corner of East Tuscaloosa and North Seminary Streets from the Cypress Land Company in 1827, the congregation placed the church building on logs and rolled it to the new site, where the current church stands today. The first addition to the building came in 1834, when a sanctuary that could hold five hundred people was added. This made the church the largest meeting place in Florence. According to records, there were forty-six total congregation members in 1834. Out of those forty-six, three were colored. The next major renovation to the church took place in the early 1900s. Around 1905, a new brick structure was built on the site, however this burned in a fire in 1920. Two years later the members of the church had erected a new building on top of the ashes. The sanctuary was not completed until 1924, and during those four years the congregation conducted worship services at the old Coffee High School. During the Great Depression the church experienced hardships due to its mortgage. The congregation could not afford to pay the mortgage for the church during the times of financial constraints and the building was on the brink of closing down and being sold off. However, local Jewish entrepreneur and philanthropists Louis Rosenbaum negotiated with the National Bank of New York for a loan and wrote a personal check, which together managed to stop the selling of the church. The church kept its doors open during the Depression years and continues to be a meeting place of worship in Florence. Today, the brick structure includes a seven million dollar expansion that provides ministry to all ages and acts as a children’s nursery.
Text: “The First United Methodist Church, Florence, Alabama-A Brief History,” in Bill McDonald Collection, Box 36, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama. Jill Knight Garrett, A History of Lauderdale County, Alabama, 142. Carolyn Barske, Images of America: Florence (Charleston: Arcadia Publishing, 2014), 100.
Goodsprings Cumberland Presbyterian Church
Along with thirty-five members, Reverend Felix Johnson organized Goodsprings Cumberland Presbyterian in Rogersville, Alabama, on September 18, 1839. During its history the church’s congregation has had to deal with two historical events—the Civil War and the Great Depression. During the Civil War, in April of 1861, some members broke off and established a new church in Center Star, Alabama. The members that continued to attend Goodsprings Cumberland Presbyterian rebuilt their church and relocated just north of Huntsville Road. In the 1930s the church had to relocate a second time due to the Tennessee Valley Authority’s construction of Wheeler Dam. One of President Roosevelt’s New Deal alphabetic organization, the Tennessee Valley Authority (TVA) provided electricity to rural Southern regions. However, in order to provide electricity, TVA constructed dams, which caused many people to lose their property. The Goodsprings Cumberland Presbyterian congregation was a victim of this. The congregation decided to sue TVA and according to church minutes records dating February 8, 1937, the congregation won the court case. The minutes reveal that the “suit was decided in our favour and have collected $1350.” The congregation used this money to build the current structure.
Text: The Elgin Book Committee, History of Elgin Crossroads & Nearby (Walden, Tennessee: Waldenhouse, 2003), 294-295. Image: The Elgin Book Committee, History of Elgin Crossroads & Nearby (Walden, Tennessee: Waldenhouse, 2003), 294-295.
The Foundry/Florence Stove and Manufacturing Company
The Foundry/Florence Stove and Manufacturing Company played an important role in the history of the Sweetwater area of Florence, and as of today, the remnants of their factory still operates under a partnership of former employees as the Martin Stove and Range Company/Martin Industries, Inc. As of today, the factory is located on East Tennessee Street. When first established, the Foundry was located on Commerce Street in Sweetwater. The Foundry became the Florence Stove and Manufacturing Company when Henry H. Theole moved his company to Commerce Street in 1888 from Evansville, Indiana. An important businessman in Florence, Thomas Jefferson Phillips partnered with Theole. Phillips owned many entrepreneurial ventures in the Sweetwater area of Florence. When the Florence Stove Company commenced manufacturing, the factory produced stoves, heaters, wash pots, skillets, “sad” irons for ironing, and “dog” irons for fireplaces in a 150,000 square foot warehouse facility. Theole specialized in machine and jobbing work for repairing brass and iron molding and pattern work. Theole would hire local former slaves who became well-known locally for casting. The artisan former slave Pompeii worked at the company and cast sets of dog irons which can be seen at the W.C. Handy Museum in Florence. Workers who worked at the Florence Stove Company lived in a group of red frame houses owned by the company due south of the foundry on “Theole Row”. Theole also employed convicts at the Florence Stove Company as operators and common workers in the foundry. In 1918, the Florence Stove and Manufacturing Company was failing financially and two brothers, Charles and William Martin, Sr., partnered and purchased the company. The two brothers renamed the failing company Martin Stove and Range Company and within two financial quarters, the enterprise turned profits. During the 1970s, the Martin Stove and Range Company was reorganized into Martin Industries, Inc. And by 1987, Martin Industries, Inc., sold the families interest to a partnership of employees at the Florence facility who currently run the company on East Tennessee Street today. As of the late 1980s, the payroll was 1.5 million dollars with annual sells being five million dollars for more than 10,000 tons of gray iron casting.
Text Sources: “Martin Industries, Inc. - Company Profile, Information, Business Description, History, Background Information on Martin Industries, Inc.” last modified 2015. Martin Industries, Inc. Forum. http://www.referenceforbusiness.com/history2/45/Martin-Industries-Inc.html. McDonald, William Lindsey. "Remembering Sweetwater: The Mansions, The Mills, The People." photos by L.D. Staggs, Jr. Killen, Ala., Bluewater Publications, 2002. McDonald, William Lindsey. "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003. Picture Source: UNA Archives & Special Collection. William L. McDonald Collection. “The Foundry/Florence Stove and Manufacturing Company.” Florence, Alabama, Box 12: Florence Industry, 12-31.
National Register of Historic Places; Gothic Revival; Architecture; Education; Civil War
Nashville architect Adolphus Heiman designed the Gothic Revival building and Zebulon Pike Morrison, a native of Virginia, who migrated to Lauderdale County constructed the building. Wesleyan Hall was reportedly his finest work. The three story masonry building was built in 1855 as the new home of Methodist church affiliated LaGrange College. When the school, under the leadership of Dr. R.H. Rivers, moved to Florence the name was changed to Wesleyan University. The college operated under the Methodist Conferences of Alabama, Tennessee, and Mississippi until the Civil War. Mass enlistment forced the school to close and the grounds were periodically used by troops. After the war the Methodists found they did not have enough funds to reopen. The building was offered to the state and the building became the State Normal School in 1872. The Alabama State Normal School was the first state supported teachers school in the south and a legislative Act in 1873 included the education of women, another first for the region. The building is now part of the University of North Alabama. The 1974 NR nomination lists the significance of Wesleyan Hall in terms of architecture, as one of the few surviving Gothic Revival buildings in the area, and in terms of education for its role in the education of Alabama’s teachers. All information and pictures for this Omeka entry were found in the National Register nomination.
Floyd, W. Warner. National Register Nomination. “Wesleyan Hall” (#74000417) (6/20/74).
Wood Avenue Church of Christ is one of the oldest Churches of Christ in Lauderdale County. The Church of Christ denomination emerged out of the American Restoration Movement, a movement to reestablish America’s Christianity on the teachings of the New Testament and lasted from 1801 to 1906. Restoration followers were known as Stoneites and Campbellites, named after the two prominent leaders of the movement, Barton Stone and Alexander Campbell. Congregations set up by followers of Campbell called themselves Disciples of Christ, while those established by Stoneites were called Churches of Christ. The beliefs of the Restoration Movement made their way into the Shoals during the 1820s and 1830s through efforts of Restoration ministers, who ultimately shaped the religious culture in the region. The first two Restoration ministers to enter the Shoals were Ephraim D. Moore and James Evans Matthews. However, the Restoration Movement in the Shoals did not take place without opposition. Baptists and Presbyterians entered the Shoals during the late eighteenth and early nineteenth centuries and did not approve of the activists’ efforts. For example, in 1830 the Muscle Shoals Baptist Association printed a resolution that defined the Restoration Movement as a “divine operation of the Holy Spirit either disavowed or so obscurely avowed, as to amount to disavowal. We see experimental religion ridiculed and reprobated.” In addition to the vocal opposition from various denominations, in his article “History of the Church of Christ in Northwest Alabama, 1866-1880,” Shoals region historian Wayne Kilpatrick argued that the Civil War ultimately hindered the Restoration Movement in the Shoals region. Kilpatrick claimed that many churches in the Shoals, including Restoration congregations, experienced a drop in membership during the war, which Kilpatrick defined as the “silent years” of the Restoration Movement. Nevertheless, following the end of the war, Churches of Christ started to organize. One of the earliest Churches of Christ in Lauderdale County, Popular Street Church of Christ, organized in 1886 and T. B. Larimore (the founder of Mars Hill Bible School) was a congregant. For the first four years, the congregation met in personal homes until a building was built in 1890 on Popular Street in Florence. The church was at this location eighty years, until on March 1, 1970, when the church relocated to the current location on Wood Avenue. After the relocation, the congregation decided to change the name of the church from Popular Street Church of Christ to Wood Avenue Church of Christ. The Gothic designed brick structure that acts as the current church today was designed and built by local master mason, the Putman brothers.
