Edward A. O’Neal was born on September 20, 1818, in Madison County, Alabama. His parents were Edward and Rebecca Wheat O’Neal. O’Neal graduated from La Grange College and worked as a lawyer in Florence. He served as a solicitor of the Fourth Judicial District. He was married to Olivia Moore O’Neal. They made their home in Florence, Alabama. They had several children. A son, Emmet O’Neal, would become Governor of Alabama in 1911. O’Neal supported secession and raised a company from Lauderdale County: the 9th Alabama Regiment. O’Neal joined the Confederate army at the beginning of the Civil War with the rank of Captain. He was steadily promoted from captain to colonel. He served in the Army of Northern Virginia under General Robert E. Lee as a colonel in the 26th Alabama. Later he served under General Joseph Johnston and General John Bell Hood. Before the war’s end, O’Neal had obtained the rank of brigadier general. He and his men were engaged in battle at Yorktown, the Battle of Seven Pines, the Seven Days’ Battle, Chancellorsville, Gettysburg, Franklin, and Nashville, among others. After the war, O’Neal continued to practice law. He was elected to the Constitutional Convention in 1875. While at the convention he helped to pass Section 9, Article 13, a measure that sanctioned the reform of the state education system. O’Neal was elected the twenty-seventh governor of Alabama in 1882 and again in 1884. He passed away on November 7, 1890. His remains are interred in the Florence Cemetery.
Kayla Scott, University of North Alabama
William Lindsey McDonald, A Walk Through The Past: People and Places of Florence and Lauderdale County, Alabama. (Bluewater Publications, 2003), 50-52. Robert S. Steen, History of Foster House- Courtview- Rogers Hall and Early City of Florence . Florence: University of North Alabama, No Date, 66-67. Image of Edward A. O'Neal courtesy of UNA Collier Library Archives Images of Edward A. O'Neal Home and Historic Sign, Kayla Scott
Edwin L.D. Moss was "one of Selma's most prominent black businessmen." Not only that, but he was an active participant in the Civil Rights Movement. He helped start demonstrations in Selma, and also was part of a Supreme Court case against Dallas County that challenged their districting plans. He also was involved in local politics, as he ran for office in the State Democrat Committee, District 85.
Pregnant at the time of the march The Selma Campaign 1963-1965 Wally G. Vaughn Mother of Johnny James & Carrie Lee
Referred to by Alice Moore Lives in Savannah
Photograph of Emma Gover next to a Christmas tree
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Huntsville, Madison County, Country music, Grand Ole Opry, Alabama Music Hall of Fame, Radio, Redstone Arsenal
Ernie Ashworth (December 15, 1928 - March 2, 2009) Even though he had written songs for some of country music’s biggest stars, and that he himself had scored two top 10 hits, it wasn’t until after he had scored his one and only number-one single that Ernie Ashworth finally left his job working in the guided missile program at Redstone Arsenal in his hometown of Huntsville, Alabama. His life before, and after, was just as varied as his day and night jobs in 1963. Born December 15, 1928, Ernest Bert Ashworth began his career in music singing and playing guitar on local radio station WBHP-AM, from 1948 to 1949, when he moved to Nashville, Tennessee to continue his career in radio. It was there that he was signed by Wesley Rose of Acuff-Rose Music as a songwriter, writing songs recorded by such artists as Jimmy Dickens, Johnny Horton, and Carl Smith. However, after not making his mark as a singer, Ernie left Nashville in 1957 and returned to Huntsville, where he landed a job working at the Army’s Redstone Arsenal. It wasn’t until 1960 that Wesley Rose, who hadn’t given up on Ernie, arranged a recording contract for Ernie with Decca Records. Scoring three top-20 hits in two years, Ernie moved on to Hickory Records, a subsidiary owned by Acuff-Rose Music, which is where he found his greatest success as a performer. After a Top Five hit with “Everybody But Me” and a Top Ten hit with, “I Take The Chance” in 1962, Ernie found his success in 1963 with “Talk Back Trembling Lips,” his lone number-one song, which stayed on the country charts for 42 weeks. This success led to Ernie being invited to join the Grand Ole Opry as a member in 1964. While he continued to score more records that charted, none came close to the success of his signature song, although he continued to tour and perform on the Opry stage. It was then that Ernie’s career came full circle, as he once again found himself in the radio business, this time as an owner, with stations in Flomaton, Alabama, Ardmore, Tennessee, and Gallatin, Tennessee. In 1999, Ernie, who was always a popular figure overseas, scored a number-one hit on the UK Independent Chart with “Lonely Only Bar.” Ernie was inducted into the Alabama Music Hall of Fame in 2008. Ernie Ashworth died on March 2, 2009, in Hartsville, Tennessee following heart surgery, leaving behind a life in music few can match. Watch and Listen: "Talk Back Trembling Lips" https://www.youtube.com/watch?v=UtCB6fftSwA "Ernie Ashworth Talks 'Talk Back Trembling Lips'" https://www.youtube.com/watch?v=ddgmQBMu4x0 "The D.J. Cried" https://www.youtube.com/watch?v=vpdt4Hrp2Lg "Everybody But Me" https://www.youtube.com/watch?v=RDlz0hKdB_M
John Griffin, University of North Alabama
Ernie Ashworth official website http://www.ernieashworth.com/ Accessed November 1, 2016 Ernie Ashworth: Alabama Music Hall of Fame http://alamhof.org/inductees/timeline/2008/ernie-ashworth/ Accessed November 1, 2016 All images courtesy of Mr. George Lair and the Alabama Music Hall of Fame, unless otherwise noted.
Erosion; Colbert County; Alabama; farmers; TVA
The main goal of the TVA was to produce fertilizer to help the Tennessee Valley residents improve their soil. The fertilizer was made in Nitrate Plant No. 2 in Colbert County. By having a steady source of fertilizer the TVA was able to start experimenting on how to help improve the impoverished, eroded farms. With agriculture being the main source of income and livelihood for many people, the land became stripped of essential nutrients after planting of the same crop over and over. Top soil started to wash away with every rain making it harder and harder to produce crops, mainly cotton. The TVA was needed to improve these awful conditions. It is estimated up to 85% of the farm-able land was eroded by 1930. The scientists at the TVA came up with efficient ways to add fertilizer, full of nitrates, to impoverished farmland. Before the TVA, few farmers had the means to add fertilizer to their lands, as this required growing less produce and limiting their already meager income. Many of the restored farmlands became grazing fields for livestock, rather than to continue planting crops.
