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Auburn University&#13;
Keith S. Hebert</text>
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                <text>National Register of Historic Places; Florence, AL</text>
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                <text>The water tower has served as a landmark for the city of Florence since its construction in 1889 by the Jeter and Boardman Gas and Water Association. The stone buttressed masonry tower is seventy feet high and topped by a 282,000 gallon cast iron tank that is 30 feet high and 40 feet in diameter. The tower is located on a plateau two miles north of the center of town roughly sixty feet above the average elevation of the town. The water quality of the tank was reportedly exceptionally fine with the water drawn from clear Cypress Creek as opposed to the often muddy Tennessee River. The tower replaced an earlier waster system provided by the Cypress Water Company and continued to serve the Florence area until it was phased out in 1935.&#13;
The water tower was built during an industrial and population boom in the late 1880s and early 1890s resulting from the completion of the redesigned Muscle Shoals Canal System. In anticipation of further growth, the current population was 12,000 to 15,000, the tower’s capacity was designed to serve a city of 35,000 -50,000 people. However, by 1891 the boom was over and the population dwindled to 6,000.&#13;
The tower is significant to the history of Florence, Lauderdale County, and the region as a surviving example of 1870-1880s city water works technology. Around the turn of the 20th century elevated tanks on exposed metal trestles gained popularity due to the superior engineering and lower costs of construction. The tower also serves as a vivid reminder of the 1889-1891 economic boom and the plans and dreams to prolong the industrial and population growth. The water tower was listed on the National Register of Historic Places in 1980. Additional information can be found on the National Park Service’s National Register data base, or on the Florence Historical Board Historic Marker on site.&#13;
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Auburn University&#13;
Keith S. Hebert</text>
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                <text>National Register of Historic Places &#13;
Downtown Florence</text>
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                <text>National Register of Historic Places - Rogers Department Store   117 Court Street Florence, Alabama&#13;
Rogers Department Store began on the site in 1894 as the Surprise Store founded by B.A. Rogers and his sons T.M. and B.A. Jr. The early business was known for its use of clearly marked price tags which was unusual in the area during the time period. The current building dates from 1910 and incorporates an extensive remodel in 1944-48. The building is significant to the downtown Florence commercial district as the most prominent commercial building in North Alabama for numerous years and its continuing prominence in the downtown historic district to date. It is also unique because it has been continuously owned by the same family since its conception in 1894.&#13;
The current building is also significant as a rare example of the Art Deco architectural style in the Florence area. Another good example is the Florence-Lauderdale Public Library built in 1948 and located on Wood Avenue. The 1944-48 (Art Deco) remodel of the 1910 two story brick building was designed by the Memphis based architectural firm of Hulsey and Hall and represents the building trend of simple streamlined facades with minimal detailing and flexible configuration of interior spaces. Rogers Department Store was one of the first stores in northern Alabama to install elevators and central air conditioning.   &#13;
The building was listed on the National Park Service’s National Register of Historic Places in 1998, more information can be found in the National Register nomination on the Park Service’s data base. &#13;
Stancell, Pat and Trina Binkley. National Register Nomination "Rogers Department Store" (#98001025) (8/14/98).</text>
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                <text>National Register of Historic Places (#98001025)</text>
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Auburn University&#13;
Keith S. Hebert</text>
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University of North Alabama</text>
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                <text>Appleby Jr. High School</text>
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                <text>National Register of Historic Places; Education; Florence, AL&#13;
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                <text>National Register of Historic Places - F.T. Appleby Junior High School – originally Coffee High School – 319 Hermitage Drive Florence, AL&#13;
Nomination still listed with the state and on the NPS data base –building destroyed in the 1980s. Now part of UNA.&#13;
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                <text>Missy Brown, University of North Alabama</text>
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                <text>National Register of Historic Places (#82002045)</text>
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now demolished</text>
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Auburn University&#13;
Keith S. Hebert</text>
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University of North Alabama</text>
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                <text>National Register of Historic Places; Florence, AL</text>
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                <text>Southall Drug is significant to the history of Florence for its architectural style and as a leading business in the downtown area owned and operated by the same family for over 50 years. The 1900 building is a prime example of a late 19th century Italianate commercial structure as constructed in small Alabama towns. Italianate styled buildings were introduced in the northeastern United States as early as the 1840s and quickly spread to other cities across the country becoming one of the most popular styles by 1860. The trend continued more slowly into the less populated areas of the country and remained popular through the early 20th century.&#13;
The Southall Drug building is sited on a dominant commercial corner in downtown Florence and exemplifies the Italianate architectural style with heavy reddish-brown brick walls laid in running bond with matching mortar and arched windows separated on the second floor by brick pilasters.  Though the two original heavy metal cornices, located above and below the pilasters, are missing the building still retains the feel of an Italianate structure in part because the parapet located around the front corner of the building is reminiscent of the typical Italianate tower. &#13;
 The building was listed on the National Register of Historic places in 1980 and more information on the property can be obtained in the National Register nomination. All information and photos for this Omeka  entry were found in the nomination.</text>
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                <text>Mertins, Ellen and Harvie Jones. National Register Nomination. "Southall Drugs" (#80000699) (8/21/80).&#13;
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                <text>National Register of Historic Places&#13;
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                <text>National Register of Historic Places property - William Kroger House - south side of Smithsonia – Rhodesville Road about 4 miles northeast of Smithsonia&#13;
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The actual construction date of the William Kroger House is unknown but stylistic details place construction around 1830. The property is significant as an example of an early housing style in northern Alabama and for its association with early settlement patterns in the same area.  The story and a half brick gable end house was built for William and Martha Kroger, both native of Virginia, with simple lines in a style that became known as a “tidewater cottage”. Martha’s family’s migration is known and entails time in Tennessee before the settlement in Alabama. This was a common settlement pattern during the early 19th century and often included Alabama as only a temporary residence before moving on to Mississippi or Texas in search of better land. The section of Lauderdale County where William and Martha Kroger settled is known as the “Colbert Reserve” or “the Bend” west of Florence in a fertile area north of the Tennessee River.  The property also contains a historic board and batten outbuilding and a small overgrown plantation cemetery southwest of the house.&#13;
Tidewater cottages in the Tennessee Valley of this configuration also followed migratory patterns to earlier settlement areas in Virginia and Maryland. Robert Gamble in Historic Architecture of Alabama states that the 19th century versions of the style, like those in the Tennessee Valley of North Alabama, tend to have smaller chimneys and a shallower roof pitch than the colonial examples in Virginia and Maryland. Tidewater cottages are identified by their simplicity and their height to length ratio (double cube) with the house being twice as long as it is high. The Kroger House is a brick double pile form with the depth ratio mimicking that of the front elevation. Another example of the Tidewater cottage form in Lauderdale County can be found in the Peter F. Armistead house on Waterloo Road 3 miles west of Florence.&#13;
The property was listed on the National Register of Historic Places in 1986 as part of a “Tidewater Cottages in the Tennessee Valley” thematic nomination. More information about the house can be found on the website of the Alabama Historical Commission or the National Register data base of the National Park Service.&#13;
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Auburn University&#13;
Keith S. Hebert</text>
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                <text>The WWI Memorial Amphitheater on the University of North Alabama's campus is a common gathering place of students. In 1919, Mrs. Susan J, Price, a professor in the department of geography, recognized the need for a formal stage and a memorial to the six students of State Normal School that did not return home from WWI. Her original design consisted of a half enclosed dome supported by six pillars to represent the six students. Although the finished amphitheater did not follow Mrs. Price's original plan, the structure still stood as a memorial to those six students lost in WWI. The amphitheater was completed in 1934.</text>
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                <text>Claire Eagle, University of North Alabama</text>
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                <text>Text:&#13;
Doris Kelso, "A History of the UNA Memorial Amphitheater," Journal of Muscle Shoals History VI, (1978); 135-38.&#13;
Images: University of North Alabama Archives and Special Collections</text>
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Auburn University&#13;
Keith S. Hebert</text>
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University of North Alabama</text>
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                <text>National Register of Historic Places; Tidewater Cottage: Multi-Property Nomination; Architecture; Florence, AL</text>
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                <text>The Peter Fontaine Armistead Sr. House is significant to Lauderdale County and northern Alabama as an excellent example of migration and settlement patterns in the area in terms of population, plantation economy, and architectural styles. Peter and his wife Martha Henry Winston Armistead were natives of Culpepper County, Virginia and moved to the area in the early 1820s. It was common during this period for settlers to migrate from the older states along the middle/Southern Atlantic seaboard many making their homes temporarily in middle Tennessee before settling and establishing plantations or farms in northern Alabama. Some, like Peter, continuing on to Mississippi or Texas in search of better or additional land in a progressive western migration pattern. The Armisteads developed a large slave-based cotton plantation in the fertile lands five miles northwest of Florence. Mrs. Armistead remained in the area until her death in 1870 but Peter Armistead Sr. moved to Mississippi in the late 1840s.&#13;
