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                  <text>Alabama Cultural Resource Survey&#13;
Auburn University&#13;
Keith S. Hebert</text>
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                <text>The Big Muscle Shoals is a section of the Tennessee River in North Alabama. This is the main shoals that gives the surrounding area its name, there is also the Little Muscle Shoals. The section on the river totals 37 miles in length. This was once an impassable barrier along the river. It made navigation extremely difficult for people. The Shoals was named after either the mussles found along the banks or the muscles needed to canoe across the river there. Both are disputed explanations for the naming of the shoals. The area had shoals, reefs, gravel, sand bars, swift currents, and uncertain depths along the expansive of river. Until the canal was built in the early 1800s the area could only be navigated by small man-propelled crafts, such as canoes and rafts. The increasing problem of navigation through th area eventually gained the notice of Congress and they provided land for sale to generate funds to build a canal. This original canal was little help and was never intended to be used as a high traffic waterway. Coal barges could barely, if at all, fit down the canal. It was also a very slow option to navigate along the river, as it could take up to 11 hours to fully travel down over the shoals.</text>
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                <text>'FDR, TVA, And CCC Federal Influence In The Shoals: The Journal Of Muscle Shoals History Volume XIX'. 2015. Florence. William Lindsey McDonald Collection. UNA Special Archives.&#13;
Peyton, John Howe. 1916. 'America's Gibraltar Muscle Shoals'. Paper. Florence. William Lindsey McDonald Collection. UNA Special Archives.&#13;
Young, Ronald. 1976. 'History Of US Facilities At Muscle Shoals, Alabama, And Origins Of The TVA'. Paper. Florence. William Lindsey McDonald Collection. UNA Special Archives.</text>
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Keith S. Hebert</text>
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                <text>Big Spring was once a popular baptizing place for people in the area. It often flooded and was home to many grazing animals. Many pictures exist of the spring before it was controlled. The site is now used for hosting festivals for the city of Tuscumbia. There are picnic tables and pavilions for use around the park. The spring travels the whole length of the park, as well. There are resturants and small rides for children. Fishing, with a small fee, is also allowed in the spring.</text>
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                <text>Alabama's Official Travel Guide,. 2015. 'Spring Park - Tuscumbia - Alabama.Travel'. http://alabama.travel/places-to-go/spring-park.</text>
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                <text>Colbert County Tourism, December 4, 2015.&#13;
&#13;
Kevin, Carter, "Give your Taste Buds a Treat at Loco Lupe's," Times Daily, June 19, 2004.</text>
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                <text>The Bijou Theater was the first silent theater in Colbert County. It was a short-lived Mexican restaurant named Loco Lupe's in the early 2000's. The building is currently vacant.</text>
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                <text>During the early 2000s, award winning American fashion designer Billy Reid established his flagship store in downtown Florence. In addition to his good taste in fashion, Reid also loves music. He has recognized that the town of Florence and the surrounding area has a rich music culture, both in the past and in the present with up and coming artists. Therefore, in 2008 he organized a weeklong event during the Fall of each year in downtown Florence that celebrated and exposed this unique culture. Local bands play concerts at Wilson Park and vendor booths line the streets selling art, food, and clothing.  In all the event is full of “good music, good fashion, good food and good times.” </text>
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Bobby Bozeman, “Billy Reid Shindig Introduces Shoals to Out-of-Towners and Vice Versa,” Times Daily, August 14, 2014. &#13;
&#13;
Lauren Ferguson and Ashley Williams, “Shindig Features Music, New Billy Reid T-Shirt Line,” The Daily South, August 15, 2014. &#13;
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                <text>Phil Campbell, Franklin County, Country music, R&amp;B music, Tammy Wynette, George Jones, Charlie Rich, Grand Ole Opry, Musicians Hall of fame, Country Music Hall of Fame, Alabama Music Hall of Fame</text>
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                <text>Billy Sherrill (November 5, 1936 - August 4, 2015)&#13;
&#13;
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&#13;
Watch &amp; Listen:&#13;
"Stand By Your Man - Tammy Wynette" https://www.youtube.com/watch?v=DwBirf4BWew&#13;
"He Stopped Loving Her Today - George Jones" https://www.youtube.com/watch?v=ubKUP8c0FHE&#13;
"The Most Beautiful Girl - Charlie Rich" https://www.youtube.com/watch?v=GhqbESuc2v8&#13;