Carrie Keener, University of North Alabama
McCarthy, Dennis M. 1983. The First Fifty Years: Changed Land, Changed Lives: State Of The Environment Of The Tennessee Valley. Knoxville: Tennessee Valley Authority.
Birmningham, Jefferson County, Big Band music, trumpet, Alabama State Teachers College,Fess Whatley, Ensley, Tuxedo Junction, Alabama Jazz Hall of Fame, Alabama Music Hall of Fame Watch and Listen: "After Hours" https://www.youtube.com/watch?v=3CYQ6YZHMEE "Tuxedo Junction" https://www.youtube.com/watch?v=IFeFaZoj2QY "Tippin' In" https://www.youtube.com/watch?v=HWc0ObIJydc
Erskine Hawkins (July 26, 1914 - November 11, 1993) When philanthropists donate money to various organizations, schools and charities, most often the result is either a building named in in their honor, or a scholarship, or even a seat on a board of directors. Alabama industrialist Erskine Ramsay took this one step further, by opening savings accounts for families who would name their newborn sons after him. And while most of children did not achieve any amount of celebrity, one did, as a bandleader and trumpeter whose contemporaries included Louis Armstrong. Erskine Ramsay Hawkins was born on July 26, 1914, in Birmingham, Alabama. Erskine early on demonstrated musical proficiency. As a student at the Tuggle Institute, a private African-American boys school in Birmingham, Erskine learned to play the drums, trombone and saxophone. But it was the trumpet that would eventually elevate Hawkins to the heights he eventually reached. Under the tutelage of famed director J.T. “Fess” Whatley, Erskine not only learned how to master the trumpet, but how to read music, as well. After graduating from Tuggle, Hawkins attended the Alabama State Teachers College in Montgomery, Alabama, on an athletic scholarship. Soon, Erskine was spending more time on the stage than on the ballfield. Leading first, the ‘Bama State Revelers, then the ‘Bama State Collegians, Erskine started to show the ability to reach notes on the trumpet thought too high to reach. This ability later led his being called “The Twentieth Century Gabriel.” As the band became more and more popular, causing the group, all students at the college, to miss more classes than they attended, they all soon left school to pursue their musical careers full-time. Leaving Alabama, “Erskine Hawkins and his ‘Bama State Collegians” soon found themselves as one of the house bands at the famed Savoy Ballroom in Harlem. Famed as the place where the “Lindy Hop” was developed, the Savoy was one of the premier venues for music during and after the Harlem Renaissance. It was here that Erskine and the band, now simply called “Erskine Hawkins and His Orchestra” signed with RCA Victor and began cutting records on their Bluebird label. It was also here that Erskine co-wrote what would become his signature song, “Tuxedo Junction.” The title of the songs refers to an area in the Ensley neighborhood of Erskine’s hometown of Birmingham. Tuxedo Park was an area where the lines of the Wylam and Pratt City streetcars crossed, and where a jazz and dance club was located, hence, “Tuxedo Junction.” While Hawkins’ version reached #7 on the National Hit Parade in 1939, it is Glenn Miller’s #1 1940 rendition that most are familiar with. While Erskine penned other songs, like “Don’t Cry Baby” (#11 – Pop, 1943) “After Hours” (#3 R&B – 1946) and “Tippin’ In” (#1 R&B -1945) which were hits, “Tuxedo Junction” is his most famous. Often, when playing the Savoy, the band would sign off with that song to keep the crowds dancing as the next band came to the stage. By the 1950s, the Savoy had closed and Erskine, due to rising costs, had downsized his orchestra, although he would reunite the orchestra on special occasions. During the 1960s, he was a frequent player at the Embers Club in New York City, and, from 1967 to 1993, was the bandleader in the nightclub in The Concord Resort Hotel in Kiamesha Lake, New York, located in the Catskills of New York, about two hours upstate from New York City. Among the many honors that Erskine Hawkins received during his lifetime is an honorary doctorate in music from Alabama State Teachers College in 1947, was one of the first inductees into the Alabama Jazz Hall of Fame in 1978, and a Lifework Award and induction into the Alabama Music Hall of Fame in 1989. Also, the park that inspired the name of Tuxedo Junction was renamed Erskine Hawkins Park in his honor. On November 11, 1993, Erskine Hawkins passed away in Willingboro, New Jersey.
Alabama Music Hall of Fame: Erskine Hawkins http://www.alamhof.org/inductees/timeline/1989/erskine-hawkins/ Accessed December 4, 2016 Erskine Hawkins http://www.encyclopediaofalabama.org/article/h-1365/ Accessed December 4, 2016 Erskine Hawkins http://www.allmusic.com/artist/erskine-hawkins-his-orchestra-mn0000206380/biography/ Accessed December 4, 2016 Erskine Hawkins http://www.encyclopedia.com/people/literature-and-arts/music-popular-and-jazz-biographies/erskine-hawkins/ Accessed December 4, 2016 Obituary: Erskine Hawkins http://articles.latimes.com/1993-11-14/news/mn-56807_1_tuxedo-junction/ Accessed December 4, 2016 All images courtesy of Mr. George Lair and the Alabama Music Hall of Fame, unless otherwise noted.