The architectural style of the Armistead house also reflects those western migration patterns being very similar to homes of Virginia and Maryland dating back to the colonial area.  There are numerous houses in the Tennessee Valley that reflect the style and configuration and are known as “tidewater cottages”.  The remaining, largely intact examples of the style were listed on the National Register of Historic Places in 1986 as part of a thematic nomination entitled “Tidewater Cottages in the Tennessee Valley”.  The house has remarkable similarities to Mrs. Martha Armistead’s ancestral home in Virginia, Glen Ella, built in 1799. The Armistead House is unusual as the only wood frame double pile (two rooms deep and two rooms wide) example in the nomination. The house is also different from the others in that a central room is located behind the front stair hall. Tidewater Cottages are recognized by their simplicity of design, side gables with exterior end chimneys and the proportion ratio of their front elevation.  The houses are twice as long as they are tall. The Armistead example has three gabled dormers. The house has lost some original material, chimney and siding, and one story wings and porches were added but the overall integrity of the house remains.  Interior features are largely intact including doors, chair rail, and baseboards. Another Lauderdale County example of the Tidewater Cottage can be found in the William Kroger House on the Smithsonia - Rhodesville Road about 4 miles northeast of Smithsonia.&#13;
The information above was found in the National Register nomination and additional information can be found on the National Park Service’s NR data base.</text>
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                <text>Alabama Historical Commission. National Register Nomination."Armistead, Peter F., Sr. House (Tidewater Cottages in the Tennessee Valley TR)" (#86001540) (7/9/86)</text>
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Auburn University&#13;
Keith S. Hebert</text>
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University of North Alabama</text>
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                <text>National Register of Historic Places; Lustron House; Architecture; Florence, AL</text>
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                <text>The William Bowen House at 1145 Wildwood Park Road was built in 1949 and nominated to the National Register for its significance to architecture. The one story two bedroom Lustron House is a metal prefabricated house clad in enameled steel in two foot by two foot panels. The side gable roof is also covered in enameled steel panels designed to look like tile. The interior wall and ceiling also covered in the enameled panels are original as are the built in bookshelves, vanity, and closets. At the time of the National Register nomination in 2000 most of the interior was unchanged.&#13;
The Lustron Corporation manufactured prefabricated steel and enameled paneled homes to meet the housing demands created by returning soldiers from World War II.  The Columbus, Ohio based company operated between 1946 and 1950 and built 2,495 houses in a retooled Curtis-Wright airplane parts factory. The closed system factory constructed all 3,000 components of the house from steel and packaged the parts directly on specialized truck beds designed to hold and deliver one Lustron House. &#13;
Lustron Houses, like the automobile they so closely resembled, were sold by local franchised dealers. The company had no problem recruiting dealers and provided the nationwide network with a training and education center. Building crews were offered training at the Lustron Service School in Columbus. Dealers did suffer from territory disrupts, funding sources, local building code inconsistencies, and slow order delivery. In 1950 with accolades and praise from homeowners and the architectural and building community, financial problems and slow production rates forced the Lustron  Corporation to close.&#13;
In Alabama Lustron Houses are closely associated with the local North Alabama South Tennessee dealer, the Southern Sash Company. The Southern Sash Company’s parent company Union Aluminum of Sheffield produced the aluminum frame windows for the Lustron Corporation. Company records as of December 31, 1949 displayed shipments for 15 houses in Alabama.  The 2000 multi-property nomination for Lustron Houses in Alabama lists 9 surviving houses – 5 of which are in the Muscle Shoals area; 2 in Sheffield and 3 in Florence. All the houses in Florence are the most common plan, the two bedroom deluxe Westchester plan.&#13;
This property was listed individually on the National Register of Historic Places in 2000 for its significance in terms of architecture and engineering.  The same year Nomiit was also listed as part of a multiple property nomination “Lustron Houses in Alabama”. Information for this Omeka entry was found in the individual and multi-property nomination.</text>
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Ford, Gene A., Trina Binkley. “Lustron Houses in Alabama.” National Register of Historic Places Multiple Property Nomination. Montgomery: Alabama Historical Commission, 2000.&#13;
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                <text>Sallie Independence Foster was born on October 28, 1848, in Nashville, Tennessee.  She was the youngest child of George Washington Foster and Sarah Independence Watkins Foster.  From the age of seven she lived in Courtview, a mansion that is now named Rogers Hall, located at the end of North Court Street in Florence.  Sallie’s best friend during her childhood was Julia O’Neal, the daughter of Alabama Governor Edward A. O’Neal.&#13;
&#13;
	Sallie Foster kept diaries throughout the Civil War and later years that offer insight into life in Florence.  Her first diary begins in June of 1861 when she was twelve years old.  While the 1861 diary does not mention the Civil War often or with much detail, a later diary discusses the movement of Confederate and Union troops in Florence.  Other subjects covered in her diary include Florence area stores, doctors, and people, as well as church.  Today, these diaries are part of UNA’s Archives and Special Collections.  &#13;
&#13;
	Sallie graduated from Florence Synodical School and married Sterling Paine McDonald on February 9, 1870.  They moved to Arkansas for several years, but returned to Florence to visit her family many times.  Sallie, her husband Sterling, and their six children moved to Florence and into Courtview in 1886.  Sterling McDonald was sick for many years and died on April 4, 1897.  Sallie Independence Foster McDonald passed away on December 2, 1897.  &#13;
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                <text>Robert S. Steen, History of Foster House- Courtview- Rogers Hall and Early City of Florence . Florence: University of North Alabama, No Date, 20, 49, 59-60.&#13;
&#13;
Sallie Independence Foster Diary, 1861. Unpublished, University of North Alabama Archives and Special Collections.&#13;
&#13;
Images of Sallie Independence Foster and her diary are courtesy of UNA Collier Library Archives&#13;
&#13;
Image of Courtview/ Rogers Hall Courtesy of Kayla Scott&#13;
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Keith S. Hebert</text>
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                <text>The E.H. Darby Lustron House at 321 Beverly Avenue was built in 1949. The one story 2 bedroom house is a Westchester model and features 2 bedrooms, one bathroom, a galley kitchen with large utility space, a dining alcove and front living room with a built in bookcase. The house still has its original oval metal Lustron identification plaque with the serial number #1396.&#13;
The Lustron Corporation manufactured prefabricated steel and enameled paneled homes to meet the housing demands created by returning soldiers from World War II.  The Columbus, Ohio based company operated between 1946 and 1950 and built 2,495 houses in a retooled Curtis-Wright airplane parts factory. The closed system factory constructed all 3,000 components of the house from steel and packaged the parts directly on specialized truck beds designed to hold and deliver one Lustron House. &#13;
Lustron Houses, like the automobile they so closely resembled, were sold by local franchised dealers. The company had no problem recruiting dealers and provided the nationwide network with a training and education center. Building crews were offered training at the Lustron Service School in Columbus. Dealers did suffer from territory disrupts, uncertain funding sources, local building code inconsistencies, and slow order delivery. In 1950 with accolades and praise from homeowners and the architectural and building community, financial problems and slow production rates forced the Lustron Corporation to close.&#13;
In Alabama Lustron Houses are closely associated with the local North Alabama South Tennessee dealer, the Southern Sash Company. The Southern Sash Company’s parent company Union Aluminum of Sheffield produced the aluminum frame windows for the Lustron Corporation. Company records as of December 31, 1949 displayed shipments for 15 houses in Alabama.  The 2000 multi-property nomination “Lustron Houses in Alabama” lists 9 surviving houses – 5 of which are in the Muscle Shoals area; 2 in Sheffield and 3 in Florence. All the houses in Florence are the most common plan, the two bedroom deluxe Westchester plan.&#13;
This property was listed individually on the National Register of Historic Places in 2000 for its significance in terms of architecture and engineering.  The same year it was also listed as part of a multiple property nomination “Lustron Houses in Alabama”. Information for this Omeka entry was found in the individual and multi-property nomination.</text>
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                <text>Ford, Gene A., Susan Enzweiler and Trina Binkley. “Bowen, William House – Lustron House”. National Register of Historic Places. Montgomery: Alabama Historic Commission, 2000.&#13;
Ford, Gene A., Trina Binkley. “Lustron Houses in Alabama.” National Register of Historic Places Multiple Property Nomination. Montgomery: Alabama Historical Commission, 2000.</text>
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                <text>Also known as Mapleton, the two and a half story frame house was placed on the National Register in 1981 for its significance in terms of architecture.  The Federal style house sits on one of the highest lots in Florence overlooking both the central business district to the east and the Tennessee River to the south. Though the property’s address is 420 South Pine Street the house faces Limestone Street and the Tennessee River. &#13;
According to the 1981 nomination the house is an outstanding northern Alabama interpretation of the Federal style with notable examples of delicate Adamesque mantles, finely carved woodwork in the double drawing rooms, and identical semi elliptical fanlights over double doorways leading to the central hall. Inspiration for much of the detailing appears to be popular standard builder’s handbooks.&#13;
The 1825-1830 house was home to many prominent Florentines. The first, George Coulter, a native of Kentucky, was a lawyer, farmer, and military officer. The house passed to Dr. Levi Todd in the 1850s at which time it was known as Todd’s Hill. During the Civil War the house was used by both Federal and Confederate commands.  After the was the house was owned by Major Robert McFarland, a local attorney, and later by Dr. W.W. Slaton during which time the house was renamed Mapleton in honor of Mrs. Slaton’s childhood home. During the Slatons ownership a doctor’s office was added to the east elevation and the matching front and rear porches were changed.  The 1981 nomination states that no other major changes were made.&#13;
The current (2015) façade of the house is almost totally obscured by massive Magnolia trees but the house appears to have no major exterior changes since the nomination.  However the nomination was written 34 years ago and updates are needed to the nomination.</text>
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                <text>Locust Dell Academy operated in Florence from 1834 to 1843. The all-girls school was owned and operated by Nicholas Marcellus Hentz and his wife Caroline Lee Hentz. Subjects taught included reading, math, composition, and painting. The name Locust Dell came from the grove of locust trees the school resided in. The school continued to operate after the Hentz's left Florence in 1843. The Florence Synodical Female College absorbed Locust Dell in 1855. Unfortunately, the original building burned down in 1929. The school was located where the University of North Alabama's Willingham Hall stands today. </text>