"Rules of the Game - Billy Sherrill" https://www.youtube.com/watch?v=rF5fofS_6Rk&#13;
"Like Makin' Love - Billy Sherrill" https://www.youtube.com/watch?v=6AWFYLnIzIU</text>
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                <text>AMHOF http://www.alamhof.org/inductees/timeline/1995/billy-sherrill/ Accessed December 2, 2016&#13;
Billy Sherrill http://www.allmusic.com/artist/billy-sherrill-mn0000079180/biography/ Accessed December 2, 2016&#13;
Songs http://www.musicvf.com/songs.php?page=artist&amp;artist=Billy+Sherrill&amp;tab=songaswriterchartstab/ Accessed December 2, 2016&#13;
Billy Sherrill Dies http://www.tennessean.com/story/entertainment/2015/08/04/breaking-legendary-producer-billy-sherrill-dies/31110363/ Accessed December 2, 2016&#13;
Country Music HOF http://countrymusichalloffame.org/Inductees/InducteeDetail/billy-sherrill/ Accessed December 2, 2016&#13;
&#13;
All images courtesy of Mr. George Lair and the Alabama Music Hall of Fame, unless otherwise noted.</text>
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&#13;
The Blackburn house is located  five miles west of Athens, Alabama at the corner of the intersection of U.S. Highway 72 and Limestone County Road 43. </text>
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&#13;
Watch and Listen:&#13;
&#13;
"Stormy" Classics IV https://www.youtube.com/watch?v=18Sua_QTDs0&#13;
"Spooky" Classics IV https://www.youtube.com/watch?v=Qpo9KZYJ4sA&#13;
"Traces" Classics IV https://www.youtube.com/watch?v=gyxpQO0YYQo&#13;
"So Into You" Atlanta Rhythm Section https://www.youtube.com/watch?v=vmJWRLwQq7w&#13;
"Rock Bottom" Wynonna Judd https://www.youtube.com/watch?v=TrFfRQsBqd0</text>
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                <text>Buddy Buie: Alabama Music Hall of Fame http://alamhof.org/inductees/timeline/2011/buddy-buie/ Accessed October 31, 2016&#13;
Buddy Buie obituary, al.com  http://www.al.com/entertainment/index.ssf/2015/07/hall_of_fame_songwriter_buddy.html Accessed October 31, 2016&#13;
Buddy Buie obituary, Washington Post  https://www.washingtonpost.com/entertainment/music/perry-buddy-buie-songwriter-and-producer-dies-at-74/2015/07/23/b3f62650-30c7-11e5-8353-1215475949f4_story.html?utm_term=.0609191a1b97 Accessed October 31, 2016&#13;
&#13;
All images courtesy of Mr. George Lair and the Alabama Music Hall of Fame, unless otherwise noted.</text>
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&#13;
There are countless musicians, singers and entertainers in the world that, for lack of that big break, never reach the pinnacle, in spite of the fact that they may have just as much, if not more, talent than others who become household names. Chances are that someone with the talent of Elvis Presley would have somehow reached some level of notoriety, but what remains unknown is if this would have been possible without the big break he received from Buddy Killen, who pitched him his first million-selling single, “Heartbreak Hotel." William Doyce Killen was born on November 13, 1932, in the hometown of W.C. Handy, Florence, Alabama. Growing up poor in the American South during this time was a way of life for many families and Buddy’s was no exception. As a child and into his teen years, music was his escape. His first band, the Hillbilly Pals, was formed during his childhood. The Dixie Ramblers, his second, performed on local radio. The day after graduating from high school, Buddy was offered the chance to play bass for a pair of comedians on the Grand Ole Opry, in Nashville, Tennessee. Buddy never hesitated, moving to Nashville, where he soon found himself playing and traveling with such Opry stars as Hank Williams, George Morgan, Ray Price and Jim Reeves, becoming acquainted with many of the people who ran country music scene behind the stage curtain. One of those people proved to be Buddy’s big break in 1953. Jack Stapp was running his publishing company, Tree International, on his own. As Buddy tells it, “I was doing demos for Tree at $10 a session, and Jack would come into the studio and ask me to get together with this singer or that writer. It went well and Jack asked me if I would come to work for him. The job would pay $35 a week and I said yes. I began picking up songs and getting them recorded. We didn’t have an office. I would carry a tape recorder around begging for songs. It was a sheer case of determination.” That determination paid off for Buddy, as he would be made a partner in Tree, eventually rising to president, and eventually, when Stapp passed away in 1980, sole owner. Along the way, he helped several artists reap the reward of their own sheer determination, starting with Elvis Presley in 1956. Another who benefited from Killen’s confidence was 14-year-old Dolly Parton, who Killen signed to a recording contract in 1960. Roger Miller, too, was a beneficiary of Buddy’s ability to spot talent, both writing and performing. Miller would go on to write hit songs for Ray Price, Jim Reeves, and Bill Anderson. Buddy also continued to write songs himself, including the #1 hit “I May Never Get to Heaven” (Conway Twitty – 1979), as well as Ronnie McDowell's #4 hit "Watchin' Girls Go By," released in 1981. In all, Buddy had 19 Top-40 hits that appeared on Billboards Country, Pop, R&amp;B and A/C charts between 1961 and 1986. In 1989, after almost ten years at the helm of Tree International Publishing, Buddy sold the company to CBS/Sony for a reported $30-40 million. In 1993, his autobiography, “By the Seat of My Pants: My Life in Country Music,” was published by Simon &amp; Schuster. Along the way, Buddy picked up many accolades and awards, including being a member of the first class of inductees to the Alabama Music Hall of Fame in 1985, along with Nat “King” Cole, Hank Williams, and W.C. Handy. Buddy Killen passed away on November 1, 2006.&#13;