Text: Wayne Kilpatrick, “History of the Church of Christ in Northwest Alabama, 1823-1861,” Journal of Muscle Shoals History Vol. XI (Tennessee Valley Historical Society, 1986): 36. Wayne Kilpatrick, “ History of the Church of Christ in Lauderdale County, 1866-1880,” The Journal of Muscle Shoals History Vol. XI (Tennessee Valley Historical Society, 1986): 67-85.
Edward A. O’Neal was born on September 20, 1818, in Madison County, Alabama. His parents were Edward and Rebecca Wheat O’Neal. O’Neal graduated from La Grange College and worked as a lawyer in Florence. He served as a solicitor of the Fourth Judicial District. He was married to Olivia Moore O’Neal. They made their home in Florence, Alabama. They had several children. A son, Emmet O’Neal, would become Governor of Alabama in 1911. O’Neal supported secession and raised a company from Lauderdale County: the 9th Alabama Regiment. O’Neal joined the Confederate army at the beginning of the Civil War with the rank of Captain. He was steadily promoted from captain to colonel. He served in the Army of Northern Virginia under General Robert E. Lee as a colonel in the 26th Alabama. Later he served under General Joseph Johnston and General John Bell Hood. Before the war’s end, O’Neal had obtained the rank of brigadier general. He and his men were engaged in battle at Yorktown, the Battle of Seven Pines, the Seven Days’ Battle, Chancellorsville, Gettysburg, Franklin, and Nashville, among others. After the war, O’Neal continued to practice law. He was elected to the Constitutional Convention in 1875. While at the convention he helped to pass Section 9, Article 13, a measure that sanctioned the reform of the state education system. O’Neal was elected the twenty-seventh governor of Alabama in 1882 and again in 1884. He passed away on November 7, 1890. His remains are interred in the Florence Cemetery.
William Lindsey McDonald, A Walk Through The Past: People and Places of Florence and Lauderdale County, Alabama. (Bluewater Publications, 2003), 50-52. Robert S. Steen, History of Foster House- Courtview- Rogers Hall and Early City of Florence . Florence: University of North Alabama, No Date, 66-67. Image of Edward A. O'Neal courtesy of UNA Collier Library Archives Images of Edward A. O'Neal Home and Historic Sign, Kayla Scott
William McDonald Richardson owned the Richardson Lumber Company. Richardson had served as the first manager of the Acme Lumber Company. The Richardson Lumber Company was located on Sweetwater Creek on Huntsville Road between Sweetwater Avenue and Minnehaha Street. Richardson built his lumberyard on the old site of the Florence Planning Mill and Manufacturing Company. After some time, Richardson moved his lumber company to downtown Florence on to East Tennessee Street. Richardson had gained valuable experience at Acme Lumber Company as manager before opening up his own lumberyard. He had the unfortunate privilege of being the Acme Lumber manager when the Spanish influenza broke out in Florence in 1918. He had to oversee round the clock shifts to produce the large number of coffins necessary to bury the deceased during the influenza outbreak. The coffins were primarily for the construction workers at Wilson Dam in 1918 and the workers at the Colbert County nitrate plants as well.
Text Sources: McDonald, William Lindsey. "Remembering Sweetwater: The Mansions, The Mills, The People." photos by L.D. Staggs, Jr. Killen, Ala., Bluewater Publications, 2002. McDonald, William Lindsey. "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003. Picture Source: UNA Archives & Special Collection. William L. McDonald Collection. “Richardson Lumber Company.” Florence, Alabama. Box 12: Florence Industry, 12-06.
The First Presbyterian Church of Florence is the oldest continually operating congregation in Florence, Alabama. Early Presbyterian settlers of Florence bought land lot 84 from the Cypress Land Company in 1818 for a total of $1,600 and built a wooden structure that acted as the church. During the early years of existence, prominent members of the Florence community claimed to be members of the church. For instance, Ferdinand Sannoner (the town’s land surveyor) and John Coffee (War of 1812 Veteran and a founder of Florence) both financed the construction and were members of the church. In 1824 the congregation replaced the wooden structure with a brick building. This new building consisted of a gallery for slaves and designated pews for children. Also during the early years in Florence, the First Presbyterian Church housed other denominational worships due to the structure being the only church building in town. William Mitchell served as the church’s pastor from 1851 to 1872. One of the most interesting stories of Florence history derives from Mitchell’s actions in First Presbyterian Church during the Civil War. Union troops occupied Florence on numerous occasion during the war, which was the case on July 27, 1862. On this summer day, Rev. Mitchell entered the pulpit and faced a congregation filled with Florence citizens and Union troops. Before his sermon Mitchell prayed for the well-being of the President of the Confederacy, Jefferson Davis, and the success of the Confederate army. After Mitchell’s prayer Col. John Harlan arrested Mitchell and sent the reverend to the Union prison camp in Alton, Illinois, for six months. Mitchell later returned to Florence and continued preaching at First Presbyterian Church. Despite the Civil War and Reconstruction, the First Presbyterian Church never moved from its original location. However, since the 1890s there have been numerous renovations and expansions. The most recent being in 1971 when a three story classroom, an office, and a fellowship hall were added to the church. Today, in addition to proving worship services, the church houses wedding venues and many Florence community organizations use the building as a meeting place.
Text: Carolyn Barske. Images of America: Florence (Charleston: Arcadia Publishing, 2014), 96. Jill Knight Garrett, A History of Lauderdale County, Alabama, 145. Bill McDonald, “Mitchell Best Known for Prayer,” Times Daily, January 4, 2001, in folder “McDonald Collection: Church Iformation Collection-Vol. 8: Other Denominations-Presbyterian, Churches 8.4,” Bill McDonald Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama. First Presbyterian Church, “Our History,” http://www.fpcflorence.org/our-history.html (accessed May 1, 2015).
The University of North Alabama traces its roots all the way back to LaGrange College and its charter in 1830. The college moved to Florence in 1855 and renamed Florence Wesleyan University. The college closed during 1861-1869 due to the Civil War. When it reopened, it failed due to lack of funds. The school and land was then deeded to the state of Alabama to be used as a normal college. The State Normal School opened in 1872. This college was the first normal school south of the Ohio River and the first co-educational institution in the state. In 1887 the name of the school was changed to State Normal College. In 1913 the school name was changed back to State Normal School. In 1957 the name was changed to Florence State College and in 1968 it became know at Florence State University. Finally, in 1974 the college became known as the University of North Alabama. The school now offers more than 90 majors and consists of more than 20 buildings. Currently there are over 7,000 students attending the university.
University of North Alabama, "Brief Look at University of North Alabama History." Florence, Alabama, 2005. University of North Alabama, "About," https://www.una.edu/about/ (accessed May 3, 2015).
The Philadelphia Furnace was located on Sweetwater Creek to the south of present day Veterans Drive. Originally owned by the father of the Sweetwater boom, Judge William Basil Wood, the furnace was known as the W.B. Wood Furnace in 1889. The W.B. Wood Furnace was one of the first industries in the Sweetwater area, but it was incomplete. John W. Norton of Philadelphia, Pennsylvania was hired as its manager. While Norton was manager, he oversaw the completion of the W.B. Wood Furnace in 1891 and the furnace was renamed in honor of his home city of Philadelphia. The Philadelphia Furnace could produce 45,000 tons of iron a year. By 1892, the Philadelphia Furnace fell into financial trouble because of the economic depression of 1892 and was subsequently sold to the Sloss-Sheffield Steel and Iron Company a few years later in 1899. The Sloss-Sheffield Steel and Iron Company owned the Philadelphia Furnace from 1899 to 1926 when in 1926 the furnace was blown out. In 1901, the Sloss-Sheffield Company resumed operation after the company upgraded and remodeled the furnace that was ten years old. Under the direction of the Sloss-Sheffield Company, the Philadelphia furnace employed 175 men in 1906 and could produce up to two hundred tons of iron a day. At the peak of production for the furnace, it produced about 70,000 tons of iron a year. Unfortunately, production stopped in 1926. The workers for the Philadelphia furnace lived in a company-owned village along what is now Veterans Drive and what was and is Aetna Street. The Sloss-Sheffield Company provided a two-story brick commissary for food, dry goods, and other necessities for the families of the Philadelphia furnace workers. When in operation, the furnace was a remarkable sight. The furnace had the highest smokestack in all of Sweetwater. The furnace operated around the clock with three shifts per day. When the night shift would clock in, they would be the men who began the process of dumping the molten red slag along the railroad tracks by the furnace. Stories abounded over the sight of the molten red slag being dumped. A story of an immigrant Irish worker to east Florence, Pat McClutchin, described him being awoken from sleep around midnight to the glow of the molten red slag. He was staying at the Kiddy Hotel at the time in Sweetwater and was heard moaning by the other guests in the hotel. According to the story told about McClutchin, he thought he had died and gone to the gates of Hell. McClutchin's fear was not true, but the slag was always that hot.