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                <text>Text:&#13;
William Lindsey McDonald, A Walk Through The Past: People and Places of Florence and Lauderdale County, Alabama. (Bluewater Publications, 2003), 80. &#13;
Elizabeth Walter. “Locust Dell Turned Girls” The Picture, Florence, Alabama, January 4, 1973. &#13;
Images: &#13;
University of North Alabama Archives and Special Collections&#13;
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Keith S. Hebert</text>
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                <text>On the first Friday of each month from March through December, Florence residents come together at historic downtown Florence to celebrate the town’s rich culture in the arts. The scene is a festive atmosphere and the admission is free. Streets are closed for vehicle transportations while the sidewalks and street corners are occupied by pedestrian traffic, booths, and music stages. Florence citizens and local businesses and organizations set up booths in order to sell photography, paintings, ceramics, foodstuff, and other artistic matters. On this night, many downtown stores and restaurants stay open after hours for in order to provide business and browsing. Stages are set up for local bands to perform to a mixed crowd of recognizable and new faces.     &#13;
	The city of Florence has put on this event since 2005. Numerous organizations and departments had to agree in order to establish the First Friday festival. Downtown Florence Unlimited, which comprises of retail and service businesses, educational institutions, and non-profit organizations, collaborated with the City of Florence, Florence Main Street Program, the University of North Alabama, and the Florence/Lauderdale Tourism Department for the event to take off. Two partner organizations associated with Florence First Fridays are The Kiwanis Club and the Kennedy-Douglas Center for the Arts. &#13;
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                <text>Text: &#13;
“First Fridays Art Event in Downtown Florence,” Explore the Shoals, 2008-2009, 140. &#13;
Downtown Florence Unlimited, “Partner Organizations,” Florence First Fridays, http://www.firstfridaysflorence.org/partners.html (accessed May 1, 2015). &#13;
&#13;
Images: &#13;
“October First Friday in Florence,” Times Daily, http://www.timesdaily.com/collection_1a88741a-2d58-11e3-9a28-001a4bcf6878.html (accessed May 1, 2014).&#13;
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                <text>Florence University for Women was also known as Baptist University and Hawthorne's College. Work began on the college in 1890 by the Florence Educational, Land, and Development Company headed by J.B. Hawthorne. The building had three floors, 88 bedrooms, a chapel that could seat 750, a dining hall, sixteen classrooms, and a gym.The school was going to be a Baptist university if a $100,000 endowment could be paid within the first year. After the endowment was not paid the school was given to Rev. L.D. Bass to establish a secular school named Southern Female University. It opened in 1891 with 20 teachers and about 100 students. Although Bass advertised the school as a secular institution, the student body consisted of mostly Baptist girls. After only two years the college moved to Birmingham and the building sat vacant. In 1908 the president of Southern Female College in Lagrange, Ga, M.W. Hatto purchased the building. Hatto had the building renovated and reopened the school as Florence University for Women. Less than 3 years later the building burned, along with all of the students belongings, because of faulty electrical wiring. Only the seniors were able to finish their degrees after being sent to a school in Kentucky. The building was insured, but only for $16,000.</text>
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William Lindsey McDonald, A Walk Through The Past: People and Places of Florence and Lauderdale County, Alabama. (Bluewater Publications, 2003), 92-93.&#13;
“Florence University is Burned to the Ground,” The Tri-Cities Daily, March 2, 1911.&#13;
Image: University of North Alabama Archives and Special Collections</text>
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                <text>National Register of Historic Places; Architecture; Florence, AL</text>
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                <text>The James Martin House was listed on the National Register in 1981 for its significance in architecture and its association with James Martin, an early Florence industrialist. The story and a half frame cottage was a common form in its time period (constructed around 1843) but overtime the numbers have diminished and the surviving Martin house is a notable example of the style. Other local examples include the Wood House on Wood Avenue and the Edward A. O’Neil House and the Abraham Dean House both on North Court Street.&#13;
&#13;
The simple cottage form originally consisted of two rooms separated by a central hall and bracketed by exterior end brick chimneys. The interior woodwork is largely intact and has Federal style detailing mixed with some Greek Revival aspects.  The original hall doors are exceptional for their Carpenter and Company locks. At the time of the National Register nomination in 1980 the house had a three room rear addition (construction date not known) and a three room addition on the west elevation which included 20th century partitioning and a kitchen and bathroom. A photo made in 2015 shows the rear addition in place but the western addition removed. The front Doric porch columns on the single bay pedimented porch were also replaced during that time period and reflect the older engaged fluted columns that flank the double front doors. The roof was also replaced with modern asphalt architectural shingles.&#13;
The cottage is also significant for its association with James Martin a leading businessman who first worked in the building trade and then in 1839 as a textile mill owner.  Martin, in partnership with Levi Cassity, established the Globe Cotton Mill employing 150 people by 1844. The mill was located on Cypress Creek close to the Martins house.  The mill burned in 1844 but was rebuilt by Martin with a new partner Samuel D. Weakley.  The mill prospered and the company also operated a grist mill and sawmill. The site also included a mill village with housing, a day school, and church for the workers. In 1863 the mill site, but not the house, was burned by Federal troops. After an attempt to rebuild and the death of James Martin the mill site was sold to the Cypress Mill Company.&#13;
Information for this Omeka entry was obtained from the 1981 nomination. Due to the obvious changes in the exterior of the house and the early date of the nomination, the National Register listing could benefit from an update.</text>
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                <text>Gamble, Robert. “James Martin House National Register of Historic Places nomination.” Montgomery: Alabama Historical Commission, 1981.</text>
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Keith S. Hebert</text>
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                <text>The Karsner-Kennedy House at 303 North Pine Street is located on lot 7 of the original Florence plat purchased by James Gadsden for $350. The house was built sometime before 1831 when it was purchased by Oscar Karsner.  The Karsner family owned the home until it was acquired by the Carroll-Kennedy family in 1902. The property was subsequently owned by the City of Florence and was used as the Florence Housing Authority and currently by Florence Main Street program.&#13;
The building is significant for its architecture and is one of the few remaining small nineteenth century Federal buildings in the Tennessee Valley. Over time the structure was altered with many additions including a front porch, shed dormers, and assorted wings but the defining fabric remained and the building was restored in 1971-1973 by the City of Florence under the direction of Karl Tyree, Jr. Executive Director of the Florence Housing Authority.&#13;
The one and a half story brick cottage is laid in Flemish and English common bond and is 13 inches thick. The double front doors (replacement) are in the left (south) bay and are remarkable for their brick arch and intricate fanlight.  Much of the interior woodwork is intact and mirrors this delicacy of design: staircase, doors and surrounds, and mantels. The rear wing, rear porch, and dormers were added or altered during the restoration but are based on design style or remnants found during the restoration process.&#13;
In 1971 the building was one of the first in Florence and seventeenth in the state of Alabama to be listed on the National Register of Historic Places. It was also included as part of the Ferdinand Sannoner District in 1976 as a contributing structure. Information for this Omeka entry was obtained from the National Register of Historic Preservation nomination.  Additional information can be found in the nomination on the Alabama Historical Association website or National Park Service database.&#13;
&#13;
Due to changes in condition, use, and ownership of the property as well as the limited information required of early nominations, this National Register nomination requires updating.</text>
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                <text>National Register Nomination (#70000104)</text>
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Auburn University&#13;
Keith S. Hebert</text>
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                <text>William Basil Wood was born on October 31, 1820.  Wood was a LaGrange College graduate, and practiced law in Florence before the Civil War.  Wood served as a colonel of the 16th Alabama Infantry Regiment and was recommended for promotion to brigadier general, but worked as President of the Military Court when he was assigned to General James Longstreet’s Corps.  &#13;
	Besides being a lawyer, Wood served as circuit court judge and a Methodist minister after the war.  Wood was instrumental in the movement of La Grange College from Leighton to Florence in 1855.  Wood was also one of the first historians of Lauderdale County.&#13;
	William Basil Wood passed away on April 3, 1891.  He is buried in the Florence Cemetery along with his wife, Sarah.  Wood Avenue in Florence is named in his honor.  &#13;
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                <text>Kayla Scott, University of North Alabama </text>
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                <text>William Lindsey McDonald, A Walk Through The Past: People and Places of Florence and Lauderdale County, Alabama. (Bluewater Publications, 2003), 45-46.  &#13;
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Jill K. Garret, History of Lauderdale County, Alabama, 1964, 228.&#13;
&#13;
Image Courtesy of Collier Library Archives </text>
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Auburn University&#13;
Keith S. Hebert</text>
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University of North Alabama</text>
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                <text>Florence Wesleyan University began when LaGrange College's students and teachers sought a new location in Florence. The majority of the faculty and students left the original site of LaGrange College - across the river from Florence (4 miles south of Leighton, Alabama) in 1855.  The college began holding classes at the Florence Masonic hall because construction on their building, Wesleyan Hall, had not been completed yet. The tuition was listed as $25 for a ten month semester. The college closed from 1861-1869 due to the fact that over 100 students and faculty left to fight in the Civil War. After the Civil War had ended the school reopened but closed three years later due to lack of funding. In 1872 the school was deeded to the state of Alabama and reopened as State Normal School.</text>
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                <text>Claire Eagle, University of North Alabama</text>
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                <text>William Lindsey McDonald, A Walk Through The Past: People and Places of Florence and Lauderdale County, Alabama. (Bluewater Publications, 2003), 90-91.&#13;
&#13;
University of North Alabama, "Brief Look at University of North Alabama History." Florence, Alabama, 2005.</text>
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Auburn University&#13;
Keith S. Hebert</text>
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University of North Alabama</text>