Architectural drawings; Watercolors; Houses; Dwellings; Doors & doorways; Windows; Shutters; Porches; Columns; Hand railings; Roofs; Chimneys; Moldings; Fountains; Gates; Ironwork; Flowers; Shrubs; Men; Women; Trees; Landscapes (Representations)
This image is a watercolor painting of Eslava House in Spring Hill, Alabama done by C.W. Thompson in 1939. The house was built in 1840. The painting shows the front exterior of the house with its doors, windows, shutters, columned porches, two sets of steps, sloped roofs, and two chimneys surrounded by trees and landscaping. There is a fountain in front of the house. There is a woman on the side porch and a couple coming up the walk, all in period dress. The house is placed within framing art showing its architectural features including the molding under the roof, side and top views of the columns, the side steps, a side view of the house, a floor plan, a scale, the fountain, an iron gate, and flowering bushes. In the lower right corner, there is an Alabama Polytechnic Institute School of Architecture stamp with a handwritten inscription "1st Medal/HC" and the artist's information block which reads: "Measured drawing, The Eslava House, Spring Hill, Ala., Major IV, Architectural Design 476, March 4, 1939, C.W. Thompson." The painting is in excellent condition and is encapsulated.
Thompson, C. W. (rendering) ; Unknown (house)
Auburn University Libraries. Special Collections and Archives Dept. Architecture, School of -- Architectural Renderings Student Projects
This image is the property of the Auburn University Libraries and is intended for non-commercial use. Users of the image are asked to acknowledge the Auburn University Libraries. For information about obtaining high-resolution copies of this and other images in this collection, please contact the Auburn University Libraries Special Collections & Archives Department at archive@auburn.edu or (334) 844-1732.
Library of Congress (Historic American Buildings Survey): http://www.loc.gov/item/al0839/
Spring Hill -- Mobile County -- Alabama ; 152 Tuthill Lane, Spring Hill, Mobile County, AL (and Old Shell Road)
Keith High School. Football player. US Coast Guard veteran.
Located on Talladega Street. Coordinated: 32.6331897, -85.3955022
Cemeteries; Florence, AL; Lauderdale County, AL
To reach Evergreen Cemetery, travel Highway 20 to County Road 2, take a left, and continue for 3 miles. The cemetery will be located on the left side of the road and on the west side of the church. A full list of records can be viewed in the source.
Dylan Tucker, University of North Alabama
"Evergreen Cemetery." http://www.interment.net/data/us/al/lauderdale/cody/index.htm. Accessed September 2, 2015.
F.H. Foster Manufacturing served a multitude of roles in manufacturing in the Florence area. The F.H. Foster complex was built in between Sweetwater Creek and the Tennessee River along the Louisville and Nashville railroad tracks that ran through the heart of Sweetwater. The various structures located at the F.H. Foster Manufacturing Company included a building for the iron foundry, a building for a brass foundry, a building for wood tumbling, a Japan room, a working area, and an area for packing and machine works.
Matthew C. Fesmire, University of North Alabama
Text Sources: McDonald, William Lindsey. "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003. Picture Source: UNA Archives & Special Collection. William L. McDonald Collection. “F.H. Foster Manufacturing Company.” Florence, Alabama. Box 12: Florence Industry, 12-31.
Falkville, Alabama; Morgan County, Alabama; Jewish Settlement in Alabama
Louis M. Faulk, who was born in 1839 in Prussia, who died in 1871, and who is buried in Cincinnati, Ohio, established a store and named the town for himself. Falk's brother, Alexander, is the only Jewish individual buried in the Florence, Alabama Cemetery.
Erwin M. Coleman, A History of Temple B'Nai Israel, Florence, Alabama: Centennial Celebration, 1906 - 2006. Privately Published.
Music; Culture; Florence, AL; Muscle Shoals, AL
During the 1960s, 1970s, and 1980s (years generally known as the “recording years”), the success of FAME Recording Studio in Muscle Shoals, Alabama, brought national attention to the region. Musicians such as the Swampers, Joe Tex, Aretha Franklin, Wilson Pickett, The Osmonds, Duane Allman have cut hits at the legendary studio ran by Rick Hall. However, the studio did not originate in Muscle Shoals. Instead, the recording studio was founded in downtown Florence, Alabama, at the intersection of Tennessee St. and Seminary Street. Influenced by the success of the hit song “A Fallen Star” recorded by the Florence recording studio known as Tune Records in 1957, Rick Hall, Billy Sherrill, and Tom Stafford decided to collaborated together and establish the Florence Alabama Music Enterprises, or FAME. The location of the original FAME recording studio was in the second floor suit above the Florence City Drugstore. To make the rooms have the vibe as a recording studio, egg cartons were placed on the walls for soundproofing. During the early years, the recording studio brought in talented local musicians such as Dan Penn. However, Hall believed that he, Sherrill, and Stafford needed to put more hours into recording and producing songs. His intense approach to the music industry did not settle well with his partners. As a result, in 1960 the partnership between the three ended. Hall was given the rights to the FAME name and FAME publishing company and would go on to establish the nationally acknowledged FAME Recording Studio in Muscle Shoals. Stafford continued to operate the studio above the City Drug Store, which became Spar Music Studio. At Spar Music, local musicians such as Donnie Fritts, Spooner Oldham, Jimmy Johnson, David Hood, and Roger Hawkins joined together on daily basis to play music. However, Spar Music Studio did not produce a hit record and closed its doors during the early 1960s. A historical marker is the only symbol left for the birthplace of FAME because the building ceases to exist.
Jesse Brock, University of North Alabama
Text: Greg Carmalier, Muscle Shoals: The Incredible True Story of a Small Town with a Big Sound, DVD, Magnolia Home Entertainment, 2014. Christopher S. Fuqua, Music Fell on Alabama (Huntsville: Honeysuckle Imprint, 1991), 14-19.
Photograph of Emma Gover’s Funeral, Larry Ledford, Annette Ledford , Ollie Collin’s, Jennifer Gover (left to right)
Marion, Alabama resident during Bloody Sunday
Located in Loachapoka along East Farmville Road. Coordinates: 32.665104, -85.4896719
Colbert County, Alabama; Tuscumbia, Alabama; Felix Grundy Norman House; Felix Grundy Norman; Architecture; Native American History; Barton Hall; Tuscumbia Historic District; National Register of Historic Places
Situated on the corner of North Main Street and Second Street in Tuscumbia, the Felix Grundy Norman House is one of the few single-story Greek-revival-style cottages remaining in a city where such structures were once commonplace. The house was constructed in 1851 as a home for Felix Grundy Norman, a prominent Tuscumbia attorney who became the city's mayor after serving in the state legislature during the 1840s. The property was listed on the National Register of Historic Places in 1984.