Text Sources: McDonald, William Lindsey. "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003. UNA Archives & Special Collection. McDonald Collection. Factories and Mills. Box 25, Volume 3, Factories and Mills File 3.1. Florence, Alabama. William Lindsey McDonald, “Untitled Manuscript." McDonald, William Lindsey. "Sweetwater: The Story of East Florence." Florence: Florence Historical Board, 1989. Sheridan, Richard C. “Industrial Growth in the Shoals Area 1818-1933,” Journal of Muscle Shoals History, vol. 7 (1979). Picture Source: UNA Archives & Special Collection. William L. McDonald Collection. “Philadelphia Furnace.” Florence, Alabama. Box 12: Florence Industry, 12-29.
National Register of Historic Places; Education; Church of Christ
Theophilus Brown Larimore constructed the two story frame house in 1870 to serve as a home and school. The house is significant for its association with religion, education, and social history. Larimore served as headmaster and Church of Christ minister until 1887. Larimore then closed the school and focused on his ministry in the area. The house passed to his son Virgil Larimore until it was acquired in 1946 and returned to its use as a religious school. Originally called Lauderdale County Bible School the name was changed to Mars Hill Bible School under which name the school has continued to flourish. The house/school is a simple frame two story hipped roof structure sited on a full brick raised basement. A one story porch extends the full width of the house and serves as a veranda from the second floor accessed by a central door leading from the upstairs hall. Of note are the simple wooden sash interpretation of Gothic Revival styling on the first floor windows. The current porch configuration differs from the description and photos taken for the 1974 National Register nomination. Due to the exterior changes and age of the National Register nomination it is suggested that the nomination be updated. All information for this Omeka entry was obtained from the nomination and an exterior survey of the property.
Floyd, W. Warner. National Register Nomination. “Larimore House (Mars Hill Bible School)”. ((#74000416) (11/21/74).
The Episcopalian movement in America began in the late 1700’s and spread into northwest Alabama during the 1800s. The oldest Episcopalian parish in the area is Trinity Episcopal Church in Florence, Alabama. In the 1820s the early congregation met at school houses, hotels, and private homes. It was not until the arrival of South Carolina Reverend Thomas Cook in the Shoals did a plan for constructing a church building emerge. Cook helped raise nearly fifteen thousand dollars for the construction of a building. As a result, the first church structure was completed in 1838. This edifice was located on a lot donated by local resident James Jackson, and sat on the corner of College and Cedar Streets in Florence. Seven years later in 1845, the first Bishop of Alabama, Reverend Hamner Cobbs, concentrated Trinity Episcopal Church. Trinity Episcopal Church closed during the Civil War. In fact, all Episcopal churches in the state of Alabama closed during the war by Federal authorities because the ministers were ordered to omit prayer for the President Abraham Lincoln. Nearly thirty years after reopening its doors to the public, in 1893 a fire caused for the church to burn down. One of the few items salvaged was the church’s bell, which is in the present day church’s belfry. Following the fire, Florence resident Mrs. William Hardin gave the congregation a lot of land on the corner of Pine and Tuscaloosa Street downtown Florence. On this land, a new brick structure was completed in 1894. Five years later, Bishop Richard Wilmer consecrated the new church building on June 12, 1898. The brick structure is one of the finest examples of Gothic architecture in Lauderdale County. The building consist of a carved wood altar, chancel furnishings, and beautiful stained glass windows. Some of the renovations include the Parish House’s construction in 1929 and the additions of an education building and a Mullen Hall in 1967.
Text: Oscar D. Lewis, “Trinity Episcopal is One of City’s First,” in folder McDonald Collection: Church Information Collection-Vol. 8: Other Denominations-Episcopal, Churches 8.2,” Bill McDonald Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama. Jill Knight Garrett, A History of Lauderdale County, Alabama, 145-146.
Florence Ice and Coal Company/Central Ice Company
Two separate ice and coal companies merged to create the Florence Ice and Coal Company. The first company was Chapin Ice and Coal Company. The second company was H.J. Moore Coal Company. Chapin, before the merger, boasted that the company could produce up to 25 tons of ice per day. In 1902, the two companies merged to create the largest manufacturer of ice and provider of coal in Florence. The water used for the manufacturing of the ice at Florence Ice and Coal was pumped from a pure spring in the Sweetwater area, fortunately, multiple springs existed in Sweetwater. The company owned its own purification plant to help clean the water from the mineral free spring. In addition to the purification plant, the company owned over a dozen horses to transport the heavy loads of ice to the people of Florence daily. How the workers of Florence Ice and Coal knew to replenish their customers with a fresh block of ice was a placard system instituted by the company and a set of four cards given to customers. The customers would have the option of 25, 50, 75, and 100 pound blocks of ice to be delivered to their ice boxes daily by the route runners of Florence Ice and Coal. The placards had to be upright to have any ice delivered to their home on a daily basis. After twenty-six years, Florence Ice and Coal Company became Central Ice Company, eliminating coal from their services.
Matthew C. Fesmire, University of North Alabama
Text Sources: McDonald, William Lindsey. "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003. McDonald, William Lindsey. "Remembering Sweetwater: The Mansions, The Mills, The People." Killen, Ala., Bluewater Publications, 2002. McDonald, William Lindsey. "Sweetwater: The Story of East Florence." Florence: Florence Historical Board, 1989. Picture Source: UNA Archives & Special Collection. William L. McDonald Collection. “Florence Ice and Coal Company/Central Ice Company.” Florence, Alabama. Box 12: Florence Industry, 12-31.
The shape-note notation was an American pedagogical tool designed to increase the music education of the average citizen who did not have the financial resources or time to learn the traditional round note notation. New Englanders William Smith and William Little patented the shape-note notation in 1796 and published The Easy Instructor, the first shape-note tunebook, in 1801. Smith and Little used four geometrical shapes to symbolize individual music notes on the staff instead of the traditional round note heads. Smith and Little’s use of syllables to designate and sing pitches is called solmization. The four-syllable solmization system in The Easy Instructor allotted a right sided triangle to indicate the note fa, an oval symbolized sol, a square was assigned for la, and a diamond represented mi. Smith and Little initially created the system as a response to the widespread musical illiteracy among America’s common folk. The effects of this music illiteracy were most evident in Protestant church services during the eighteenth century, when congregations practiced a singing technique called “lining out.” Lining out, also known as “call and response,” involved a minister singing the words of a song as he saw fit, and the congregation repeating the words and melody. While lining out enabled them to sing, it did not require participants to be literate in music and many believed that it produced poor quality music. For instance, in 1721, music reformer Thomas Walter characterized call and response music as “hideous and disorderly … beyond expression bad … miserably tortured, and twisted, and quavered … a horrid Medley of confused and disorderly Noise.” Not long after The Easy Instructor was published in 1801, other music composers acknowledged the shape-note notation’s pedagogical effectiveness in teaching music literacy. Many composers adopted the rudimental introduction and the system to notate songs. Over thirty-eight four shape-note tunebooks were composed between the years 1801 and 1855, many due to the Second Great Awakening. The Second Great Awakening spawned hundreds of new hymnals. Since camp revivals relied upon communal singing, shape-note tunebooks provided a means for the congregations to participate in hymn singing. Some religious denominations, such as the Primitive Baptists and the Churches of Christ, realized the effectiveness of shape-notes, and, as a result, adopted shape-note notation in worship hymnals for years following the Second Great Awakening. From 1801 to the 1830s, the shape-note system was taught in singing schools established in urban and rural communities in both the North and South. These singing schools, taught by individuals considered to be vocal masters taught the schools, usually lasted from one to two weeks and relied on shape-note tunebooks to teach attendees the fundamentals of music. After the completion of singing school, many pupils went on to establish communal monthly shape-note singing events, normally lasting a few hours during the afternoon. In addition to these monthly meetings, shape-note singers started to organize state wide conventions that met anywhere from two to three days and targeted a wider geographical area than monthly local singings. Overall, these singing schools, communal singings, and conventions during the nineteenth century spread knowledge of shape-notes in American culture. With the popularity of tunebooks and singing schools came new developments. Some shape-note composers believed that Smith and Little’s four-note system could be improved. One Pennsylvania composer, Jesse B. Aikin, believed all seven notes in the music scale should be taught with shape-notes. In 1846, Aikin’s tunebook The Christian Minstrel, continued to use Smith’s and Little’s geometrical shapes for the notes fa, sol, la, and mi; but he implemented new shapes for the notes do, re, and ti. Aikin “used an equiangular triangle for Doe, a wine glass for Ray, and a fan for See.” Three elements played a factor in why the South far more than the North, enthusiastically embraced, shape-notes during the nineteenth century. First, they were linked with the democracy of music itself. Second, during the Second Great Awakening the singing of hymns unified Southern people in revivals. Last, with the demand for tunebooks during the Awakening, tens of thousands of shape-note tunebooks in the South during the nineteenth century. From the end of the Civil War until the turn of the century, Southerners strove to redevelop their culture and identity. Shape-notes were vital elements in both religious and secular settings during this time period in the South. By the late nineteenth century, many Primitive Baptists, Free Will Baptists, and Churches of Christ in the South adopted shape-notes in worship hymnals. Few musical genres in America have escaped the influence of shape-notes, especially in the South. Many southern gospel, country, and bluegrass musicians learned how to read music and gained the ability to harmonize their voice after studying shape-note tunebooks and attending singing schools. The spread of shape-notes as a result of the southern gospel movement greatly influenced both country and bluegrass music. As children, members of the Carter Family, the Delmore Brothers, and the Louvin Brothers, all three considered key innovators of country music during the twentieth century, attended singing school where they sang music from shape-note singing schools. Also at singing schools, the families learned how vocally harmonize with one another, which helped their music become hit records. Also, Bill Monroe, the father of bluegrass music, developed his high pitched singing voice that is considered to be a distinctively bluegrass sound, while attending singing schools as a child in Kentucky. A twenty-first century country duo from the Shoals, the Secret Sisters, personally acknowledged that their vocal harmonies were deeply rooted in the Church of Christ worshiping services from shape-note hymnals. In all, the notation entered into American culture during the nineteenth century and continues to affect both religious and secular music. The shape-note notation is the root of American music and is the first American music innovation to influence Europe’s music culture.