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                <text>The National Register nomination covers three houses facing Wilson Park, the only remaining houses from what was once a prominent Florence neighborhood. The houses were built between 1890 and 1918 and represent typical upper middle class residential architecture of the time. The original plans for Florence, as surveyed and plotted by Ferdinand Sannoner, set aside a city block as a “public walk”. This allotment was adjacent to the lot designated for a school and which was subsequently developed as the Florence Synodical Female College, the “public walk” became the City Park complete with gas lighting, cedar plantings, and a bandstand.  Building lots around the park became highly desirable for residential development. During the city’s economic boom from the 1880s through the 1920s, fashionable upper-middle class homes were built around the remaining three sides (north, east, and west) of the park. Over time the college was demolished and the post office and larger park footprint expanded on to the site of the Florence Synodical Female College.  Commercial structures took the place of the late 19th early 20th century residential structures to the east and west leaving only three houses on the north side as a reminder of the earlier neighborhood. &#13;
The house at 209 Tuscaloosa Street was constructed around 1890 and in 1894 became the home of local pharmacist, Charles Morton Southall. The Southall Drug building on Court Street is also on the National Register. The two and a half story asymmetrical frame house has Queen Anne and Shingle style features including a hipped roof, projecting front gable with Tudor revival detailing, a second story clad in wood shingles, and a one story wrap around porch supported by paired round columns on brick piers. &#13;
The two story brick Georgian Revival house at 217 Tuscaloosa Street was built for James Josephus Douglass about 1910. Douglass was a prominent local businessman and farmer. The house passed to his son Hiram Kennedy Douglass, an Episcopal minister and genealogist, who left the house and the adjacent Wright – Douglas House to the city of Florence in conjunction with the Kennedy-Douglass Trust for public use as an Arts Center. The Wright-Douglas House (223 Tuscaloosa Street) was purchased by Hiram Kennedy Douglass in 1939. The one and half story frame Victorian house is currently part of the Florence Arts Center.&#13;
The National Register nomination for the Wilson Park houses was written in 1978 and lacks much information that would be required of a current nomination.  It is advised that this nomination be updated.</text>
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                <text>Missy Brown, University of North Alabama</text>
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                <text>Floyd, Warner W. and Sally Moore. “Wilson Park Houses – National Register of Historic Preservation Nomination,” Montgomery: Alabama Historical Commission, 1979.</text>
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                <text>Alabama Cultural Resource Survey</text>
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Auburn University&#13;
Keith S. Hebert</text>
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University of North Alabama</text>
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                <text>The Bellamy Planning Mills of the East Florence area of Sweetwater was incorporated on May 1st, 1901.  The founders chose to situate Bellamy Planning Mills near Sweetwater Creek on present day Veterans Drive.   The founders of the Bellamy Planning Mill were President, A.D. Bellamy (also the founder of Florence Wagon Works); Secretary, W.M. Richardson (who would own his own lumberyard in Florence eventually); and Attorney, John T. Ashcraft, who was one of several founders of the Ashcraft Cotton Mill.   By 1903, the Bellamy Planning Mill was doing about seventy-five thousand dollars’ worth of business per year while using about three million feet of lumber per year and employing a force of thirty men.   Bellamy’s mill did business across the South and Midwest selling building materials for framing, ceilings, porch columns, and balusters to name a few.   They also sold Sherwin Williams Paints and Acme Cement Plaster in addition to the wood products.   Eventually, Bellamy sold the planning mill to a partnership of Lewellen and Robbins. &#13;
&#13;
When A.M. Lewellen and Robbins bought the Bellamy Planning Mill, they renamed it Acme Lumber Company.   Acme Lumber Company had an important, albeit tragic, role in Florence during the 1918 Spanish influenza outbreak that occurred while Wilson Dam was under construction.   Because of the influenza outbreak, Acme ran three full shifts a day to build enough coffins for the countless numbers of deceased workers since the lumberyard was located across the river from the camps of the workers building Wilson Dam.   The majority of the deceased were immigrant Cuban workers buried in common graves, and most had no known immediate relatives or survivors.   After the end of the Spanish influenza, not much information can be found on Acme Lumber Company on the fate of the lumber company itself.&#13;
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                <text>Matthew C. Fesmire, University of North Alabama</text>
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                <text>Text Sources:&#13;
&#13;
"Florence As She Is." The Florence Times. 1903.&#13;
&#13;
McDonald, William Lindsey.  "Sweetwater: The Story of East Florence."  Florence, Ala.: Florence Historical Board, 1989.&#13;
&#13;
McDonald, William Lindsey.  "Remembering Sweetwater: The Mansions, The Mills, The People."  photos by L.D. Staggs, Jr. Killen, Bluewater Publications, 2002.&#13;
&#13;
Garrett, Jill Knight.  "A History of Lauderdale County, Alabama." Columbia, Tenn., Privately Published, 1968.&#13;
&#13;
Picture Source: &#13;
&#13;
UNA Archives &amp; Special Collection.  William L. McDonald Collection.  “Bellamy Planning Mill/Acme Lumber Company.” Florence, Alabama.  Box 12: Florence Industry, 12-32.</text>
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                <text>Alabama Cultural Resource Survey</text>
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                <text>The Early Twentieth Century</text>
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Auburn University&#13;
Keith S. Hebert</text>
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                  <text>Auburn University&#13;
University of North Alabama</text>
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                <text>The George Lindsey UNA Film Festival</text>
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                <text>Festival; Theatre; Film; University of North Alabama; Arts; Florence, AL</text>
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                <text>George Smith Lindsey attended Florence State Teachers College (now present day University of North Alabama) during the late 1940s. At Florence State Lindsey excelled both on the football field and in the theatre. One of the theatrical plays in which Lindsey performed was Oklahoma!. After graduating in 1952, Lindsey attended the prestigious New York theatre school—the American Theatre Wing—in the late 1950s. Shortly thereafter, in 1962 he signed a contract with the William Morris Agency and got roles on numerous television shows such as “Twilight Zone” and “The Alfred Hitchock Hour.” Following these minor roles, he earned the infamous role as Goober Pyle on “The Andy Griffith Show” for five years during the 1960s. After the cancellation of “The Andy Griffith Show,” Lindsey caused many Americans to laugh with his comedy sketches on the show “Hee Haw” for nearly twenty-years.  &#13;
	In order to promote the art of theatre and to highlight talented individuals, George Smith Lindsey along with deceased UNA Communications and Theatre established the competitive George Lindsey Film Festival in 1998.  For the past eighteen years, the University of North Alabama has hosted the film festival in the Spring. In March of 2015, the University of North Alabama (UNA) hosted the eighteenth Annual George Lindsey UNA Film Festival. Over three thousand local, national, and international entries were submitted at the 2015 festival, at which only one hundred were chosen to be screened. Awards are given to the first place winner in each category, and a special award is given to the best film made in the state of Alabama.  Overall, according to Lindsey the festival strives to “take the energy that is in Hollywood and bring it to north Alabama.” &#13;
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                <text>Jesse Brock, University of North Alabama</text>
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              <elementText elementTextId="18418">
                <text>Text:&#13;
University of North Alabama, “George Lindsey-Biography, University of North Alabama, https://www.una.edu/library/collections/george-lindsey---biography.html (accessed May 1, 2015).&#13;
&#13;
“George Lindsey TV &amp; Film Festival set for April 1998,” in The 1st George Lindsey Television &amp; Film Festival Memorabilia Book, compiled by Lisa Darnell, The George Lindsey Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama.&#13;
&#13;
George Lindsey UNA Film Festival, “About the Festival,” Lindsey Film Fest, www.lindseyfilmfest.com (accessed May 1, 2015). &#13;
&#13;
“UNA Hosts First Lindsey TV, Film Fest,” in The 1st George Lindsey Television &amp; Film Festival Memorabilia Book, compiled by Lisa Darnell, The George Lindsey Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama.&#13;
&#13;
Images: &#13;
 Folder “Alumni: Lindsey, George,” University Collections,Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama.</text>
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              <elementText elementTextId="18419">
                <text>Alabama Cultural Resource Survey</text>
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            <name>Date</name>
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                <text>1940s-present</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <element elementId="50">
            <name>Title</name>
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                <text>Wesleyan Bell Tower</text>
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          <element elementId="49">
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                <text>The C.S. Bell Compony in Hillsboro, Ohio manufactured the Wesleyan Bell. It is believed that the bell was put on top of Welseyan Hall when the college reopened as State Normal School in 1872. The last know account of the bell being rung occurred in 1910. It was used to warn of a fire that had broken out in Wesleyan Hall. The bell was removed sometime after that. There are reports that the bell was found in storage in 1951, but nothing was done with it. In 2002, the bell was again found, this time in a university basement during renovations. Alumni and school officials worked to refurbish the bell and create a tower for its display. The total project cost $110,000.</text>
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            <name>Creator</name>
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            <elementTextContainer>
              <elementText elementTextId="12285">
                <text>Claire Eagle, University of North Alabama</text>
              </elementText>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="12286">
                <text>Robert Steen, "History of the Wesleyan Bell," University of North Alabama, 2004.</text>
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            <name>Publisher</name>
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            <elementTextContainer>
              <elementText elementTextId="12287">
                <text>Alabama Cultural Resource Survey</text>
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                <text>2002</text>
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Auburn University&#13;
Keith S. Hebert</text>
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University of North Alabama</text>
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                <text>Born in 1824, Dr. Robert A. Young was the second president of Florence Wesleyan University and served from 1862 to 1865.  Dr. Young, along with Professor Septimus Rice managed to keep the college open throughout the Civil War years.  Enrollment was low during the Civil War.  &#13;
&#13;