Brian Corrigan, University of North Alabama
National Register of Historic Places, Felix Grundy Norman House, Tuscumbia, Colbert County, Alabama, National Register #84000749. Carolyn Murray Greer, "One of Our Best, Most Respected Citizens," Remembering the Shoals, https://rememberingtheshoals.wordpress.com/2011/02/27/one-of-our-best-most-respected-citizens (accessed December 6, 2015). "Felix Grundy Norman House," Wikipedia, https://en.wikipedia.org/wiki/Felix_Grundy_Norman_House (accessed November 9, 2015).
Ferdinand Sannoner was born in Leghorn, Italy, in 1793. He graduated from the French Polytechnic Institute at Paris. Sannoner worked as a surveyor for Napoleon in France. He came to America around 1816. In 1818, John Coffee appointed him to survey the area that was to become Florence. Sannoner completed the survey, and drew the town plan. He gave it the name “Florence” after the Florence, Italy of his homeland. His payment for surveying Florence was partially made in land. He received two lots on Tuscaloosa Street between Wood Avenue and Walnut Street. Sannoner worked for the Cypress Land Company for a number of years, as well as being a clerk for Lauderdale County. He and his brother operated a bakery and delicatessen on Tennessee Street as well. Sannoner and his wife moved to Memphis in 1857, and he died there in 1859. He is buried in Elmwood Cemetery in Memphis. His grave was unmarked until 1973, when a marker was donated by James Jackson, great-grandson of the James Jackson who owned Forks of Cypress and assisted in founding Florence. The Sannoner Historic District in Downtown Florence is named in his honor.
William Lindsey McDonald, A Walk Through The Past: People and Places of Florence and Lauderdale County, Alabama. Bluewater Publications, 2003, p. 3, 11-12. Robert S. Steen, History of Foster House- Courtview- Rogers Hall and Early City of Florence . Florence: University of North Alabama, No Date, p. 10. Image Courtesy of UNA Collier Library Archives
Tuscaloosa County, Birmingham, Erskine Hawkins, Cleve Eaton, Sun Ra, Big Band, Jazz, Alabama Jazz Hall of Fame, Alabama Music Hall of Fame, Alabama State University
J.T. "Fess" Whatley (c. 1895 - January 12, 1972) If Alabama's musical heritage were to have a conductor, a teacher, that person would have to be J.T. “Fess” Whatley. In his tutelage of musicians, first at The Tuggle Institute in Birmingham, of which he was also a graduate, then Industrial High School in Birmingham, Whatley was influential in the careers of many who went on to play with various bands and orchestras, including those of Duke Ellington, Count Basie, and Louis Armstrong. Born John Lewis Whatley sometime around 1895 in rural Tuscaloosa County, Alabama (his exact date of birth is unknown), Whatley’s father moved the family to Birmingham in 1906 so that John and his brother might be able to attend the Tuggle Institute. Originally conceived to give orphaned African-Americans a place to live and learn, the school was eventually opened to all, as racial segregation closed off many public schools to blacks. John’s time at the school greatly influenced him, not only as a student, but as an educator and musician, so much so that he changed his middle name from Lewis to Tuggle. After graduating from the school in 1913, John became its band director in 1913, a position he held until he left in 1917 to teach at Industrial High School. It was here that John picked up the nickname of “Fess,” which was short for “Professor.” Strict in his discipline, he demanded that his music students learn to read music, believing that music was one of the few avenues of success that was open to African-Americans at the time. A former student of his, jazz drummer and Alabama Jazz Hall of Fame inductee Wilson Driver, said that he demanded this of his students, otherwise they couldn’t play in his band. However, as demanding as this seemed, it was also beneficial to the musicians, as Driver said that “When guys would get to New York, they’d say, ‘You from Birmingham? You one of them Fess Whatley men? Yeah? Okay, you can read.’” Whatley’s influence reached beyond the high school at which he taught, helping to establish the ‘Bama State Collegians band at Alabama State Teachers College (now Alabama State University) in Montgomery, Alabama, in 1929, which is still an active jazz orchestra at ASU. Whatley also was an outspoken opponent to segregation and Jim Crow laws, organizing a local chapter of the American Federation of Musicians union in Birmingham in 1939 because blacks were not allowed to join the union because of segregation. In 1969, Whatley witnessed the integration of the chapter he founded with the white chapter already in existence. Whatley’s belief that music was a path to success has been proven correct over the decades since he began his career in music. Former students of Whatley's include trumpeter and band leader Erskine Hawkins, jazz drummer Wilson Driver, jazz pianist Henry Blount, better known as Sun Ra, Cleveland Eaton, bassist for the Ramsey Lewis Trio and the Count Basie Orchestra, and trumpeter Sammy Lowe, just to name a few. All the aforementioned are members of various jazz, blues, and music halls of fame nationwide. Whatley himself was a charter inductee of the Alabama Jazz Hall of Fame in 1978, and was inducted into the Alabama Music Hall of Fame in 1991, joining his former student Erskine Hawkins (1989) as a member, and later joined by former students Cleveland Eaton (2008) and Sun Ra (2014). J.T. “Fess” Whatley died on January 12, 1972, in Birmingham, Alabama.
J.T. “Fess” Whatley: Alabama Music Hall of Fame http://alamhof.org/inductees/timeline/1991/j-t-fes-whatley/ Accessed December 5, 2016 Alabama Music Office: Whatley bio http://www.alabamamusicoffice.com/artists-a-z/w/1967-whatley-john-t-fess/ Accessed December 5, 2016 Encyclopedia of Alabama: Whatley bio http://www.encyclopediaofalabama.org/article/h-3240/ Accessed December 5, 2016 Alabama Women’s Hall of Fame: Carrie Tuggle http://www.awhf.org/tuggle.html/ Accessed December 5, 2016 Alabama Jazz Hall of Fame website http://www.jazzhall.com/index.htm/ Accessed December 5, 2016 "Fess Whatley's Saxo Society Orchestra" photo http://www.chipstern.com/chip_tribal_wilson.htm/ Accessed December 9, 2016. All images courtesy of Mr. George Lair and the Alabama Music Hall of Fame, unless otherwise noted.