Text: David Taddle. “Solmization, Scale, and Key in Nineteenth-Century Four-Shape Tunebooks: Theory and Practice.” American Music 1 (Spring, 1996). Joyce Irwin,.“The Theology of ‘Regular Singing.” The New England Quarterly 51, no. 2 (June, 1978). Irving Lowens and Allen P. Britton. “’The Easy Instructor’ (1798-1831): A History and Bibliography of the First Shape Note Tune Book.” Journal of Research in Music Education 1, no. 1 (Spring, 1953). The University of Mississippi Music Department, “The Old Way of Singing,” The University of Mississippi, http://home.olemiss.edu/~mudws/oldway.html (accessed on September 9, 2014). Richard Dalzell, “American Shape Notes: Background, Development, Practice and Present Status,” Ph.D. diss., University of Kansas, 1978. The Center for Church Music: Songs and Hymns, “Lowell Mason,” http://www.songsandhymns.org/people/detail/lowell-mason (accessed on November 22, 2014). Marian J. Hatchett. A Companion to the New Harp of Columbia. Knoxville: University of Tennessee Press, 2003. Nathan Hatch.The Democratization of American Christianity. New Haven: Yale University Press, 1989. Neil V. Rosenberg. Bluegrass: A History. Urbana: University of Illinois Press, 1985. The Secret Sisters, interviewed by Skip Matheny, Nashville, TN, 2012, http://www.americansongwriter.com/2012/09/drinks-with-the-secret-sisters/ (accessed February 3, 2015). George Pullen Jackson, White Spirituals in the Southern Uplands: The Story of the Fasola Folk, Their Songs, Singings, and ‘Buckwheat Notes’. Hatboro, Pennsylvania: Folklore Association, Inc., 1964 Images: George Pullen Jackson, White Spirituals in the Southern Uplands: The Story of the Fasola Folk, Their Songs, Singings, and ‘Buckwheat Notes’ (Hatboro, Pennsylvania: Folklore Association, Inc., 1964): 15. Douglas Harrison, Then Sings My Soul: The Culture of Southern Music (Urbana: University of Illinois Press, 2012), 5.
Florence Gas Light and Fuel Company/Florence Gas Works
This company was the leader in fuel production for the people of Florence. The old Florence Gas Light and Fuel Company/Florence Gas Works operated on Old Huntsville Road, west of the Florence Steam Laundry in Sweetwater. The main office of the company that ran the Florence Gas Works had its headquarters in Cincinnati, Ohio. Production at the facility began in 1903, a year after the company was established in east Florence in 1902. The gas plant produced about 75,000 cubic feet of gas that was used for lighting of street lamps and homes, heating within homes, and cooking as well. The people of Florence had to pay two dollars a thousand cubic feet for lighting in their homes and four dollars and fifty cents per thousand cubic feet for heating and cooking in 1903. The company also sold Welsbach incandescent light appliances and gas stoves for heating and cooking.
Text Sources: McDonald, William Lindsey. "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003. McDonald, William Lindsey. "Remembering Sweetwater: The Mansions, The Mills, The People." Killen, Ala., Bluewater Publications, 2002. Picture Source: UNA Archives & Special Collection. William L. McDonald Collection. “Florence Gas Light and Fuel Company/Florence Gas Works.” Florence, Alabama. Box 12: Florence Industry, 12-02.
The State Normal School began in 1872 after Florence Wesleyan University closed and the building was deeded to the State. This university was the first normal school south of the Ohio River. The college consisted of a two year program to train teachers. A year after the school was opened female students were admitted, but non registered, making the State Normal School the first coeducational institution in the state. Tuition was only $11 a year. In 1887 the college's name was changed to State Normal College.
University of North Alabama, "Brief Look at University of North Alabama History." Florence, Alabama, 2005.
F.H. Foster Manufacturing served a multitude of roles in manufacturing in the Florence area. The F.H. Foster complex was built in between Sweetwater Creek and the Tennessee River along the Louisville and Nashville railroad tracks that ran through the heart of Sweetwater. The various structures located at the F.H. Foster Manufacturing Company included a building for the iron foundry, a building for a brass foundry, a building for wood tumbling, a Japan room, a working area, and an area for packing and machine works.
Text Sources: McDonald, William Lindsey. "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003. Picture Source: UNA Archives & Special Collection. William L. McDonald Collection. “F.H. Foster Manufacturing Company.” Florence, Alabama. Box 12: Florence Industry, 12-31.
During the 1960s and 1970s the music industry in the Shoals earned national recognition through the success of FAME Recording Studio and Muscle Shoals Sound Studio. Musicians such as Bob Dylan, The Rolling Stones, Aretha Franklin, and Percy Sledge have all recorded hit songs at a Shoals recording studio. However, neither studio was the first official studio nor the first recording company in the Shoals. In fact, the first recording company in the Shoals, Tune Records, operated out of the back room of a bus station in Florence, Alabama. James Joiner, whose dad started a Florence-based charter bus company in 1939, wanted to expose the rich musical talent in the Shoals. So, with Kelson Hurtson, Walter Stovall, and Marvin Wilson, Joiner formed Tune Records and Publishing Company during the 1950s. Tune Records was the “first full-fledged record company in Alabama.” Using local radio stations, such as WLAY, to record songs, the company’s first regional hit, “A Fallen Star,” came in 1957. Joiner wrote “A Fallen Star” after watching a shooting star across the night sky, and relied on Bobby Denton’s vocals to do bring the song to life. As a result of the song’s success, musicians across the north region of Alabama traveled to Florence in order to sing for Tune Records. One teenager who cut songs with Joiner’s company was Rick Hall, who would later become Alabama’s most successful music producer at FAME Recording Studios. Due to the inability to produce another regionally successful hit, Tune Records closed down by 1960.
Text: Greg Carmalier, Muscle Shoals: The Incredible True Story of a Small Town with a Big Sound, DVD, Magnolia Home Entertainment, 2014. Christopher S. Fuqua, Music Fell on Alabama (Huntsville: Honeysuckle Imprint, 1991), 8.
Between the 1950s and 1980s the success of Shoals recording studios, such as FAME Recording Studio and Muscle Shoals Sound Studio, earned the Shoals region’s music industry national attention. Artists such as Bob Dylan, The Rolling Stones, and Aretha Franklin recorded top charting hits at Shoals studios. During the twentieth-first century the Shoals music industry has continued to thrive. One reason for this is due to the success of Single Lock Records in Florence, whose name derives from the Wilson Dam, which at time of construction was the largest single lock dam in the world. Established in 2013 by John Paul White (The Civil Wars), Ben Tanner (Alabama Shakes and The Bear), and Will Trapp (a Shoals native and financial advisor), Single Lock Records is an indie label that focuses on local talent. Bands and musicians that have signed with Single Lock Records are The Bear, Belle Adair, St. Paul & The Broken Bones, Dylan LeBlanc, and Donnie Fritts. The record label uses Sun Drop Studios in Florence and hosts concerts at their small venue located at 116 East Mobile Street, Florence, Alabama.