Confederate and Union troops occupied Wesleyan Hall multiple times.  Dr. Young distributed the University’s library books to Florence citizens for safekeeping until the war’s end.  Dr. Young is credited with saving Florence Wesleyan University and Florence from being burned by Union Colonel Florence Cornyn and his troops in 1863.  Although Colonel Cornyn refrained from destroying the town, he and his forces torched a block of downtown structures before Young’s entreaty, and torched several old houses as they left Florence.  Dr. Young not only helped protect the college, but also helped citizens like General Edward A. O’Neal’s wife Olivia when she and her children were accosted by solders.  In 1866, Dr. Young moved to take a position at Vanderbilt University and the college operated on a limited basis until 1868. &#13;
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                <text>Kayla Scott, University of North Alabama</text>
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              <elementText elementTextId="10233">
                <text>Robert S. Steen, History of Foster House- Courtview- Rogers Hall and Early City of Florence . Florence: University of North Alabama, No Date, 41.&#13;
&#13;
William Lindsey McDonald, A Walk Through The Past: People and Places of Florence and Lauderdale County, Alabama. (Bluewater Publications, 2003), 52, 71.&#13;
Jill K. Garret, History of Lauderdale County, Alabama, 1964, 229.&#13;
&#13;
A Brief Look at University of North Alabama History 1830-2005. Booklet published by the University of North Alabama. &#13;
&#13;
Image Courtesy of UNA Collier Library Archives</text>
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Auburn University&#13;
Keith S. Hebert</text>
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University of North Alabama</text>
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                <text>During the early 2000s, award winning American fashion designer Billy Reid established his flagship store in downtown Florence. In addition to his good taste in fashion, Reid also loves music. He has recognized that the town of Florence and the surrounding area has a rich music culture, both in the past and in the present with up and coming artists. Therefore, in 2008 he organized a weeklong event during the Fall of each year in downtown Florence that celebrated and exposed this unique culture. Local bands play concerts at Wilson Park and vendor booths line the streets selling art, food, and clothing.  In all the event is full of “good music, good fashion, good food and good times.” </text>
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Bobby Bozeman, “Billy Reid Shindig Introduces Shoals to Out-of-Towners and Vice Versa,” Times Daily, August 14, 2014. &#13;
&#13;
Lauren Ferguson and Ashley Williams, “Shindig Features Music, New Billy Reid T-Shirt Line,” The Daily South, August 15, 2014. &#13;
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                <text>The Ashcraft Cotton Mill began not as a cotton mill for the weaving of textiles, but as a refinery for cotton oil.   In the spring of 1898, C.W. and Erister Ashcraft founded and incorporated the Florence Cotton Oil Company.  The distance of other similar facilities in Nashville, Memphis, and Birmingham, made for a lengthy treks for local farmers, hence the formation of the company and the refinery.   In 1898, cottonseed had a going rate of five dollars per ton.   So the elimination of distance created a rise of about 500 percent in the amount paid for local cottonseed to process into cotton oil.   In the single year of operation for Florence Cotton Oil, they employed in between 50 to 75 workers.   About a year later, the Ashcraft clan decided to stop producing cotton oil and start producing cotton textiles.&#13;
&#13;
 John T., C.W., Lee, Erister, and Fletcher Ashcraft, all brothers, in addition to Andrew J. Ashcraft, their father, formed a partnership in creating the Ashcraft Cotton Mill.   The mill was located at the intersection of South Cherry and Terrace Streets in the Sweetwater area of Florence.   At the time of incorporation in 1899, Ashcraft had an organized capital stock of one hundred thousand dollars, then in 1900 one hundred and fifty thousand dollars, giving the company a well-capitalized beginning.   One of the largest cotton mills operating in Lauderdale County, the mill had over 3,600 spindles and 100 looms ready for operation in 1899.   Upon the opening of the mill in 1900, the city of Florence celebrated in grand fashion, having a large celebration for the local citizens and dignitaries with a big brass band to boot.   By 1903, the Ashcraft mill was valued at two hundred thousand dollars.   By 1903, Ashcraft Cotton Mill employed at least 250 men and women and provided housing for the employees.   The production of the workers helped the mill use 4,000 bales of locally grown cotton annually, which the finished product was sent across North America. &#13;
	&#13;
In 1927, the Ashcraft Cotton Mill was renamed the Florence Cotton Mill.   The Florence Cotton Mill survived the Great Depression and paid a decent wage during the economic depression at about fifteen dollars per week.   Even though the mill survived the Great Depression, it could not survive the foreign textile industry and closed its doors at the end of World War II. &#13;
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McDonald, William Lindsey.  "Remembering Sweetwater: The Mansions, The Mills, The People." photos by L.D. Staggs, Jr. Killen, Ala., Bluewater Publications, 2002.&#13;
&#13;
McDonald, William Lindsey.  "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003.&#13;
&#13;
“Florence As She Is.”  "The Florence Times." 1903.&#13;
&#13;
Image Source: &#13;
&#13;
UNA Archives &amp; Special Collection.  William L. McDonald Collection.  “Ashcraft Cotton Mill."  Florence, Alabama.  Box 12: Florence Industry, 12-36.&#13;
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                <text>Since 1986, the city of Florence has hosted an annual two day festival dedicated to highlighting the local area’s rich art culture known as Arts Alive. Each year, the event has is organized through the hard work and efforts of a volunteer committee.  During the event local, regional, and national acclaimed artists set up booths at Wilson Park and the Kennedy Douglas Center for the Arts in downtown Florence.The festival does not focus on one particular style of art. Instead, the festival showcases artworks from various categories—painting, stained glass, jewelry, sculpture, pottery, fiber art, needle work, photography, music, and more.  One local artists claimed that the festival is both unique and important for the artist and community because provides the two different spheres an “opportunity to meet and talk.”  In addition, the festival stresses the importance of art among the younger generation with the inclusion of a dedicated area for children artwork.  Overall, the admission is free and the art is beautiful. </text>
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Arts Alive Alabama, “Information,” Arts Alive, www.alabamaartsalive.com/information (accessed May 2, 2015).  &#13;
&#13;
“Arts are Alive: Annual Festival Returns to Downtown,” Times Daily, May 12, 2014. &#13;
&#13;
“This Year The Arts Live,” Courier Journal, April 22, 2015. </text>
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                <text>One of the world’s oldest spoken art form is storytelling and the Communication Department at the University of North Alabama acknowledges this. Beginning in 2011, UNA communications professor Dr. Bill Huddleston started to offer the course COM 480/580, which focuses on storytelling.  Also beginning in 2011, the University of North Alabama and the Alabama Humanities Foundation, a state program of the National Endowment for the Humanities, co-sponsored an annual event known as Front Porch Storytelling Festival. The festival takes place in May on the University of North Alabama’s campus and various places in the city of Florence, such as Wilson Park and McFarland Park. During the festival, national, state, and local orators and musicians provide entertainment.  In 2015, the first “Story Slam” took place. The Story Slam is an open competition to high school and middle school students, who share a five minute personal stories from their lives based on a themed subject. The winner of the Story Slam competition receives a five hundred dollar award.  </text>
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“A Class Act,” in folder “University Events: Front Porch Storytelling Festival,” University Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama.&#13;
&#13;
Terry Pace, “Front Porch Storytelling Festival,” The Quad-Cities Daily, May 13, 2013. &#13;
&#13;
University of North Alabama, “Story Slam,” UNA Front Porch Storytelling Festival, www.una.edu/storytelling.student-competition-html (accessed May 1, 2015). &#13;
&#13;
Images: &#13;
folder “University Events: Front Porch Storytelling Festival,” University Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama. </text>
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                <text>Burrell Normal School stemmed from Carpenters High School. In 1904 an extra year of training was added to the school for those who wanted to be teachers. This was the first higher education institution for African American students in Lauderdale County. The first president was G.N. White. After a year of study students would take an exam, if the exam was passed a state teacher's certificate was granted. </text>
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                <text>Elizabeth Womack McDonald. History of the Florence City schools, 1820-1967, 1900. UNA Library Catalog, EBSCOhost (accessed April 29, 2015).</text>
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                <text>The Cherry Cotton Mill was one of the largest cotton mills in Lauderdale County at the turn of the twentieth century.  Cherry Cotton Mill has an industrial genealogy in Lauderdale County that is traceable to before the Civil War.  Cypress Mills Company and the Mountain Mills were both precursors to the Cherry Cotton Mill.  Cherry Cotton Mill came to Florence in the Sweetwater area by way of Barton, Alabama and Colbert County and the movement of Mountain Mills to east Florence.   Located in Sweetwater at the sight of where an old cotton mill used to be in 1832, Colonel Noel F. Cherry (and primary stock holder), Nial C. Elting (founder of First National Bank of Florence), and Charles M. Brandon (who the Brandon School was named after) founded Cherry Cotton Mill in 1893.   The Cherry Cotton Mill produced high quality yarns, amongst other textiles, until the doors of the mill closed during the Great Depression. &#13;
&#13;
	During the boom years of the early twentieth century, the Cherry Cotton Mill employed over 400 people and had a running capacity of 12,000 spoolers.   Just before the turn of the twentieth century, the average wage for the common worker at Cherry was fifteen to seventy-five cents a day.   Specialized mechanics and skilled craftsman would earn anywhere from a dollar to a dollar fifty a day.   A master mechanic would make a dollar fifty a day and a supervisor two dollars a day.   Even children were employed at the mill at as young as six years old.  The majority of the employees at the mill were women, but both the children and women tended to be paid the lowest, which is indicative of factory work at the beginning of the 1900s.  The mill did provide housing to its employees on close by Cherry Hill in Sweetwater. &#13;
&#13;
	From 1893 to 1929, Cherry Cotton Mill is said to have consumed 150,000 bales of local cotton in production.   Prosperous until the Great Depression, the number of people employed in 1936 by Cherry Cotton Mill was 300 workers, a strong number for an economic downturn.   The payroll by 1936 averaged two hundred twenty-five thousand dollars annually.   Unfortunately, Cherry Cotton Mill did not last much past 1936 and the Great Depression claimed the largest cotton mill in Florence.&#13;
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                <text>Matthew C. Fesmire, University of North Alabama</text>
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                <text>Text Sources:&#13;
&#13;
 McDonald, William Lindsey.  "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003.&#13;
&#13;
McDonald, William Lindsey.  "Sweetwater: The Story of East Florence."  Florence, Ala.: Florence Historical Board, 1989.&#13;
&#13;
McDonald, William Lindsey.  "Remembering Sweetwater: The Mansions, The Mills, The People." photos by L.D. Staggs, Jr. Killen, Ala., Bluewater Publications, 2002.&#13;
&#13;
Picture Source:&#13;
&#13;
UNA Archives &amp; Special Collection.  William L. McDonald Collection.  “Cherry Cotton Mill.”  Florence, Alabama.  Box 12: Florence Industry, 12-29.</text>
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Auburn University&#13;