Colbert County, Alabama; Tuscumbia, Alabama; Churches; African American Church; African American History
The First Baptist Church of Tuscumbia was originally formed by a small group of African American worshipers. The church was established in 1866 shortly after the Civil War under the guidance of Elder W.E. Northcross. The church members did not have an official church building to meet at so they were forced to constantly relocate their meetings. The members of the church were able to eventually buy property on Eleventh and High Streets. The building the congregation built would also serve as the site of a school for African American youth. The building, which was made of brick, was completed in 1892. Membership in the church grew so rapidly that the First Baptist Church in Tuscumbia became the largest congregation of African Americans in Colbert County.
Colbert County Heritage Book Committee (Colbert County, Ala.). 1999. The Heritage of Colbert County, Alabama. Clanton, AL: Heritage Pub. Consultants. 35-37
Colbert County, Alabama; Sheffield Alabama; African American Church; Church; African American History
First Baptist Missionary Church was originally founded in 1886. The first church consisted of two wooden buildings. These buildings would later be destroyed in a fire. The congregation was then forced to use the Masonic Hall as their new meeting place. Eventually, the City of Sheffield donated two lots for the use of the congregation. A new building for the congregation was planned. Taking note of the earlier fire, the congregation decided that the new building would be made of brick. The church building would last until 1965 when a new building was constructed for the congregation. The ground was officially broken two years later in 1967. The church can be found on 1103 Sterling Blvd, Sheffield, AL 35660
Colbert County Heritage Book Committee (Colbert County, Ala.). 1999. The Heritage of Colbert County, Alabama. Clanton, AL: Heritage Pub. Consultants. 70
Photo of the first Sigma Alpha Epsilon pledge class; the first fraternity on Auburn's campus founded in 1878
On the first Friday of each month from March through December, Florence residents come together at historic downtown Florence to celebrate the town’s rich culture in the arts. The scene is a festive atmosphere and the admission is free. Streets are closed for vehicle transportations while the sidewalks and street corners are occupied by pedestrian traffic, booths, and music stages. Florence citizens and local businesses and organizations set up booths in order to sell photography, paintings, ceramics, foodstuff, and other artistic matters. On this night, many downtown stores and restaurants stay open after hours for in order to provide business and browsing. Stages are set up for local bands to perform to a mixed crowd of recognizable and new faces. The city of Florence has put on this event since 2005. Numerous organizations and departments had to agree in order to establish the First Friday festival. Downtown Florence Unlimited, which comprises of retail and service businesses, educational institutions, and non-profit organizations, collaborated with the City of Florence, Florence Main Street Program, the University of North Alabama, and the Florence/Lauderdale Tourism Department for the event to take off. Two partner organizations associated with Florence First Fridays are The Kiwanis Club and the Kennedy-Douglas Center for the Arts.
Text: “First Fridays Art Event in Downtown Florence,” Explore the Shoals, 2008-2009, 140. Downtown Florence Unlimited, “Partner Organizations,” Florence First Fridays, http://www.firstfridaysflorence.org/partners.html (accessed May 1, 2015). Images: “October First Friday in Florence,” Times Daily, http://www.timesdaily.com/collection_1a88741a-2d58-11e3-9a28-001a4bcf6878.html (accessed May 1, 2014).
The First National Bank in downtown Florence had connections to one of the more powerful Northern transplants to the Florence area in founder, Nial C. Elting. Elting, one of the founding partners of the Cherry Cotton Mill in Sweetwater, was a financial power broker in the industrial boom in Florence. Elting spent many years in Florence, eventually becoming the president of twenty-four businesses. Elting was an ambitious entrepreneur investing in a multitude of businesses in Florence while accumulating a massive amount of wealth. He and his wife, Annie Van Sickler, did not have any children, thus they left almost all of their estate to the First Presbyterian Church of Florence where the two were devout members of the congregation. When the First National Bank was founded in 1889, Elting partnered with Colonel Robert L. Bliss, who already owned a dry goods business, to form the First National Bank. Colonel Bliss was the first President of the bank; whereas, Nial C. Elting was the first cashier of the bank in 1889. When founded by Elting and Bliss, they had a capital stock of one hundred thousand dollars. Elting was an intelligent banker and did not make poor investments with the money he loaned out from the bank, because of his ability to judge proper character in loaning money from the bank, he was able to survive the economic depression of the 1890s in Florence. The original home of the First National Bank was in the Bliss Building in downtown Florence on the corner of Court and Tennessee Street. Then, in 1919, First National Bank moved from the Bliss Building to the corner of Mobile and Court street after building a new bank site. The First National Bank remained at the 1919 location before branching out into the community with new satellite branches in the 1950s. By 1983, The First National Bank was renamed The First National Bank of Florence. In 1985, The First National Bank of Florence moved to the multi-story building located at 201 South Court Street. In 1995, The First National Bank of Florence was renamed SunTrust Bank, Alabama, and became an independent bank associated with the SunTrust Bank organization out of Atlanta, Georgia. By 2000, SunTrust bought the independent branch of SunTrust Bank, Alabama, and merged it into its national organization of banks, therefore ending the First National Bank as an independent entity in downtown Florence.
M.C. Fesmire, University of North Alabama
Text Sources: McDonald, William Lindsey. "Remembering Sweetwater: The Mansions, The Mills, The People." photos by L.D. Staggs, Jr. Killen, Ala., Bluewater Publications, 2002. “First National Bank Was Organized 1889.” The Florence Herald, 1968, 20, sesquicentennial edition. “Florence As She Is.” The Florence Times, 1903. “Florence Main Branch.” last updated January, 2000. National Information Center. http://www.ffiec.gov/nicpubweb/nicweb/InstitutionHistory.aspx?parID_RSSD=623137&parDT_END=99991231. Picture Source: UNA Archives & Special Collection. William L. McDonald Collection. “First National Bank.” Florence, Alabama, Box 12: Downtown Business, 12-53.