Text: Greg Carmalier, Muscle Shoals: The Incredible True Story of a Small Town with a Big Sound, DVD, Magnolia Home Entertainment, 2014. Single Lock Records,” Alabama Chanin Journal, May 28, 2013, http://alabamachanin.com/journal/2013/05/single-lock-records/ (accessed May 1, 2015). Single Lock Records, “About Us,” Single Lock Records, http://www.singlelock.com/ (accessed May 1, 2015).
Before the city of Florence, Alabama gained renown for its world famous Florence Wagon Works, the wagon company operated in the area of Atlanta, Georgia. One reason why the company moved to Florence was the infrastructure of industry within the Muscle Shoals region, with about sixty different plants and businesses located in the city of Florence. Dr. Alfred David Bellamy, a New York native and owner of the Atlanta Wagon Company, moved the company to Florence in 1889 when the new buildings for the new Florence Wagon Company were completed in 1888/1889. At the height of the Florence Wagon Works’ production the company manufactured enough wagons to be second in North America behind the Canadian wagon company Studebaker. In February of 1890, the Florence Wagon Works employed about seventy-five laborers. By October of 1890, the number of employees expanded to 125, then to 160 by 1897. There is a discrepancy in different sources as to how many people Florence Wagon Works employed at its apex, one source says 175 , whereas another says 250. Regardless of the exact numbers, Florence Wagon Works had a serious impact on employment in the Florence area. Production of the “Light Running” Florence Wagons increased yearly from 1889 into the early twentieth century, to the point where the factory would turn out twenty to twenty-five wagons per day, a very high number for a custom wagon in the pre-assembly line era. At their peak, Florence Wagon Works used an average of two million feet of hardwood per year to produce between ten to fifteen thousand “Light Running” Florence Wagons per year. The “Light Running” Florence Wagon was a casualty to its era. With the invention of the automobile, including the utilitarian pick-up truck, and the advancement in tractor machinery, the “Light Running” Florence Wagon began to meet its demise in the early twentieth century. The diminished necessity of horse-drawn transportation sent the wagon into decline. The greatest decline in business for the Florence Wagon Works was in the 1920s and 1930s when people were able to buy affordable gasoline powered vehicles in the 1920s and the Great Depression of the 1930s. Florence Wagon Works tried to survive the declining demand for horse-drawn vehicles by turning to building lawn furniture in the 1930s. But the company could not survive and was sold in 1941 to a company from Chattanooga called Trenholm & Starr, Inc. who continued the Florence operation for a short period. Eventually, the new ownership moved all operations to Hickory, North Carolina in 1941, leaving open warehouses at the Florence Wagon Works that were used for the storage of cotton, and thus was the end of Florence Wagon Works in North Alabama. There was hope the deserted factory would be used in World War II for defense purposes, but that never materialized.
Text Sources: Florence/Lauderdale Public Library. Vertical History File. Local History & Genealogy. Freeman, Lee. “A Brief History of the Florence Wagon Factory.” Florence, Lauderdale County, AL. Florence Wagon Works 2-2. Florence/Lauderdale Public Library. Vertical History File. Local History & Genealogy. Freeman, Lee. “A Tribute to the Men and Women of the Florence Wagon Works.” Florence, Lauderdale County, AL. Florence Wagon Works 2-2. McDonald, William L. "Remembering Sweetwater: The Mansions, The Mills, The People." Killen, Ala., Bluewater Publications, 2001. Picture Source: UNA Archives & Special Collections. William B. McDonald Collection. “Florence Wagons.” c. 1938, Florence, AL.
Late Nineteenth Century-Early Twentieth Century
Music; Culture; Florence, AL; Muscle Shoals, AL
During the 1960s, 1970s, and 1980s (years generally known as the “recording years”), the success of FAME Recording Studio in Muscle Shoals, Alabama, brought national attention to the region. Musicians such as the Swampers, Joe Tex, Aretha Franklin, Wilson Pickett, The Osmonds, Duane Allman have cut hits at the legendary studio ran by Rick Hall. However, the studio did not originate in Muscle Shoals. Instead, the recording studio was founded in downtown Florence, Alabama, at the intersection of Tennessee St. and Seminary Street. Influenced by the success of the hit song “A Fallen Star” recorded by the Florence recording studio known as Tune Records in 1957, Rick Hall, Billy Sherrill, and Tom Stafford decided to collaborated together and establish the Florence Alabama Music Enterprises, or FAME. The location of the original FAME recording studio was in the second floor suit above the Florence City Drugstore. To make the rooms have the vibe as a recording studio, egg cartons were placed on the walls for soundproofing. During the early years, the recording studio brought in talented local musicians such as Dan Penn. However, Hall believed that he, Sherrill, and Stafford needed to put more hours into recording and producing songs. His intense approach to the music industry did not settle well with his partners. As a result, in 1960 the partnership between the three ended. Hall was given the rights to the FAME name and FAME publishing company and would go on to establish the nationally acknowledged FAME Recording Studio in Muscle Shoals. Stafford continued to operate the studio above the City Drug Store, which became Spar Music Studio. At Spar Music, local musicians such as Donnie Fritts, Spooner Oldham, Jimmy Johnson, David Hood, and Roger Hawkins joined together on daily basis to play music. However, Spar Music Studio did not produce a hit record and closed its doors during the early 1960s. A historical marker is the only symbol left for the birthplace of FAME because the building ceases to exist.
Text: Greg Carmalier, Muscle Shoals: The Incredible True Story of a Small Town with a Big Sound, DVD, Magnolia Home Entertainment, 2014. Christopher S. Fuqua, Music Fell on Alabama (Huntsville: Honeysuckle Imprint, 1991), 14-19.
Theatre; Arts; University of North Alabama; Florence, AL
On March 2, 2012, the University of North Alabama (UNA) in Florence, Alabama, conducted a grand ceremony for the George Lindsey Theatre. The university broke ground for the theatre exactly a year earlier in March of 2011. One individual in the crowd during the grand ceremony was George Smith Lindsey, the individual who the theatre was named after. Lindsey attended Florence State Teachers College (now present day University of North Alabama) during the late 1940s. At Florence State Lindsey excelled both on the football field and in the theatre. After graduating in 1952 with a Bachelor Degree in second education and physical education and serving in the Air Force, Lindsey attended the prestigious New York theatre school—the American Theatre Wing—in the late 1950s. Shortly thereafter, he earned the infamous role as Goober Pyle on “The Andy Griffith Show” during the 1960s and later caused many Americans to laugh with his comedy sketches on the show “Hee Haw.” Therefore, the University of North Alabama decided to name the newly constructed theatre after one of its most acclaimed alumnus. The theatre is located on the southwest corner of UNA’s campus on the Irvine Street. In all the theatre consists of over eight thousand square feet and is the “Shoal’s are premier theatre space.” Offices, conference rooms, classrooms, and the Borgnine Performance Hall are in the George Lindsey theatre. The Borgnine Performance Hall is a black box theatre (black walls and flat floor), that provides UNA students with versatile performance space. In addition, the theatre is equipped with state-of-the-art theatrical equipment. The total cost for the construction of the George Lindsey Theatre was two million dollars.
Text: University of North Alabama, “UNA to Host Grand Ceremony for Black Box Theatre March 2,” in folder “University Architecture: Fine Arts Center—George Lindsey/Ernest Borgnine Performance Hall,” University Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama. University of North Alabama, “George Lindsey-Biography, University of North Alabama, https://www.una.edu/library/collections/george-lindsey---biography.html (accessed May 1, 2015). Michelle Rupe Eubanks, “Theater to be Named for George Lindsey,” in folder “University Architecture: Fine Arts Center—George Lindsey/Ernest Borgnine Performance Hall,” University Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama.
This company was founded in the East Florence area of Sweetwater. The initial founders of the company were R.M. Martin, President, Colonel Noel F. Cherry, Vice-President (and founder of the Mountain Mills and Cherry Cotton Mill), and S.S. Broadus, Secretary and Treasurer (founder of the short lived Broadus [Cotton] Mill in the Sweetwater area located close to present day Veterans Drive and Wilson Dam Road, also treasurer of the Merchant’s Bank in Florence as well ). Located along the railroad tracks in Sweetwater, the Florence Machine Company served as a manufacturing spur along the railroad line through east Florence. When it was founded, the capital investment within the company was ten thousand dollars.
Text Sources: McDonald, William Lindsey. "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003. Picture Source: UNA Archives & Special Collection. William L. McDonald Collection. “Florence Machine Works.” Florence, Alabama. Box 12: Florence Industry, 12-33.
Statues/Monuments; Florence, AL; Handy, W.C.
The W.C. Handy Statue is located in Wilson Park near downtown Florence. The statue depicts Florence native and "Father of the Blues," W.C. Handy playing his trumpet with sheet music of some of his most famous songs at his feet.