Keith S. Hebert</text>
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University of North Alabama</text>
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                <text>The town of Saint Florian, Alabama, has a strong German heritage. It was established in 1872 by a Catholic priest named J. H. Hueser. Hueser, the director of the Homeland Security of Cincinnati, Ohio, purchased over two thousand acres of land in north Alabama, hoping to spread Catholicism into the region. He sold the purchased land for eight dollars per acre to German Catholic families.  The German residents established the Saint Michael’s Catholic Church, and the town was named after Mrs. Florian Rasch because she donated the bell for the newly established church. Saint Michael’s Catholic Church also acted as a school. The wife of the first preacher at Saint Michael’s Catholic Church, Annie Merz, taught German classes at the school during the 1870s. In addition to the church, the town had a blacksmith, a boarding house, a post office, a shoe shop, a brick yard, and a cotton gin. Nearly one hundred years after its establishment, on August 18, 1970 the resident’s in St. Florian decided to incorporate the town.  &#13;
	Beginning in 2002, the residents in St. Florian celebrated their town’s German heritage with the establishment of the Oktoberfest festival, which takes place during the first weekend in October. The two day festival is located at the St. Florian Community Park. Many attendees wear traditional German clothing, listen to music, drink from the beer garden, and eat German food such as brats and potato balls. The proceeds from the festival goes toward the town’s operating capital for the senior center.   &#13;
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                <text>Jesse Brock, University of North Alabama</text>
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                <text>Text: &#13;
Tennessee Valley Historical Society, “St. Florian,” Journal of Muscle Shoals Vol. X (1983), 143-144. &#13;
&#13;
  Jill Garrett, “First Catholic Church in County,” in folder “McDonald Collection: Church Information-Vol. 7: Other Denomination-Catholic, Churches 7.2,” Box 37, Bill McDonald Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama.&#13;
&#13;
Bobby Bozeman, “St. Florian Celebrates German Heritage with 12th Annual Oktoberfest,” Times Daily, October 2, 2014. &#13;
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Auburn University&#13;
Keith S. Hebert</text>
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University of North Alabama</text>
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                <text>Dr. William H. Mitchell was the minister of the Presbyterian Church in Florence during the Civil War.  On Sunday, July 27, 1862, Dr. Mitchell was arrested during the church service when he prayed for Jefferson Davis and the success of the Confederacy.  General Don Carlos Buell’s Provost Marshal, Colonel John Marshal Harlan was present during the prayer and made the arrest.  Dr. Mitchell was incarcerated at Alton, Illinois, for a number of months before he was released and allowed to return to Florence.  &#13;
Sallie Independence Foster recorded the incident in her diary on July 27:&#13;
“The Yanks went into the Presbyterian Church and took Dr. Mitchell prisoner while he was praying and took him over the river, the Yankees sent word to his wife that she must come to see him or she would not see him again.  They would not let him hoist up his umbrella. They said he could stand the sun as well as they could.  Poor man, he used to be the president of our school.  He said school would open again the 1st of September, but I don’t think it will as we have no president now.”&#13;
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                <text>Kayla Scott, University of North Alabama </text>
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                <text>William Lindsey McDonald, A Walk Through The Past: People and Places of Florence and Lauderdale County, Alabama. (Bluewater Publications, 2003), 67.&#13;
&#13;
Image and diary page courtesy of UNA Collier Library Archives&#13;
&#13;
Sallie Independence Foster Diary, 1862-1887. Unpublished, University of North Alabama Archives and Special Collections.&#13;
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                <text>In 1907, two men named Russell and Arthur Pratt of Huntsville, Alabama moved a Coca-Cola bottling facility from Sheffield to downtown Florence.   The Pratt Bottling Company bottled Coca-Cola in addition to creating and manufacturing their own soft drinks and ice cream flavors.   Two years later in 1909, Russell Pratt became the main distributor for Coca-Cola on the West Coast; meanwhile, Arthur Pratt left Florence to pursue Coca-Cola distribution in Newark, New Jersey and New York City, New York.   Julia Pratt and manager Burt Snyder took over the operations at the Pratt Bottling Company until 1940 when the Pratt Bottling Company was sold to Walter Matthews Sr. in 1940.   Eventually, the Coca-Cola bottling operations moved from downtown Florence to the Florence Industrial Park.  Comcast Cable owns the old Pratt Bottling Company building located off of Court Street today.</text>
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 Barske, Carolyn.  "Images of America: Florence."  Charleston: Arcadia Publishing, 2014.&#13;
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&#13;
UNA Archives &amp; Special Collection.  William L. McDonald Collection.  “Coca-Cola Bottling Plant/Pratt Bottling Company.” Florence, Alabama.  Box 12: Florence Industry, 12-56.</text>
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                <text>The Florence Main Street Program, a non-profit organization, strives to renovate the downtown sector of Florence, Alabama. One of the organization’s recent projects is the beautiful mural located on the exterior wall of Fred’s Super Dollar store located at 321 North Court St. The project required a two-step process during the years 2013 and 2014 and cost a total of $14,000. Beginning in 2013 Shoals artists Tim Stevenson, Robin Campbell, and Ronnie Riner designed and painted the mural’s panels, which according to Stevenson “captures the quality of life enjoyed in the Shoals.”  The mural’s seven panels offers a glimpse into life in the Shoals and represents the rich culture in the region.&#13;
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Jennifer Edwards, “Muralis Interruptus in Florence,” Times Daily,July 7, 2013. </text>
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                <text>The Cypress Mill was located on Cypress Creek in Florence.  The Cypress Mill was rebuilt from the old skeletal remains of the pre-Civil War cotton mill known as the Globe Factory.   After  Union Colonel Florence M. Cornyn of the 10th Missouri Calvary set the mill ablaze in 1863, it took several years for James Martin to get Cypress Mill back up and running.   He advertised for at least forty able-bodied men to help in the rebuild of one of the old Globe Factory factories in 1866.   But it was not until 1873 that operations were commenced at Cypress Mills, after the heirs of James Martin conveyed all their interest to the Cypress Mills Corporation in 1873.   At the commencement of operation, Cypress Mill had a capital stock of seventy-five thousand dollars, 3,000 spindles, 60 looms. 50 employees, and consumed about 600 bales of cotton annually.   The mill used hydropower from a thirty-five foot dam on Cypress Creek and that dam powered the three-story facility that sat at the edge of the Cypress. &#13;
&#13;
Cypress Mills Company purchased about 1,500 acres for their workers and built a mill village for them on the tract of land.   Just over fifteen years later, when Cypress Mill was sold to the Cherry brothers in 1889, Cypress Mills production was drastically cut, and many of the employees followed the Cherry brothers when they relocated the mill in Barton, Alabama.   In 1892, Cypress Mill had 2,500 spindles, 60 looms, and 9 cards.   By 1893, Cypress Mill had ceased production and closed its doors. &#13;
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&#13;
McDonald, William Lindsey.  "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003.&#13;
&#13;
Wilhelm, Dwight M.  "A History of the Cotton Textile Industry of Alabama 1809 to 1950."  Montgomery: Privately Published, 1950.&#13;
&#13;
McDonald, William Lindsey.  "Remembering Sweetwater: The Mansions, The Mills, The People."  Killen, Ala., Bluewater Publications, 2002.&#13;
&#13;
Picture Source:&#13;
&#13;
UNA Archives &amp; Special Collection.  William L. McDonald Collection.  “Cypress Mill.”  Florence, Alabama.  Box 12: Florence Industry, 12-03.</text>
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                <text>In 1855 by the Presbyterian Synod of Nashville opened the Florence Female Synodical College. Zebulon Pike Morrison, who constructed Wesleyan Hall, also built the two buildings that housed the college. Young women of any religious denomination could attend the school. The college trained women art, languages, drawing, painting, English, geography, arithmetic, and music. The college closed in 1893.  The college stood where the Florence Post Office now is. </text>
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                <text>A Brief Look at University of North Alabama History 1830-2005. Booklet published by the University of North Alabama. &#13;
&#13;
Image courtesy of UNA Collier Library Archives </text>
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                <text>The Florence Lumber Company was established in the early 1910s.  Today, Florence Lumber Company is located on East Tennessee Street in downtown Florence.   The company has been a mainstay in Florence for around a century and is one of the earliest lumber businesses in Florence to be in operation.   The lumber company is operated by Uhland O. Redd III, a descendant of one of the original founders of the Florence Lumber Company.   &#13;
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McDonald, William Lindsey.  "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003.&#13;
&#13;
Picture Source:&#13;
&#13;
UNA Archives &amp; Special Collection.  William L. McDonald Collection.  “Florence Lumber Company.”  Florence, Alabama. Box 12: Florence Industry, 12-06.</text>
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                <text>According to Sanborn Fire Insurance Maps, an opera house operated in Florence during the late 1880s and permanently closed its doors during the early twentieth century. Between 1894 and 1905 the venue was known as Turner Opera House.  During the years of operation, the opera house had numerous managers, such as John B. McClure.  Many national recognized actors and artists, such as the Conklings, Mr. John Thompson, Mr. Rowland D. Williams, and General John B. Gordon, put on dramas, comedies, and musical concerts. In addition, local talent from the Shoals put on shows and events. For example, actors from Florence and Sheffield put on the opera “H. M. S. Pinafore” on January 24, 1896.  On regular occasions the proceeds of events went towards local charities, such as the construction of Confederate Monument and City Infirmary.  </text>
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                <text>Text: &#13;
“Sanborn Fire Insurance Maps,” Florence Lauderdale Public Library, Local History Room Collection, folder “Opera House,” Florence, Alabama.&#13;
&#13;
“Opera House. Two Good Attractions for February 22nd, and March 15th,” Florence Herald, February 1, 1984, Florence Lauderdale Public Library, Florence, Alabama, Local History Room Collection, folder “Opera House,” Florence, Alabama. &#13;
&#13;
“H. M. S. Pinafore. In the Opera House Friday, January 24th,” Florence Times, January 11, 1896, Florence Lauderdale Public Library, Local History Room Collection, folder “Opera House,” Florence, Alabama. &#13;
&#13;
“Gen. Gordon’s Lectures,” Florence Standard-Journal, May 6, 1898, Florence Lauderdale Public Library, Local History Room Collection, folder “Opera House,” Florence, Alabama.&#13;
&#13;
Images: &#13;
Flyer for a 1895 play at the Florence Opera House, Nolen Collection, “Florence area 1880s-1920s: Photos,” Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama. </text>
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                <text>The W.C. Handy Statue is located in Wilson Park near downtown Florence. The statue depicts Florence native and "Father of the Blues," W.C. Handy playing his trumpet with sheet music of some of his most famous songs at his feet. </text>