&#13;
Watch and Listen:&#13;
"Heartbreak Hotel - Elvis Presley"  https://www.youtube.com/watch?v=W4euyTDhFnk&#13;
"I May Never Get to Heaven - Conway Twitty" https://www.youtube.com/watch?v=47D2omht1BI&#13;
"Watchin' Girls Go By - Ronnie McDowell" https://www.youtube.com/watch?v=ychMkvLV87w&#13;
"Ain't Gonna Bump No More - Joe Tex" https://www.youtube.com/watch?v=56tBm7nJ1QM</text>
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                <text>Buddy Killen; Alabama Music Hall of Fame  http://www.alamhof.org/inductees/timeline/1985/buddy-killen/  Accessed December 5, 2016&#13;
Buddy Killen   http://www.allmusic.com/artist/buddy-killen-mn0000640267/  Accessed December 5, 2016&#13;
Buddy Killen obituary    http://www.cmt.com/news/1544585/nashville-music-pioneer-buddy-killen-dies/   Accessed December 5, 2016&#13;
Buddy Killen obituary   http://www.nashvillepost.com/home/article/20400528/buddy-killen-passes-away-at-73/   Accessed December 5, 2016&#13;
Killen, Buddy, and Carter, Tom. “By the Seat of My Pants: My Life in Country Music.” New York: Simon &amp; Schuster, 1993.&#13;
&#13;
All images courtesy of Mr. George Lair and the Alabama Music Hall of Fame, unless otherwise noted.</text>
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                <text>McDonald, William Lindsey. 2003. Civil War tales of the Tennessee Valley. n.p.: Killen, Ala. : Heart of Dixie Pub. (1812 CR 111, Killen, Ala., 35645), [2003], 2003. UNA Library Catalog, EBSCOhost (accessed April 30, 2015).&#13;
Wallace, Harry E. n.d. "Lauderdale County, Alabama Hisory." algw.org. Accessed April 14, 2015. http://www.algw.org/lauderdale/historyshoals4.htm.</text>
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http://www.waymarking.com/waymarks/WMHGR1_Ante_Bellum_Cotton_Mills_1840_Florence_AL&#13;
Photo from following websites:&#13;
http://www.panoramio.com/photo/49815934&#13;
Photo from following websites:&#13;
http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;GRid=11114&#13;
Photo from following websites:&#13;
http://civilwartalk.com/threads/corinth-ms-court-martial-and-murder-of-colonel-francis-cornyn-10th-missouri-cavalry.108468/</text>
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“Canaan Methodist Church,”Tennessee Valley Historical Society, Journal of Muscle Shoals Vol. X, 1983: 91-92. &#13;
&#13;
Image:&#13;
“Canaan Methodist Church,”Tennessee Valley Historical Society, Journal of Muscle Shoals Vol. X, 1983: 91-92. &#13;
&#13;
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&#13;
For many within the African-American community, the line between gospel and soul music is a thin one. A rhythm that pushes the music along, soaring vocals that inspire and lift the crowds out of their seats, freedom within the soul and within the music, all serve to drive both genres forward. No singer better represents this simultaneous confluence and divergence than soul and gospel artist Candi Staton. Born on March 13, 1940, in Hanceville, Alabama, Canzetta Maria Staton initially was involved in the gospel music scene from the mid-1950s to the mid-1960s. Before she was a teenager, Candi began attending the Jewell Christian Academy in Nashville, Tennessee. It was there that she and her sister, who also attended Jewell, were part of a group called the Jewell Gospel Trio. Recording several records that did little commercially, the trio toured the gospel circuit, singing along with such gospels greats as Mahalia Jackson and C.L. Franklin. By the end of the 1950s, Candy had left the group and returned home to Alabama, where she married, had four children, and then divorced her husband. It was in 1968 that, while working at a club in Birmingham, Alabama, she met Clarence Carter, who was recording for Atlantic Records at Rick Hall’s FAME Studios in Muscle Shoals, Alabama. Carter asked her to go on tour with him, but Candi was still married at the time. A year later, Clarence asked once again. Now divorced, she agreed. Over the course of the year, she and Clarence fell in love and were married in 1970. Her new husband also brought her to the attention of Rick Hall. With FAME Records, Candi recorded three albums. While the albums themselves were not huge sellers, they did produce four songs that reached Billboard’s R&amp;B Top Ten charts, including a cover of Tammy Wynette’s hit, “Stand BY Your Man,” which reached #4 in 1971. In 1974, Candi, who had divorced Carter the year before, started recording for Warner Brothers, still working under the production skills of Rick Hall. Of working with Hall, Candi says that, “Rick would come to me and ask my opinion ‘Hey, do you think you can do this’.  