Theatre; Arts; Culture; Music; Florence, AL
According to Sanborn Fire Insurance Maps, an opera house operated in Florence during the late 1880s and permanently closed its doors during the early twentieth century. Between 1894 and 1905 the venue was known as Turner Opera House. During the years of operation, the opera house had numerous managers, such as John B. McClure. Many national recognized actors and artists, such as the Conklings, Mr. John Thompson, Mr. Rowland D. Williams, and General John B. Gordon, put on dramas, comedies, and musical concerts. In addition, local talent from the Shoals put on shows and events. For example, actors from Florence and Sheffield put on the opera “H. M. S. Pinafore” on January 24, 1896. On regular occasions the proceeds of events went towards local charities, such as the construction of Confederate Monument and City Infirmary.
Text: “Sanborn Fire Insurance Maps,” Florence Lauderdale Public Library, Local History Room Collection, folder “Opera House,” Florence, Alabama. “Opera House. Two Good Attractions for February 22nd, and March 15th,” Florence Herald, February 1, 1984, Florence Lauderdale Public Library, Florence, Alabama, Local History Room Collection, folder “Opera House,” Florence, Alabama. “H. M. S. Pinafore. In the Opera House Friday, January 24th,” Florence Times, January 11, 1896, Florence Lauderdale Public Library, Local History Room Collection, folder “Opera House,” Florence, Alabama. “Gen. Gordon’s Lectures,” Florence Standard-Journal, May 6, 1898, Florence Lauderdale Public Library, Local History Room Collection, folder “Opera House,” Florence, Alabama. Images: Flyer for a 1895 play at the Florence Opera House, Nolen Collection, “Florence area 1880s-1920s: Photos,” Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama.
The Florence Lumber Company was established in the early 1910s. Today, Florence Lumber Company is located on East Tennessee Street in downtown Florence. The company has been a mainstay in Florence for around a century and is one of the earliest lumber businesses in Florence to be in operation. The lumber company is operated by Uhland O. Redd III, a descendant of one of the original founders of the Florence Lumber Company. In the early twentieth century, Florence Lumber Company was at the center of a local controversy involving the construction of the Bungalow style home in downtown Florence. The controversy centered around the bungalow home being an uncommon home in contrast to the traditional homes in northwestern Alabama area since the style was a transplant from California. Many in the downtown Florence community complained about the bungalow controversy, but, in the end, the bungalow style homes were built. Florence Lumber Company built a number of bungalows, as well as houses of other styles, around Florence.
Text Sources: McDonald, William Lindsey. "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003. Picture Source: UNA Archives & Special Collection. William L. McDonald Collection. “Florence Lumber Company.” Florence, Alabama. Box 12: Florence Industry, 12-06.
Dr. Richard Henderson Rivers was the first president of Florence Wesleyan University. Dr. Rivers was named the president of LaGrange College in Leighton, Alabama, in 1854. In January of 1855, LaGrange College moved to Florence, Alabama, where classes were first held in the Masonic Hall. The name of LaGrange College was changed to Florence Wesleyan University on February 14, 1855. Dr. Rivers’ tenure as president saw the completion of Wesleyan Hall in 1856. Dr. Rivers left Florence Wesleyan University in 1861.
A Brief Look at University of North Alabama History 1830-2005. Booklet published by the University of North Alabama. Image courtesy of UNA Collier Library Archives
In 1855 by the Presbyterian Synod of Nashville opened the Florence Female Synodical College. Zebulon Pike Morrison, who constructed Wesleyan Hall, also built the two buildings that housed the college. Young women of any religious denomination could attend the school. The college trained women art, languages, drawing, painting, English, geography, arithmetic, and music. The college closed in 1893. The college stood where the Florence Post Office now is.
William Lindsey McDonald, A Walk Through The Past: People and Places of Florence and Lauderdale County, Alabama. (Bluewater Publications, 2003), 89.
The Cypress Mill was located on Cypress Creek in Florence. The Cypress Mill was rebuilt from the old skeletal remains of the pre-Civil War cotton mill known as the Globe Factory. After Union Colonel Florence M. Cornyn of the 10th Missouri Calvary set the mill ablaze in 1863, it took several years for James Martin to get Cypress Mill back up and running. He advertised for at least forty able-bodied men to help in the rebuild of one of the old Globe Factory factories in 1866. But it was not until 1873 that operations were commenced at Cypress Mills, after the heirs of James Martin conveyed all their interest to the Cypress Mills Corporation in 1873. At the commencement of operation, Cypress Mill had a capital stock of seventy-five thousand dollars, 3,000 spindles, 60 looms. 50 employees, and consumed about 600 bales of cotton annually. The mill used hydropower from a thirty-five foot dam on Cypress Creek and that dam powered the three-story facility that sat at the edge of the Cypress. Cypress Mills Company purchased about 1,500 acres for their workers and built a mill village for them on the tract of land. Just over fifteen years later, when Cypress Mill was sold to the Cherry brothers in 1889, Cypress Mills production was drastically cut, and many of the employees followed the Cherry brothers when they relocated the mill in Barton, Alabama. In 1892, Cypress Mill had 2,500 spindles, 60 looms, and 9 cards. By 1893, Cypress Mill had ceased production and closed its doors.
Text Sources: McDonald, William Lindsey. "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003. Wilhelm, Dwight M. "A History of the Cotton Textile Industry of Alabama 1809 to 1950." Montgomery: Privately Published, 1950. McDonald, William Lindsey. "Remembering Sweetwater: The Mansions, The Mills, The People." Killen, Ala., Bluewater Publications, 2002. Picture Source: UNA Archives & Special Collection. William L. McDonald Collection. “Cypress Mill.” Florence, Alabama. Box 12: Florence Industry, 12-03.
The Florence Main Street Program, a non-profit organization, strives to renovate the downtown sector of Florence, Alabama. One of the organization’s recent projects is the beautiful mural located on the exterior wall of Fred’s Super Dollar store located at 321 North Court St. The project required a two-step process during the years 2013 and 2014 and cost a total of $14,000. Beginning in 2013 Shoals artists Tim Stevenson, Robin Campbell, and Ronnie Riner designed and painted the mural’s panels, which according to Stevenson “captures the quality of life enjoyed in the Shoals.” The mural’s seven panels offers a glimpse into life in the Shoals and represents the rich culture in the region. The first phase of the project consisted of five panels. The first panel depicts the Forks of Cypress, the house of James Jackson. The second panel is of The University of North Alabama. The flowing waters of the Tennessee River are painted on the third panel, while the fourth panel shows a front porch scene. Stevenson designed the first phase’s final panel, which shows a Renaissance woman playing the fiddle, in order to express how “music is the heart beat of the area.” In the following year Stevenson, Campbell, and Riner completed the second phase of the mural, which consisted of two panels. The sixth panel’s design consisted of arrowheads, pottery, and feathers, and acted as an homage to the region’s Native American culture. The last panel shows a man and his dog walking along the water banks. Overall, the mural’s artwork represents five components of Florence—local history, education, music, the Tennessee River, and Native American culture.
Text: Jennifer Edwards, “Muralis Interruptus in Florence,” Times Daily,July 7, 2013.
Coca-Cola Bottling Plant/Pratt Bottling Company
In 1907, two men named Russell and Arthur Pratt of Huntsville, Alabama moved a Coca-Cola bottling facility from Sheffield to downtown Florence. The Pratt Bottling Company bottled Coca-Cola in addition to creating and manufacturing their own soft drinks and ice cream flavors. Two years later in 1909, Russell Pratt became the main distributor for Coca-Cola on the West Coast; meanwhile, Arthur Pratt left Florence to pursue Coca-Cola distribution in Newark, New Jersey and New York City, New York. Julia Pratt and manager Burt Snyder took over the operations at the Pratt Bottling Company until 1940 when the Pratt Bottling Company was sold to Walter Matthews Sr. in 1940. Eventually, the Coca-Cola bottling operations moved from downtown Florence to the Florence Industrial Park. Comcast Cable owns the old Pratt Bottling Company building located off of Court Street today.
Text Source: Barske, Carolyn. "Images of America: Florence." Charleston: Arcadia Publishing, 2014. Picture Source: UNA Archives & Special Collection. William L. McDonald Collection. “Coca-Cola Bottling Plant/Pratt Bottling Company.” Florence, Alabama. Box 12: Florence Industry, 12-56.
Early Twentieth-Mid to Late Twentieth Century
Dr. William H. Mitchell was the minister of the Presbyterian Church in Florence during the Civil War. On Sunday, July 27, 1862, Dr. Mitchell was arrested during the church service when he prayed for Jefferson Davis and the success of the Confederacy. General Don Carlos Buell’s Provost Marshal, Colonel John Marshal Harlan was present during the prayer and made the arrest. Dr. Mitchell was incarcerated at Alton, Illinois, for a number of months before he was released and allowed to return to Florence. Sallie Independence Foster recorded the incident in her diary on July 27: “The Yanks went into the Presbyterian Church and took Dr. Mitchell prisoner while he was praying and took him over the river, the Yankees sent word to his wife that she must come to see him or she would not see him again. They would not let him hoist up his umbrella. They said he could stand the sun as well as they could. Poor man, he used to be the president of our school. He said school would open again the 1st of September, but I don’t think it will as we have no president now.”