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                <text>This company was founded in the East Florence area of Sweetwater.  The initial founders of the company were R.M. Martin, President, Colonel Noel F. Cherry, Vice-President (and founder of the Mountain Mills and Cherry Cotton Mill), and S.S. Broadus, Secretary and Treasurer (founder of the short lived Broadus [Cotton] Mill in the Sweetwater area located close to present day Veterans Drive and Wilson Dam Road, also treasurer of the Merchant’s Bank in Florence as well ).   Located along the railroad tracks in Sweetwater, the Florence Machine Company served as a manufacturing spur along the railroad line through east Florence.   When it was founded, the capital investment within the company was ten thousand dollars. </text>
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&#13;
McDonald, William Lindsey.  "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003.&#13;
&#13;
Picture Source:&#13;
&#13;
UNA Archives &amp; Special Collection.  William L. McDonald Collection.  “Florence Machine Works.”  Florence, Alabama.  Box 12: Florence Industry, 12-33.</text>
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Keith S. Hebert</text>
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                <text>On March 2, 2012, the University of North Alabama (UNA) in Florence, Alabama, conducted a grand ceremony for the George Lindsey Theatre. The university broke ground for the theatre exactly a year earlier in March of 2011. One individual in the crowd during the grand ceremony was George Smith Lindsey, the individual who the theatre was named after.  Lindsey attended Florence State Teachers College (now present day University of North Alabama) during the late 1940s. At Florence State Lindsey excelled both on the football field and in the theatre. After graduating in 1952 with a Bachelor Degree in second education and physical education and serving in the Air Force, Lindsey attended the prestigious New York theatre school—the American Theatre Wing—in the late 1950s. Shortly thereafter, he earned the infamous role as Goober Pyle on “The Andy Griffith Show” during the 1960s and later caused many Americans to laugh with his comedy sketches on the show “Hee Haw.”  Therefore, the University of North Alabama decided to name the newly constructed theatre after one of its most acclaimed alumnus. &#13;
	The theatre is located on the southwest corner of UNA’s campus on the Irvine Street. In all the theatre consists of over eight thousand square feet and is the “Shoal’s are premier theatre space.” Offices, conference rooms, classrooms, and the Borgnine Performance Hall are in the George Lindsey theatre. The Borgnine Performance Hall is a black box theatre (black walls and flat floor), that provides UNA students with versatile performance space. In addition, the theatre is equipped with state-of-the-art theatrical equipment. The total cost for the construction of the George Lindsey Theatre was two million dollars.  &#13;
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University of North Alabama, “UNA to Host Grand Ceremony for Black Box Theatre March 2,” in folder “University Architecture: Fine Arts Center—George Lindsey/Ernest Borgnine Performance Hall,” University Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama.&#13;
&#13;
University of North Alabama, “George Lindsey-Biography, University of North Alabama, https://www.una.edu/library/collections/george-lindsey---biography.html (accessed May 1, 2015).&#13;
&#13;
Michelle Rupe Eubanks, “Theater to be Named for George Lindsey,” in folder “University Architecture: Fine Arts Center—George Lindsey/Ernest Borgnine Performance Hall,” University Collection, Archives/Special Collections, Collier Library, University of North Alabama, Florence, Alabama.</text>
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Auburn University&#13;
Keith S. Hebert</text>
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                <text>During the 1960s, 1970s, and 1980s (years generally known as the “recording years”), the success of FAME Recording Studio in Muscle Shoals, Alabama, brought national attention to the region. Musicians such as the Swampers, Joe Tex, Aretha Franklin, Wilson Pickett, The Osmonds, Duane Allman have cut hits at the legendary studio ran by Rick Hall.  However, the studio did not originate in Muscle Shoals. Instead, the recording studio was founded in downtown Florence, Alabama, at the intersection of Tennessee St. and Seminary Street. &#13;
	Influenced by the success of  the hit song “A Fallen Star” recorded by the Florence recording studio known as Tune Records in 1957, Rick Hall, Billy Sherrill, and Tom Stafford decided to collaborated together and establish the Florence Alabama Music Enterprises, or FAME.  The location of the original FAME recording studio was in the second floor suit above the Florence City Drugstore. To make the rooms have the vibe as a recording studio, egg cartons were placed on the walls for soundproofing. During the early years, the recording studio brought in talented local musicians such as Dan Penn. However, Hall believed that he, Sherrill, and Stafford needed to put more hours into recording and producing songs. His intense approach to the music industry did not settle well with his partners. As a result, in 1960 the partnership between the three ended. Hall was given the rights to the FAME name and FAME publishing company and would go on to establish the nationally acknowledged FAME Recording Studio in Muscle Shoals. Stafford continued to operate the studio above the City Drug Store, which became Spar Music Studio. At Spar Music, local musicians such as Donnie Fritts, Spooner Oldham, Jimmy Johnson, David Hood, and Roger Hawkins joined together on daily basis to play music. However, Spar Music Studio did not produce a hit record and closed its doors during the early 1960s. A historical marker is the only symbol left for the birthplace of FAME because the building ceases to exist. &#13;
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              <elementText elementTextId="18339">
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Greg Carmalier, Muscle Shoals: The Incredible True Story of a Small Town with a Big Sound, DVD, Magnolia Home Entertainment, 2014. &#13;
&#13;
Christopher S. Fuqua, Music Fell on Alabama (Huntsville: Honeysuckle Imprint, 1991), 14-19. </text>
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Keith S. Hebert</text>
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                <text>Before the city of Florence, Alabama gained renown for its world famous Florence Wagon Works, the wagon company operated in the area of Atlanta, Georgia.   One reason why the company moved to Florence was the infrastructure of industry within the Muscle Shoals region, with about sixty different plants and businesses located in the city of Florence.   Dr. Alfred David Bellamy, a New York native and owner of the Atlanta Wagon Company, moved the company to Florence in 1889 when the new buildings for the new Florence Wagon Company were completed in 1888/1889.   At the height of the Florence Wagon Works’ production the company manufactured enough wagons to be second in North America behind the Canadian wagon company Studebaker. &#13;
&#13;
In February of 1890, the Florence Wagon Works employed about seventy-five laborers.   By October of 1890, the number of employees expanded to 125, then to 160 by 1897.   There is a discrepancy in different sources as to how many people Florence Wagon Works employed at its apex, one source says 175  , whereas another says 250.   Regardless of the exact numbers, Florence Wagon Works had a serious impact on employment in the Florence area.&#13;
&#13;
Production of the “Light Running” Florence Wagons increased yearly from 1889 into the early twentieth century, to the point where the factory would turn out twenty to twenty-five wagons per day, a very high number for a custom wagon in the pre-assembly line era.   At their peak, Florence Wagon Works used an average of two million feet of hardwood per year to produce between ten to fifteen thousand “Light Running” Florence Wagons per year. &#13;
&#13;
The “Light Running” Florence Wagon was a casualty to its era.  With the invention of the automobile, including the utilitarian pick-up truck, and the advancement in tractor machinery, the “Light Running” Florence Wagon began to meet its demise in the early twentieth century.   The diminished necessity of horse-drawn transportation sent the wagon into decline.   The greatest decline in business for the Florence Wagon Works was in the 1920s and 1930s when people were able to buy affordable gasoline powered vehicles in the 1920s and the Great Depression of the 1930s.   Florence Wagon Works tried to survive the declining demand for horse-drawn vehicles by turning to building lawn furniture in the 1930s.  But the company could not survive and was sold in 1941 to a company from Chattanooga called Trenholm &amp; Starr, Inc. who continued the Florence operation for a short period.   Eventually, the new ownership moved all operations to Hickory, North Carolina in 1941, leaving open warehouses at the Florence Wagon Works that were used for the storage of cotton, and thus was the end of Florence Wagon Works in North Alabama.   There was hope the deserted factory would be used in World War II for defense purposes, but that never materialized. &#13;
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&#13;
Florence/Lauderdale Public Library.  Vertical History File.  Local History &amp; Genealogy.   Freeman, Lee.  “A Brief History of the Florence Wagon Factory.”  Florence, Lauderdale County, AL. Florence Wagon Works 2-2.&#13;
&#13;
Florence/Lauderdale Public Library.  Vertical History File.  Local History &amp; Genealogy.   Freeman, Lee.  “A Tribute to the Men and Women of the Florence Wagon Works.”  Florence, Lauderdale County, AL.  Florence Wagon Works 2-2.&#13;
&#13;
 McDonald, William L.  "Remembering Sweetwater: The Mansions, The Mills, The People."  Killen, Ala., Bluewater Publications, 2001.&#13;
&#13;
Picture Source:&#13;
&#13;
UNA Archives &amp; Special Collections.  William B. McDonald Collection.  “Florence Wagons.”  c. 1938, Florence, AL.&#13;
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Greg Carmalier, Muscle Shoals: The Incredible True Story of a Small Town with a Big Sound, DVD, Magnolia Home Entertainment, 2014. &#13;
Single Lock Records,” Alabama Chanin Journal, May 28, 2013, http://alabamachanin.com/journal/2013/05/single-lock-records/ (accessed May 1, 2015). &#13;
Single Lock Records, “About Us,” Single Lock Records, http://www.singlelock.com/ (accessed May 1, 2015). &#13;
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                <text>During the 1960s and 1970s the music industry in the Shoals earned national recognition through the success of FAME Recording Studio and Muscle Shoals Sound Studio. Musicians such as Bob Dylan, The Rolling Stones, Aretha Franklin, and Percy Sledge have all recorded hit songs at a Shoals recording studio.  However, neither studio was the first official studio nor the first recording company in the Shoals. In fact, the first recording company in the Shoals, Tune Records, operated out of the back room of a bus station in Florence, Alabama. James Joiner, whose dad started a Florence-based charter bus company in 1939, wanted to expose the rich musical talent in the Shoals. So, with Kelson Hurtson, Walter Stovall, and Marvin Wilson, Joiner formed Tune Records and Publishing Company during the 1950s. Tune Records was the “first full-fledged record company in Alabama.”  Using local radio stations, such as WLAY, to record songs, the company’s first regional hit, “A Fallen Star,” came in 1957. Joiner wrote “A Fallen Star” after watching a shooting star across the night sky, and relied on Bobby Denton’s vocals to do bring the song to life. As a result of the song’s success, musicians across the north region of Alabama traveled to Florence in order to sing for Tune Records. One teenager who cut songs with Joiner’s company was Rick Hall, who would later become Alabama’s most successful music producer at FAME Recording Studios. Due to the inability to produce another regionally successful hit, Tune Records closed down by 1960.  </text>
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Greg Carmalier, Muscle Shoals: The Incredible True Story of a Small Town with a Big Sound, DVD, Magnolia Home Entertainment, 2014. &#13;
Christopher S. Fuqua, Music Fell on Alabama (Huntsville: Honeysuckle Imprint, 1991), 8.</text>
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McDonald, William Lindsey.  "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003.&#13;
&#13;
Picture Source:&#13;
&#13;
UNA Archives &amp; Special Collection.  William L. McDonald Collection.  “F.H. Foster Manufacturing Company.”  Florence, Alabama.  Box 12: Florence Industry, 12-31.</text>