Late Nineteenth Century-Early Twenty-First Century
The First Presbyterian Church of Florence is the oldest continually operating congregation in Florence, Alabama. Early Presbyterian settlers of Florence bought land lot 84 from the Cypress Land Company in 1818 for a total of $1,600 and built a wooden structure that acted as the church. During the early years of existence, prominent members of the Florence community claimed to be members of the church. For instance, Ferdinand Sannoner (the town’s land surveyor) and John Coffee (War of 1812 Veteran and a founder of Florence) both financed the construction and were members of the church. In 1824 the congregation replaced the wooden structure with a brick building. This new building consisted of a gallery for slaves and designated pews for children. Also during the early years in Florence, the First Presbyterian Church housed other denominational worships due to the structure being the only church building in town. William Mitchell served as the church’s pastor from 1851 to 1872. One of the most interesting stories of Florence history derives from Mitchell’s actions in First Presbyterian Church during the Civil War. Union troops occupied Florence on numerous occasion during the war, which was the case on July 27, 1862. On this summer day, Rev. Mitchell entered the pulpit and faced a congregation filled with Florence citizens and Union troops. Before his sermon Mitchell prayed for the well-being of the President of the Confederacy, Jefferson Davis, and the success of the Confederate army. After Mitchell’s prayer Col. John Harlan arrested Mitchell and sent the reverend to the Union prison camp in Alton, Illinois, for six months. Mitchell later returned to Florence and continued preaching at First Presbyterian Church. Despite the Civil War and Reconstruction, the First Presbyterian Church never moved from its original location. However, since the 1890s there have been numerous renovations and expansions. The most recent being in 1971 when a three story classroom, an office, and a fellowship hall were added to the church. Today, in addition to proving worship services, the church houses wedding venues and many Florence community organizations use the building as a meeting place.
Text: Carolyn Barske. Images of America: Florence (Charleston: Arcadia Publishing, 2014), 96. Jill Knight Garrett, A History of Lauderdale County, Alabama, 145. Bill McDonald, “Mitchell Best Known for Prayer,” Times Daily, January 4, 2001, in folder “McDonald Collection: Church Iformation Collection-Vol. 8: Other Denominations-Presbyterian, Churches 8.4,” Bill McDonald Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama. First Presbyterian Church, “Our History,” http://www.fpcflorence.org/our-history.html (accessed May 1, 2015).
Chi Omega was founded at Auburn as the first sorority on campus in 1921
First United Methodist Church is one of Florence’s oldest congregations. The congregation’s first meeting took place in a log home on September 8, 1822, and consisted of eight people. The log home was the property of the congregation’s first minister, Reverend John Cox, and was located on West Tuscaloosa Street. Also, worship services were conducted in Florence resident Thomas Farmer’s home. Some of the early charter members of the church were Reverend Cox, his wife Frances, their three children (Thomas, James, and Mary), John Kerr, newspaper editor Dr. Shadrack Nye, and Joseph Paddleford. In 1823 a Methodist circuit rider named Nathaniel R. Jarret was appointed the minister of the congregation. However, it was not until 1826 when the congregation had the funds to build a church building. The first church building, a 24 x 30 foot structure, was built on the intersecting corner of West Tombigbee and Locust Streets. After the congregation required land located on the corner of East Tuscaloosa and North Seminary Streets from the Cypress Land Company in 1827, the congregation placed the church building on logs and rolled it to the new site, where the current church stands today. The first addition to the building came in 1834, when a sanctuary that could hold five hundred people was added. This made the church the largest meeting place in Florence. According to records, there were forty-six total congregation members in 1834. Out of those forty-six, three were colored. The next major renovation to the church took place in the early 1900s. Around 1905, a new brick structure was built on the site, however this burned in a fire in 1920. Two years later the members of the church had erected a new building on top of the ashes. The sanctuary was not completed until 1924, and during those four years the congregation conducted worship services at the old Coffee High School. During the Great Depression the church experienced hardships due to its mortgage. The congregation could not afford to pay the mortgage for the church during the times of financial constraints and the building was on the brink of closing down and being sold off. However, local Jewish entrepreneur and philanthropists Louis Rosenbaum negotiated with the National Bank of New York for a loan and wrote a personal check, which together managed to stop the selling of the church. The church kept its doors open during the Depression years and continues to be a meeting place of worship in Florence. Today, the brick structure includes a seven million dollar expansion that provides ministry to all ages and acts as a children’s nursery.
Text: “The First United Methodist Church, Florence, Alabama-A Brief History,” in Bill McDonald Collection, Box 36, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama. Jill Knight Garrett, A History of Lauderdale County, Alabama, 142. Carolyn Barske, Images of America: Florence (Charleston: Arcadia Publishing, 2014), 100.
Walker County, Jasper, Religion, Methodist, Church, American Civil War, Rev. L. J. Morris, Alabama Register of Landmarks and Heritage
The present building of the First United Methodist Church was built in 1914 although the congregation dates back almost a hundred years prior. The Methodist church is the oldest church in Jasper, Alabama with the first formal organization occurring in 1833. Around 1858, a frame building was built on the site of the present building. This frame building was burnt during the American Civil War by Union soldiers. In 1888 the congregants began to build a new church; however, plans changed and in 1912, Reverend J. L. Morris petitioned to build a new church. This church was finished and dedicated in 1921. The First United Methodist Church was added to the Alabama Register of Landmarks and Heritage in 1983.