William Lindsey McDonald, A Walk Through The Past: People and Places of Florence and Lauderdale County, Alabama. (Bluewater Publications, 2003), 67. Image and diary page courtesy of UNA Collier Library Archives Sallie Independence Foster Diary, 1862-1887. Unpublished, University of North Alabama Archives and Special Collections.
Festival; Arts; Culture; St. Florian, AL
The town of Saint Florian, Alabama, has a strong German heritage. It was established in 1872 by a Catholic priest named J. H. Hueser. Hueser, the director of the Homeland Security of Cincinnati, Ohio, purchased over two thousand acres of land in north Alabama, hoping to spread Catholicism into the region. He sold the purchased land for eight dollars per acre to German Catholic families. The German residents established the Saint Michael’s Catholic Church, and the town was named after Mrs. Florian Rasch because she donated the bell for the newly established church. Saint Michael’s Catholic Church also acted as a school. The wife of the first preacher at Saint Michael’s Catholic Church, Annie Merz, taught German classes at the school during the 1870s. In addition to the church, the town had a blacksmith, a boarding house, a post office, a shoe shop, a brick yard, and a cotton gin. Nearly one hundred years after its establishment, on August 18, 1970 the resident’s in St. Florian decided to incorporate the town. Beginning in 2002, the residents in St. Florian celebrated their town’s German heritage with the establishment of the Oktoberfest festival, which takes place during the first weekend in October. The two day festival is located at the St. Florian Community Park. Many attendees wear traditional German clothing, listen to music, drink from the beer garden, and eat German food such as brats and potato balls. The proceeds from the festival goes toward the town’s operating capital for the senior center.
Text: Tennessee Valley Historical Society, “St. Florian,” Journal of Muscle Shoals Vol. X (1983), 143-144. Jill Garrett, “First Catholic Church in County,” in folder “McDonald Collection: Church Information-Vol. 7: Other Denomination-Catholic, Churches 7.2,” Box 37, Bill McDonald Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama. Bobby Bozeman, “St. Florian Celebrates German Heritage with 12th Annual Oktoberfest,” Times Daily, October 2, 2014.
The Cherry Cotton Mill was one of the largest cotton mills in Lauderdale County at the turn of the twentieth century. Cherry Cotton Mill has an industrial genealogy in Lauderdale County that is traceable to before the Civil War. Cypress Mills Company and the Mountain Mills were both precursors to the Cherry Cotton Mill. Cherry Cotton Mill came to Florence in the Sweetwater area by way of Barton, Alabama and Colbert County and the movement of Mountain Mills to east Florence. Located in Sweetwater at the sight of where an old cotton mill used to be in 1832, Colonel Noel F. Cherry (and primary stock holder), Nial C. Elting (founder of First National Bank of Florence), and Charles M. Brandon (who the Brandon School was named after) founded Cherry Cotton Mill in 1893. The Cherry Cotton Mill produced high quality yarns, amongst other textiles, until the doors of the mill closed during the Great Depression. During the boom years of the early twentieth century, the Cherry Cotton Mill employed over 400 people and had a running capacity of 12,000 spoolers. Just before the turn of the twentieth century, the average wage for the common worker at Cherry was fifteen to seventy-five cents a day. Specialized mechanics and skilled craftsman would earn anywhere from a dollar to a dollar fifty a day. A master mechanic would make a dollar fifty a day and a supervisor two dollars a day. Even children were employed at the mill at as young as six years old. The majority of the employees at the mill were women, but both the children and women tended to be paid the lowest, which is indicative of factory work at the beginning of the 1900s. The mill did provide housing to its employees on close by Cherry Hill in Sweetwater. From 1893 to 1929, Cherry Cotton Mill is said to have consumed 150,000 bales of local cotton in production. Prosperous until the Great Depression, the number of people employed in 1936 by Cherry Cotton Mill was 300 workers, a strong number for an economic downturn. The payroll by 1936 averaged two hundred twenty-five thousand dollars annually. Unfortunately, Cherry Cotton Mill did not last much past 1936 and the Great Depression claimed the largest cotton mill in Florence.
Text Sources: McDonald, William Lindsey. "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003. McDonald, William Lindsey. "Sweetwater: The Story of East Florence." Florence, Ala.: Florence Historical Board, 1989. McDonald, William Lindsey. "Remembering Sweetwater: The Mansions, The Mills, The People." photos by L.D. Staggs, Jr. Killen, Ala., Bluewater Publications, 2002. Picture Source: UNA Archives & Special Collection. William L. McDonald Collection. “Cherry Cotton Mill.” Florence, Alabama. Box 12: Florence Industry, 12-29.
Burrell Normal School stemmed from Carpenters High School. In 1904 an extra year of training was added to the school for those who wanted to be teachers. This was the first higher education institution for African American students in Lauderdale County. The first president was G.N. White. After a year of study students would take an exam, if the exam was passed a state teacher's certificate was granted.
Festival; Arts; Culture; University of North Alabama; Florence, AL
One of the world’s oldest spoken art form is storytelling and the Communication Department at the University of North Alabama acknowledges this. Beginning in 2011, UNA communications professor Dr. Bill Huddleston started to offer the course COM 480/580, which focuses on storytelling. Also beginning in 2011, the University of North Alabama and the Alabama Humanities Foundation, a state program of the National Endowment for the Humanities, co-sponsored an annual event known as Front Porch Storytelling Festival. The festival takes place in May on the University of North Alabama’s campus and various places in the city of Florence, such as Wilson Park and McFarland Park. During the festival, national, state, and local orators and musicians provide entertainment. In 2015, the first “Story Slam” took place. The Story Slam is an open competition to high school and middle school students, who share a five minute personal stories from their lives based on a themed subject. The winner of the Story Slam competition receives a five hundred dollar award.
Text: “A Class Act,” in folder “University Events: Front Porch Storytelling Festival,” University Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama. Terry Pace, “Front Porch Storytelling Festival,” The Quad-Cities Daily, May 13, 2013. University of North Alabama, “Story Slam,” UNA Front Porch Storytelling Festival, www.una.edu/storytelling.student-competition-html (accessed May 1, 2015). Images: folder “University Events: Front Porch Storytelling Festival,” University Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama.
Since 1986, the city of Florence has hosted an annual two day festival dedicated to highlighting the local area’s rich art culture known as Arts Alive. Each year, the event has is organized through the hard work and efforts of a volunteer committee. During the event local, regional, and national acclaimed artists set up booths at Wilson Park and the Kennedy Douglas Center for the Arts in downtown Florence.The festival does not focus on one particular style of art. Instead, the festival showcases artworks from various categories—painting, stained glass, jewelry, sculpture, pottery, fiber art, needle work, photography, music, and more. One local artists claimed that the festival is both unique and important for the artist and community because provides the two different spheres an “opportunity to meet and talk.” In addition, the festival stresses the importance of art among the younger generation with the inclusion of a dedicated area for children artwork. Overall, the admission is free and the art is beautiful.
Text: Arts Alive Alabama, “Information,” Arts Alive, www.alabamaartsalive.com/information (accessed May 2, 2015). “Arts are Alive: Annual Festival Returns to Downtown,” Times Daily, May 12, 2014. “This Year The Arts Live,” Courier Journal, April 22, 2015.
Florence Cotton Oil Company/Ashcraft Cotton Mill/Florence Cotton Mill
The Ashcraft Cotton Mill began not as a cotton mill for the weaving of textiles, but as a refinery for cotton oil. In the spring of 1898, C.W. and Erister Ashcraft founded and incorporated the Florence Cotton Oil Company. The distance of other similar facilities in Nashville, Memphis, and Birmingham, made for a lengthy treks for local farmers, hence the formation of the company and the refinery. In 1898, cottonseed had a going rate of five dollars per ton. So the elimination of distance created a rise of about 500 percent in the amount paid for local cottonseed to process into cotton oil. In the single year of operation for Florence Cotton Oil, they employed in between 50 to 75 workers. About a year later, the Ashcraft clan decided to stop producing cotton oil and start producing cotton textiles. John T., C.W., Lee, Erister, and Fletcher Ashcraft, all brothers, in addition to Andrew J. Ashcraft, their father, formed a partnership in creating the Ashcraft Cotton Mill. The mill was located at the intersection of South Cherry and Terrace Streets in the Sweetwater area of Florence. At the time of incorporation in 1899, Ashcraft had an organized capital stock of one hundred thousand dollars, then in 1900 one hundred and fifty thousand dollars, giving the company a well-capitalized beginning. One of the largest cotton mills operating in Lauderdale County, the mill had over 3,600 spindles and 100 looms ready for operation in 1899. Upon the opening of the mill in 1900, the city of Florence celebrated in grand fashion, having a large celebration for the local citizens and dignitaries with a big brass band to boot. By 1903, the Ashcraft mill was valued at two hundred thousand dollars. By 1903, Ashcraft Cotton Mill employed at least 250 men and women and provided housing for the employees. The production of the workers helped the mill use 4,000 bales of locally grown cotton annually, which the finished product was sent across North America. In 1927, the Ashcraft Cotton Mill was renamed the Florence Cotton Mill. The Florence Cotton Mill survived the Great Depression and paid a decent wage during the economic depression at about fifteen dollars per week. Even though the mill survived the Great Depression, it could not survive the foreign textile industry and closed its doors at the end of World War II.