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Auburn University&#13;
Keith S. Hebert</text>
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                <text>This company was the leader in fuel production for the people of Florence.  The old Florence Gas Light and Fuel Company/Florence Gas Works operated on Old Huntsville Road, west of the Florence Steam Laundry in Sweetwater.   The main office of the company that ran the Florence Gas Works had its headquarters in Cincinnati, Ohio.   Production at the facility began in 1903, a year after the company was established in east Florence in 1902.   The gas plant produced about 75,000 cubic feet of gas that was used for lighting of street lamps and homes, heating within homes, and cooking as well.   The people of Florence had to pay two dollars a thousand cubic feet for lighting in their homes and four dollars and fifty cents per thousand cubic feet for heating and cooking in 1903.   The company also sold Welsbach incandescent light appliances and gas stoves for heating and cooking. </text>
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&#13;
McDonald, William Lindsey.  "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003.&#13;
&#13;
McDonald, William Lindsey.  "Remembering Sweetwater: The Mansions, The Mills, The People." Killen, Ala., Bluewater Publications, 2002.&#13;
&#13;
Picture Source:&#13;
&#13;
UNA Archives &amp; Special Collection.  William L. McDonald Collection.  “Florence Gas Light and Fuel Company/Florence Gas Works.”  Florence, Alabama.  Box 12: Florence Industry, 12-02.</text>
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Auburn University&#13;
Keith S. Hebert</text>
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                <text>Shape-Note Music</text>
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                <text>The shape-note notation was an American pedagogical tool designed to increase the music education of the average citizen who did not have the financial resources or time to learn the traditional round note notation. New Englanders William Smith and William Little patented the shape-note notation in 1796 and published The Easy Instructor, the first shape-note tunebook, in 1801. Smith and Little used four geometrical shapes to symbolize individual music notes on the staff instead of the traditional round note heads. Smith and Little’s use of syllables to designate and sing pitches is called solmization.   The four-syllable solmization system in The Easy Instructor allotted a right sided triangle to indicate the note fa, an oval symbolized sol, a square was assigned for la, and a diamond represented mi.   &#13;
Smith and Little initially created the system as a response to the widespread musical illiteracy among America’s common folk. The effects of this music illiteracy were most evident in Protestant church services during the eighteenth century, when congregations practiced a singing technique called “lining out.” Lining out, also known as “call and response,” involved a minister singing the words of a song as he saw fit, and the congregation repeating the words and melody.  While lining out enabled them to sing, it did not require participants to be literate in music and many believed that it produced poor quality music. For instance, in 1721, music reformer Thomas Walter characterized call and response music as “hideous and disorderly … beyond expression bad … miserably tortured, and twisted, and quavered … a horrid Medley of confused and disorderly Noise.”  &#13;
Not long after The Easy Instructor was published in 1801, other music composers acknowledged the shape-note notation’s pedagogical effectiveness in teaching music literacy. Many composers adopted the rudimental introduction and the system to notate songs. Over thirty-eight four shape-note tunebooks were composed between the years 1801 and 1855, many due to the Second Great Awakening.  The Second Great Awakening spawned hundreds of new hymnals. Since camp revivals relied upon communal singing, shape-note tunebooks provided a means for the congregations to participate in hymn singing. Some religious denominations, such as the Primitive Baptists and the Churches of Christ, realized the effectiveness of shape-notes, and, as a result, adopted shape-note notation in worship hymnals for years following the Second Great Awakening. &#13;
From 1801 to the 1830s, the shape-note system was taught in singing schools established in urban and rural communities in both the North and South. These singing schools, taught by individuals considered to be vocal masters taught the schools, usually lasted from one to two weeks and relied on shape-note tunebooks to teach attendees the fundamentals of music. After the completion of singing school, many pupils went on to establish communal monthly shape-note singing events, normally lasting a few hours during the afternoon. In addition to these monthly meetings, shape-note singers started to organize state wide conventions that met anywhere from two to three days and targeted a wider geographical area than monthly local singings. Overall, these singing schools, communal singings, and conventions during the nineteenth century spread knowledge of shape-notes in American culture. &#13;
With the popularity of tunebooks and singing schools came new developments. Some shape-note composers believed that Smith and Little’s four-note system could be improved. One Pennsylvania composer, Jesse B. Aikin, believed all seven notes in the music scale should be taught with shape-notes.  In 1846, Aikin’s tunebook The Christian Minstrel, continued to use Smith’s and Little’s geometrical shapes for the notes fa, sol, la, and mi; but he implemented new shapes for the notes do, re, and  ti. Aikin “used an equiangular triangle for Doe, a wine glass for Ray, and a fan for See.”  &#13;
Three elements played a factor in why the South far more than the North, enthusiastically embraced, shape-notes during the nineteenth century. First, they were linked with the democracy of music itself. Second, during the Second Great Awakening the singing of hymns unified Southern people in revivals. Last, with the demand for tunebooks during the Awakening, tens of thousands of shape-note tunebooks in the South during the nineteenth century.   From the end of the Civil War until the turn of the century, Southerners strove to redevelop their culture and identity. Shape-notes were vital elements in both religious and secular settings during this time period in the South. By the late nineteenth century, many Primitive Baptists, Free Will Baptists, and Churches of Christ in the South adopted shape-notes in worship hymnals.&#13;
Few musical genres in America have escaped the influence of shape-notes, especially in the South. Many southern gospel, country, and bluegrass musicians learned how to read music and gained the ability to harmonize their voice after studying shape-note tunebooks and attending singing schools. The spread of shape-notes as a result of the southern gospel movement greatly influenced both country and bluegrass music. As children, members of the Carter Family, the Delmore Brothers, and the Louvin Brothers, all three considered key innovators of country music during the twentieth century, attended singing school where they sang music from shape-note singing schools. Also at singing schools, the families learned how vocally harmonize with one another, which helped their music become hit records.  Also, Bill Monroe, the father of bluegrass music, developed his high pitched singing voice that is considered to be a distinctively bluegrass sound, while attending singing schools as a child in Kentucky.  A twenty-first century country duo from the Shoals, the Secret Sisters, personally acknowledged that their vocal harmonies were deeply rooted in the Church of Christ worshiping services from shape-note hymnals.  In all, the notation entered into American culture during the nineteenth century and continues to affect both religious and secular music. The shape-note notation is the root of American music and is the first American music innovation to influence Europe’s music culture.&#13;
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                <text>Jesse Brock, University of North Alabama</text>
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                <text>Text: &#13;
David Taddle. “Solmization, Scale, and Key in Nineteenth-Century Four-Shape Tunebooks: Theory and Practice.” American Music 1 (Spring, 1996). &#13;
Joyce Irwin,.“The Theology of ‘Regular Singing.” The New England Quarterly 51, no. 2 (June, 1978).&#13;
Irving Lowens and Allen P. Britton. “’The Easy Instructor’ (1798-1831): A History and Bibliography of the First Shape Note Tune Book.” Journal of Research in Music Education 1, no. 1 (Spring, 1953). &#13;
The University of Mississippi Music Department, “The Old Way of Singing,” The University of Mississippi, http://home.olemiss.edu/~mudws/oldway.html (accessed on September 9, 2014).&#13;
Richard Dalzell, “American Shape Notes: Background, Development, Practice and Present Status,” Ph.D. diss., University of Kansas, 1978.&#13;
The Center for Church Music: Songs and Hymns, “Lowell Mason,” http://www.songsandhymns.org/people/detail/lowell-mason (accessed on November 22, 2014).&#13;
Marian J. Hatchett. A Companion to the New Harp of Columbia. Knoxville: University of Tennessee Press, 2003.&#13;
Nathan Hatch.The Democratization of American Christianity. New Haven: Yale University Press, 1989.&#13;
Neil V. Rosenberg. Bluegrass: A History. Urbana: University of Illinois Press, 1985.&#13;
The Secret Sisters, interviewed by Skip Matheny, Nashville, TN, 2012, http://www.americansongwriter.com/2012/09/drinks-with-the-secret-sisters/ (accessed February 3, 2015).&#13;
George Pullen Jackson, White Spirituals in the Southern Uplands: The Story of the Fasola Folk, Their Songs, Singings, and ‘Buckwheat Notes’. Hatboro, Pennsylvania: Folklore Association, Inc., 1964&#13;
&#13;
Images: &#13;
George Pullen Jackson, White Spirituals in the Southern Uplands: The Story of the Fasola Folk, Their Songs, Singings, and ‘Buckwheat Notes’ (Hatboro, Pennsylvania: Folklore Association, Inc., 1964): 15.&#13;
Douglas Harrison, Then Sings My Soul: The Culture of Southern Music (Urbana: University of Illinois Press, 2012), 5.&#13;
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1900s&#13;
2000s</text>
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Keith S. Hebert</text>
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                <text>Two separate ice and coal companies merged to create the Florence Ice and Coal Company.  The first company was Chapin Ice and Coal Company.   The second company was H.J. Moore Coal Company.   Chapin, before the merger, boasted that the company could produce up to 25 tons of ice per day.   In 1902, the two companies merged to create the largest manufacturer of ice and provider of coal in Florence.   The water used for the manufacturing of the ice at Florence Ice and Coal was pumped from a pure spring in the Sweetwater area, fortunately, multiple springs existed in Sweetwater.   The company owned its own purification plant to help clean the water from the mineral free spring.   In addition to the purification plant, the company owned over a dozen horses to transport the heavy loads of ice to the people of Florence daily.   How the workers of Florence Ice and Coal knew to replenish their customers with a fresh block of ice was a placard system instituted by the company and a set of four cards given to customers.   The customers would have the option of 25, 50, 75, and 100 pound blocks of ice to be delivered to their ice boxes daily by the route runners of Florence Ice and Coal.   The placards had to be upright to have any ice delivered to their home on a daily basis.   After twenty-six years, Florence Ice and Coal Company became Central Ice Company, eliminating coal from their services. </text>
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                <text>Text Sources:&#13;
&#13;
McDonald, William Lindsey.  "A Walk Through the Past: People and Places of Florence and Lauderdale County, Alabama." Killen, Ala., Bluewater Publications, 2003.&#13;
&#13;
McDonald, William Lindsey.  "Remembering Sweetwater: The Mansions, The Mills, The People."  Killen, Ala., Bluewater Publications, 2002.&#13;
&#13;
McDonald, William Lindsey.  "Sweetwater: The Story of East Florence."  Florence: Florence Historical Board, 1989.&#13;
&#13;
Picture Source:&#13;
&#13;
UNA Archives &amp; Special Collection.  William L. McDonald Collection.  “Florence Ice and Coal Company/Central Ice Company.”  Florence, Alabama.  Box 12: Florence Industry, 12-31.</text>
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