First United Methodist Church - (1822) Marker
Historic Markers; Florence, AL; Lauderdale County, AL
This historic marker is located at the church on the corner of East Tuscaloosa and North Seminary Streets, Florence, Alabama. The text on the marker reads: "Established September 8, 1822 in a log house on the west side of town by Revs. John Cox and John Kerr. Cox and wife, Frances Langley had been affiliated with the Wesleys in England. Second meeting place was in Farmer's Cobbler Shop on West Mobile Street. The third house of worship was built at the present site in 1827. It was replaced in 1835, and again in 1904 with a brick structure that burned in 1920. Present church was built in 1924 and renovated in 1968. "
“First United Methodist Church Marker”. Accessed 11/02/2015. http://www.lat34north.com/historicmarkersal/
A golden eagle purchased for 10 dollars in 1930, this was Auburn's first ever live eagle
Industry; Lumber; Pleasant Hill, AL; Limestone County, AL
Samuel Gideon Flanagan opened a sawmill in the community of Pleasant Hill in 1904. The sawmill operated as S.G. Flanagan Lumber until 1940, when it became more of a retail lumberyard. In 1960, the company was eventually incorporated as Flanagan Lumber Company, Inc. The company was operated by S. G. and his two sons, Delwood and Ozro. Delwood and Ozro continued operating the company after their father's death in 1966. Delwood's son, Gideon, joined his uncle Ozro in managing the company. The lumber company still owns the original lumberyard in Pleasant Valley and also operates another lumberyard located in Athens on Shaw Street.
County, Ala. The Heritage of Limestone County, Alabama. Limited 1st ed. Clanton, AL: Heritage Pub. Consultants, 1998.
Flat Creek Missionary Baptist Church Cemtery
Cemeteries; Hillsboro, AL; Lawrence County, AL
The Flat Creek Cemetery is a church cemetery maintained by the Flat Creek Missionary Baptist Church. The cemetery is accessible by car. From Decatur, travel 2.4 miles on Highway 24. Turn right on to County Road 354. The cemetery is behind the church. A fence encloses the graves around the site. The first marked burial in the cemetery belongs to Nola Kirby. She died February 12, 1922.
Waldrep, Phil. "Cemeteries of Lawrence County, Alabama Volume I." 1993.
Located in Smiths Station along Lee Road 254. Coordinates: 32.648746, -85.174384
Florence Bethel Cumberland Presbyterian Church in America Marker
This historic marker is located on E, Alabama Street, Florence, Alabama. The text on the marker reads: "The "Mother Church" of the Presbytery, Florence Cumberland Colored Presbyterian Church originated in 1898 on property deeded by the city. Led, in 1918, by Rev. Holt Smith, it bought property on Alabama Street and build a frame structure. In 1948 Rev. Earl McDonald led in the construction of the annex named for him and the Jerome Robinson Education building. In 1997, the name became Florence Bethel Cumberland Presbyterian Church in America. The church continually proclaims the compassion of Christ throughout the world."
“Florence Bethel Cumberland Presbyterian Church in America”. Accessed 11/02/2015. http://www.lat34north.com/historicmarkersal/
Florence Bridge Company; Memphis and Charleston Railroad; Civil War; Confederate General Albert Sidney Johnston; Colonel Benjamin Hardin Helms; Double Decker Bridge; Florence, AL; Lauderdale County, AL
The oldest river bridge in Alabama connected Florence to Sheffield for more than one hundred and fifty years. The Florence Bridge Company was authorized by the Alabama legislature in 1832. It was founded for the purpose of realizing a dream for the citizen of Florence, to construct a bridge connecting the city with the south side of the river and eventually the Memphis and Charleston Railroad. The site for the bridge was chosen as the ferry crossing on Jackson’s Military Road. The company raised the money for a bridge spanning the Tennessee River just below the shoals. The construction was completed in 1840, with eight stone spans atop six stone piers and was constructed of wood. It opened as a toll bridge. In 1854, the southern spans were destroyed by a series of tornados and the bridge would not be rebuilt for four years. In 1857, the Charleston Railroad Company purchased the spans and rebuilt the bridge. Completed in 1858, the new bridge had two levels: the top for trains and a lower level for wagons or foot traffic supported by additional piers. The bridge escaped destruction by Union gunboats in February of 1862 only to be burned by Confederate troops on March 18 of that same year. Confederate General Albert Sidney Johnston order Colonel Benjamin Hardin Helms to have his troops burn the bridge to prevent its use by Grant’s Union forces. The bridge was not rebuilt until 1870 and was upgraded to a draw bridge in 1892, after train crashed through both decks and plummeted into the river. The bridge remained in service until 1988 and was donated to the Old Railroad Bridge Company in 1993. It has now been converted to a walking trail since the lift from the draw bridge was sold to Hannibal Missouri in 1993.
Michael Williams, University of North Alabama
McDonald, William Lindsey. 2003. Civil War tales of the Tennessee Valley. n.p.: Killen, Ala. : Heart of Dixie Pub. (1812 CR 111, Killen, Ala., 35645), [2003], 2003. UNA Library Catalog, EBSCOhost (accessed April 30, 2015). Hubbs, G. Ward. 2008. "Civil War in Alabama." Encyclopedia of Alabama. January 10. Accessed April 15, 2015. http://www.encyclopediaofalabama.org/article/h-1429. Wallace, Harry E. n.d. "Lauderdale County, Alabama History." algw.org. Accessed April 14, 2015. http://www.algw.org/lauderdale/historyshoals4.htm.
Photo from following websites: http://www.washingtonky.com/civilwar.html Photo from following websites: http://www.lrc.ky.gov/record/Moments08RS/46_web_leg_moments.htm Photo from following websites: https://www.pinterest.com/pin/333336809893643376/ Photo from following websites: http://oldrailroadbridge.com/old-railroad-bridge-landmark/
Established in 1818, Florence Cemetery was the first city cemetery. The marker reads, "When the city was surveyed, this land described as 'outside city limits' was designated as the burying grounds for the new town. It contains the graves of early settlers, including a son and brother of Ferdinand Sannoner, surveyor of Florence, and served as the principal cemetery for over 130 years. Two former governors of Alabama from the O'Neal family, as well as many prominent community leaders, are interred here. "Soldier's Rest", a Confederate Cemetery is located near the south property line. This cemetery is massive and contains over 9,000 records. It is divided into 26 sections.
Dylan Tucker, University of North Alabama.
McCord, Timothy. "Florence City Cemetery." Rootsweb. August 2001. http://www.rootsweb.ancestry.com/~allauder/cem-florence1.htm. Accessed April 2, 2015. "Florence Cemetery -1818." Latitude 34 North. http://www.lat34north.com/historicmarkersal/MarkerDetail.cfm?KeyID=39-057&MarkerTitle=Florence%20Cemetery%20%3F%20-1818-. Accessed April 11, 2015.