Text Sources: McDonald, William Lindsey. "Remembering Sweetwater: The Mansions, The Mills, The People." photos by L.D. Staggs, Jr. Killen, Ala., Bluewater Publications, 2002. McDonald, William Lindsey. "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003. “Florence As She Is.” "The Florence Times." 1903. Image Source: UNA Archives & Special Collection. William L. McDonald Collection. “Ashcraft Cotton Mill." Florence, Alabama. Box 12: Florence Industry, 12-36.
Festival; Music; Arts; Culture; Florence, AL
During the early 2000s, award winning American fashion designer Billy Reid established his flagship store in downtown Florence. In addition to his good taste in fashion, Reid also loves music. He has recognized that the town of Florence and the surrounding area has a rich music culture, both in the past and in the present with up and coming artists. Therefore, in 2008 he organized a weeklong event during the Fall of each year in downtown Florence that celebrated and exposed this unique culture. Local bands play concerts at Wilson Park and vendor booths line the streets selling art, food, and clothing. In all the event is full of “good music, good fashion, good food and good times.”
Text: Bobby Bozeman, “Billy Reid Shindig Introduces Shoals to Out-of-Towners and Vice Versa,” Times Daily, August 14, 2014. Lauren Ferguson and Ashley Williams, “Shindig Features Music, New Billy Reid T-Shirt Line,” The Daily South, August 15, 2014.
Born in 1824, Dr. Robert A. Young was the second president of Florence Wesleyan University and served from 1862 to 1865. Dr. Young, along with Professor Septimus Rice managed to keep the college open throughout the Civil War years. Enrollment was low during the Civil War. Confederate and Union troops occupied Wesleyan Hall multiple times. Dr. Young distributed the University’s library books to Florence citizens for safekeeping until the war’s end. Dr. Young is credited with saving Florence Wesleyan University and Florence from being burned by Union Colonel Florence Cornyn and his troops in 1863. Although Colonel Cornyn refrained from destroying the town, he and his forces torched a block of downtown structures before Young’s entreaty, and torched several old houses as they left Florence. Dr. Young not only helped protect the college, but also helped citizens like General Edward A. O’Neal’s wife Olivia when she and her children were accosted by solders. In 1866, Dr. Young moved to take a position at Vanderbilt University and the college operated on a limited basis until 1868.
Robert S. Steen, History of Foster House- Courtview- Rogers Hall and Early City of Florence . Florence: University of North Alabama, No Date, 41. William Lindsey McDonald, A Walk Through The Past: People and Places of Florence and Lauderdale County, Alabama. (Bluewater Publications, 2003), 52, 71. Jill K. Garret, History of Lauderdale County, Alabama, 1964, 229. A Brief Look at University of North Alabama History 1830-2005. Booklet published by the University of North Alabama. Image Courtesy of UNA Collier Library Archives
The C.S. Bell Compony in Hillsboro, Ohio manufactured the Wesleyan Bell. It is believed that the bell was put on top of Welseyan Hall when the college reopened as State Normal School in 1872. The last know account of the bell being rung occurred in 1910. It was used to warn of a fire that had broken out in Wesleyan Hall. The bell was removed sometime after that. There are reports that the bell was found in storage in 1951, but nothing was done with it. In 2002, the bell was again found, this time in a university basement during renovations. Alumni and school officials worked to refurbish the bell and create a tower for its display. The total project cost $110,000.
Robert Steen, "History of the Wesleyan Bell," University of North Alabama, 2004.
Festival; Theatre; Film; University of North Alabama; Arts; Florence, AL
George Smith Lindsey attended Florence State Teachers College (now present day University of North Alabama) during the late 1940s. At Florence State Lindsey excelled both on the football field and in the theatre. One of the theatrical plays in which Lindsey performed was Oklahoma!. After graduating in 1952, Lindsey attended the prestigious New York theatre school—the American Theatre Wing—in the late 1950s. Shortly thereafter, in 1962 he signed a contract with the William Morris Agency and got roles on numerous television shows such as “Twilight Zone” and “The Alfred Hitchock Hour.” Following these minor roles, he earned the infamous role as Goober Pyle on “The Andy Griffith Show” for five years during the 1960s. After the cancellation of “The Andy Griffith Show,” Lindsey caused many Americans to laugh with his comedy sketches on the show “Hee Haw” for nearly twenty-years. In order to promote the art of theatre and to highlight talented individuals, George Smith Lindsey along with deceased UNA Communications and Theatre established the competitive George Lindsey Film Festival in 1998. For the past eighteen years, the University of North Alabama has hosted the film festival in the Spring. In March of 2015, the University of North Alabama (UNA) hosted the eighteenth Annual George Lindsey UNA Film Festival. Over three thousand local, national, and international entries were submitted at the 2015 festival, at which only one hundred were chosen to be screened. Awards are given to the first place winner in each category, and a special award is given to the best film made in the state of Alabama. Overall, according to Lindsey the festival strives to “take the energy that is in Hollywood and bring it to north Alabama.”
Text: University of North Alabama, “George Lindsey-Biography, University of North Alabama, https://www.una.edu/library/collections/george-lindsey---biography.html (accessed May 1, 2015). “George Lindsey TV & Film Festival set for April 1998,” in The 1st George Lindsey Television & Film Festival Memorabilia Book, compiled by Lisa Darnell, The George Lindsey Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama. George Lindsey UNA Film Festival, “About the Festival,” Lindsey Film Fest, www.lindseyfilmfest.com (accessed May 1, 2015). “UNA Hosts First Lindsey TV, Film Fest,” in The 1st George Lindsey Television & Film Festival Memorabilia Book, compiled by Lisa Darnell, The George Lindsey Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama. Images: Folder “Alumni: Lindsey, George,” University Collections,Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama.
Bellamy Planning Mill Company/Acme Lumber Company
The Bellamy Planning Mills of the East Florence area of Sweetwater was incorporated on May 1st, 1901. The founders chose to situate Bellamy Planning Mills near Sweetwater Creek on present day Veterans Drive. The founders of the Bellamy Planning Mill were President, A.D. Bellamy (also the founder of Florence Wagon Works); Secretary, W.M. Richardson (who would own his own lumberyard in Florence eventually); and Attorney, John T. Ashcraft, who was one of several founders of the Ashcraft Cotton Mill. By 1903, the Bellamy Planning Mill was doing about seventy-five thousand dollars’ worth of business per year while using about three million feet of lumber per year and employing a force of thirty men. Bellamy’s mill did business across the South and Midwest selling building materials for framing, ceilings, porch columns, and balusters to name a few. They also sold Sherwin Williams Paints and Acme Cement Plaster in addition to the wood products. Eventually, Bellamy sold the planning mill to a partnership of Lewellen and Robbins. When A.M. Lewellen and Robbins bought the Bellamy Planning Mill, they renamed it Acme Lumber Company. Acme Lumber Company had an important, albeit tragic, role in Florence during the 1918 Spanish influenza outbreak that occurred while Wilson Dam was under construction. Because of the influenza outbreak, Acme ran three full shifts a day to build enough coffins for the countless numbers of deceased workers since the lumberyard was located across the river from the camps of the workers building Wilson Dam. The majority of the deceased were immigrant Cuban workers buried in common graves, and most had no known immediate relatives or survivors. After the end of the Spanish influenza, not much information can be found on Acme Lumber Company on the fate of the lumber company itself.
Text Sources: "Florence As She Is." The Florence Times. 1903. McDonald, William Lindsey. "Sweetwater: The Story of East Florence." Florence, Ala.: Florence Historical Board, 1989. McDonald, William Lindsey. "Remembering Sweetwater: The Mansions, The Mills, The People." photos by L.D. Staggs, Jr. Killen, Bluewater Publications, 2002. Garrett, Jill Knight. "A History of Lauderdale County, Alabama." Columbia, Tenn., Privately Published, 1968. Picture Source: UNA Archives & Special Collection. William L. McDonald Collection. “Bellamy Planning Mill/Acme Lumber Company.” Florence, Alabama. Box 12: Florence Industry, 12-32.