We didn’t have an arranger to come in and say ‘I’m gonna take this song and arrange it for Candi’.  All of us had our opinions how the music should go, so we tried different things.  If it didn’t work, we tried something else. Some day we worked on a song all day, and all night.” Her first album for Warner, “Candi,” produced the #6 R&amp;B hit, “As Long As He Takes Care of Home.” It was her next album, "Young Hearts Run Free," that produced her sole #1 hit when the title track was released in 1976. Working with a new producer, David Crawford, and in a marriage that had turned abusive, Candi opened up to Crawford over the course of several conversations about her life. In response, he wrote the song as a way to help her give voice to her situation. Subsequent albums and singles proved to be less successful, and by 1981, disillusioned with the secular music industry, Candi had returned to her gospel roots. Married to her fourth husband, former Ashford &amp; Simpson drummer John Sussewell, together they founded their own label, Beracah Ministries. Her return to gospel found her renewed and experiencing success once again. When the idea of returning to the world of soul music, Candi was initially reluctant. It was a conversation with her pastor sometime in the 1990s that changed her mind, in which he said, “Candi, those songs that you did in the 70s and in the 80s, they’re not bad songs. They’re good songs. Some of them you couldn’t sing because of the way you live now. Young Hearts Run Free wasn’t bad; Stand by Your Man – those songs are classics. Those songs were blessed. They raised your children, they bought you a home. Rethink it. You could go out and bless people again with those songs." Since then Candi has continued to release new material, while still revisiting her old hits that fans have come to know and love. Candi Staton was inducted into the Alabama Music Hall of Fame in 2014, by her old friend, producer and mentor Rick Hall.&#13;
&#13;
Watch and Listen:&#13;
"Young Hearts Run Free"&#13;
https://www.youtube.com/watch?v=5x2PvC_PybY&#13;
"He Called Me Baby" https://www.youtube.com/watch?v=txOo9T1jn5Y&#13;
"Stand By Your Man" https://www.youtube.com/watch?v=RbyStJWvajo&#13;
"When There's Nothing Left  But God" https://www.youtube.com/watch?v=-kWVd5EMRyw&#13;
"Interview - Candi Staton On Celebrating 40 Years Of Young Hearts Run Free" https://www.youtube.com/watch?v=aPG_25-YctA&#13;
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                <text>Candi Staton official website http://www.candi-staton.com/  Accessed December 6, 2016&#13;
Interview 2006  http://www.soulexpress.net/candistaton.htm/  Accessed December 6, 2016&#13;
Interview, 2011  http://www.soulexpress.net/deep2_2011.htm#candistaton/   Accessed December 6, 2016&#13;
Candi Staton discography  http://www.allmusic.com/artist/candi-staton-mn0000542976/biography/  Accessed December 6, 2016&#13;
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                  <text>Alabama Cultural Resource Survey</text>
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                  <text>Alabama Cultural Resource Survey</text>
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                  <text>Alabama Cultural Resource Survey&#13;
Auburn University&#13;
Keith S. Hebert</text>
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                  <text>Auburn University&#13;
University of North Alabama</text>
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          <element elementId="50">
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                <text>Carter's Mill</text>
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                <text>Auburn, AL; Lee County, AL; Industry; Grist Mill</text>
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                <text>Carter's Mill was an early non-permitted mill. Sam Carter received his land from the U.S. government and built his mill on that property. In 1840, the property was sold to Mark Golden Jr. who later died 1845. Golden's will listed only grist mill gear, suggesting that the mill was no longer functional.</text>
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              <elementText elementTextId="21826">
                <text>Jonathan Sedlaczek</text>
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            <name>Publisher</name>
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              <elementText elementTextId="21827">
                <text>Alabama Cultural Resource Survey</text>
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            <name>Date</name>
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                <text>2014-12-8</text>
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                <text>Jonathan Sedlaczek</text>
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                <text>English</text>
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                <text>Text</text>
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