Historic Markers: Florence, AL; Lauderdale County, AL
This historic marker is located on East College Street, Florence, Alabama. The text on this marker reads: "When the city was surveyed this land described as "outside the city limits" was designated as the burying grounds for the new town. It contains the graves of early settlers, including a son and brother of Ferdinand Sannoner, Surveyor of Florence, and served as the principal cemetery for over 130 years. Two former Governors in the O'Neal family, as well as many prominent community leaders and families are interred here. "Soldiers Rest", a Confederate Cemetery, is located near the south property line."
“Florence Cemetery - 1818”. Accessed 11/02/2015. http://www.lat34north.com/historicmarkersal/
Florence Cotton Oil Company/Ashcraft Cotton Mill/Florence Cotton Mill
The Ashcraft Cotton Mill began not as a cotton mill for the weaving of textiles, but as a refinery for cotton oil. In the spring of 1898, C.W. and Erister Ashcraft founded and incorporated the Florence Cotton Oil Company. The distance of other similar facilities in Nashville, Memphis, and Birmingham, made for a lengthy treks for local farmers, hence the formation of the company and the refinery. In 1898, cottonseed had a going rate of five dollars per ton. So the elimination of distance created a rise of about 500 percent in the amount paid for local cottonseed to process into cotton oil. In the single year of operation for Florence Cotton Oil, they employed in between 50 to 75 workers. About a year later, the Ashcraft clan decided to stop producing cotton oil and start producing cotton textiles. John T., C.W., Lee, Erister, and Fletcher Ashcraft, all brothers, in addition to Andrew J. Ashcraft, their father, formed a partnership in creating the Ashcraft Cotton Mill. The mill was located at the intersection of South Cherry and Terrace Streets in the Sweetwater area of Florence. At the time of incorporation in 1899, Ashcraft had an organized capital stock of one hundred thousand dollars, then in 1900 one hundred and fifty thousand dollars, giving the company a well-capitalized beginning. One of the largest cotton mills operating in Lauderdale County, the mill had over 3,600 spindles and 100 looms ready for operation in 1899. Upon the opening of the mill in 1900, the city of Florence celebrated in grand fashion, having a large celebration for the local citizens and dignitaries with a big brass band to boot. By 1903, the Ashcraft mill was valued at two hundred thousand dollars. By 1903, Ashcraft Cotton Mill employed at least 250 men and women and provided housing for the employees. The production of the workers helped the mill use 4,000 bales of locally grown cotton annually, which the finished product was sent across North America. In 1927, the Ashcraft Cotton Mill was renamed the Florence Cotton Mill. The Florence Cotton Mill survived the Great Depression and paid a decent wage during the economic depression at about fifteen dollars per week. Even though the mill survived the Great Depression, it could not survive the foreign textile industry and closed its doors at the end of World War II.
Text Sources: McDonald, William Lindsey. "Remembering Sweetwater: The Mansions, The Mills, The People." photos by L.D. Staggs, Jr. Killen, Ala., Bluewater Publications, 2002. McDonald, William Lindsey. "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003. “Florence As She Is.” "The Florence Times." 1903. Image Source: UNA Archives & Special Collection. William L. McDonald Collection. “Ashcraft Cotton Mill." Florence, Alabama. Box 12: Florence Industry, 12-36.
The Florence Main Street Program, a non-profit organization, strives to renovate the downtown sector of Florence, Alabama. One of the organization’s recent projects is the beautiful mural located on the exterior wall of Fred’s Super Dollar store located at 321 North Court St. The project required a two-step process during the years 2013 and 2014 and cost a total of $14,000. Beginning in 2013 Shoals artists Tim Stevenson, Robin Campbell, and Ronnie Riner designed and painted the mural’s panels, which according to Stevenson “captures the quality of life enjoyed in the Shoals.” The mural’s seven panels offers a glimpse into life in the Shoals and represents the rich culture in the region. The first phase of the project consisted of five panels. The first panel depicts the Forks of Cypress, the house of James Jackson. The second panel is of The University of North Alabama. The flowing waters of the Tennessee River are painted on the third panel, while the fourth panel shows a front porch scene. Stevenson designed the first phase’s final panel, which shows a Renaissance woman playing the fiddle, in order to express how “music is the heart beat of the area.” In the following year Stevenson, Campbell, and Riner completed the second phase of the mural, which consisted of two panels. The sixth panel’s design consisted of arrowheads, pottery, and feathers, and acted as an homage to the region’s Native American culture. The last panel shows a man and his dog walking along the water banks. Overall, the mural’s artwork represents five components of Florence—local history, education, music, the Tennessee River, and Native American culture.
Text: Jennifer Edwards, “Muralis Interruptus in Florence,” Times Daily,July 7, 2013.
Florence Gas Light and Fuel Company/Florence Gas Works
This company was the leader in fuel production for the people of Florence. The old Florence Gas Light and Fuel Company/Florence Gas Works operated on Old Huntsville Road, west of the Florence Steam Laundry in Sweetwater. The main office of the company that ran the Florence Gas Works had its headquarters in Cincinnati, Ohio. Production at the facility began in 1903, a year after the company was established in east Florence in 1902. The gas plant produced about 75,000 cubic feet of gas that was used for lighting of street lamps and homes, heating within homes, and cooking as well. The people of Florence had to pay two dollars a thousand cubic feet for lighting in their homes and four dollars and fifty cents per thousand cubic feet for heating and cooking in 1903. The company also sold Welsbach incandescent light appliances and gas stoves for heating and cooking.
Text Sources: McDonald, William Lindsey. "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003. McDonald, William Lindsey. "Remembering Sweetwater: The Mansions, The Mills, The People." Killen, Ala., Bluewater Publications, 2002. Picture Source: UNA Archives & Special Collection. William L. McDonald Collection. “Florence Gas Light and Fuel Company/Florence Gas Works.” Florence, Alabama. Box 12: Florence Industry, 12-02.