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Auburn University&#13;
Keith S. Hebert</text>
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                <text>Clarence Carter (January 14, 1936 - )&#13;
&#13;
The best way to describe Clarence Carter’s style is that he is a soul and blues preacher of love, most specifically, the cheating kind. Carter’s vocals, at times soaring and at times down in the gutter, combined with a mischievous chuckle that threatens to reveal more that it should, makes him a truly unique individual in the blues and soul world. Clarence Carter was born on January 14, 1936, in Montgomery, Alabama. Blind at birth, Clarence was a student at Alabama School for the Blind in Talladega, Alabama, and later matriculated at Alabama State College (now University) in Montgomery, earning a degree in music. Teaming with a fellow ASC student, Calvin Scott, who was also blind, they formed the singing duo of Clarence &amp; Calvin, later renamed the C &amp; C Boys. Recording first for Fairlane Records, then Duke Records, their recordings failed to have much success. In 1965, they traveled to Muscle Shoals, Alabama to record at FAME Studios with owner/producer Rick Hall. The song “Step By Step” caught the ear of executives with Atlantic Records, who signed the duo and released the song as a single. While it, too, generated little buzz, “Step By Step” saw the beginning of a collaboration between Carter and Hall which would prove to be most successful. Shortly after the release of “Step By Step,” Scott was seriously injured in an auto accident, effectively ending the duo of Carter and Scott. Clarence continued as a solo act, recording albums for Hall’s Fame label at FAME Studios.	1967 saw Clarence release, “Tell Daddy,” his first hit, reaching #35 on the R&amp;B chart. The song was recorded a year later, as “Tell Mama,” by Etta James, and was her biggest pop hit. The success of the song led to Clarence signing with Atlantic Records, and resulted in a string of hits, starting with “Slip Away” (#2-R&amp;B, 1968), “Too Weak to Fight” (#3-R&amp;B, 1968), and “Patches” (#2-R&amp;B, 1970). By the mid-1970s, with disco coming on the scene, Clarence’s career began to take a downward turn. It wasn’t until the 1985 that he began what can be considered a comeback, signing with Ichiban Records based in Atlanta, Georgia, and releasing the album “Dr. C.C.,” which features the risqué single, “Strokin’.” Leaving Ichiban Records for his own label, Cee Gee Entertainment, Clarence has continued to record and release albums well into the 2010’s. Presented with the Governor’s Achievement Award for Popular Music in 1989 by the governor of Alabama and the Alabama Music Hall of Fame, Clarence was inducted into the Hall in 2003.&#13;
&#13;
Watch and Listen:&#13;
"Strokin'" WARNING: NSFW https://www.youtube.com/watch?v=P7gMkiOPSeA&amp;list=PLstq9cm8cocC0tV5XzenPYX_AWupLMVsK&#13;
"Back Door Santa" https://www.youtube.com/watch?v=s0NoalRsk5w&amp;list=PLstq9cm8cocC0tV5XzenPYX_AWupLMVsK&amp;index=2&#13;
"Slip Away" https://www.youtube.com/watch?v=mWYORXq_-f0&amp;list=PLstq9cm8cocC0tV5XzenPYX_AWupLMVsK&amp;index=3&#13;
"Patches" https://www.youtube.com/watch?v=-84fn58GTV0</text>
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                <text>“Clarence Carter” http://alamhof.org/inductees/timeline/2003/clarence-carter/ Accessed December 1, 2016&#13;
“Soul Blue Music – Clarence Carter” http://www.soulbluesmusic.com/clarencecarter.htm Accessed December 1, 2016&#13;
“FAME Studios history” http://www.fame2.com/our-history/ Accessed December 1, 2016&#13;
&#13;
All images courtesy of Mr. George Lair and the Alabama Music Hall of Fame, unless otherwise noted.</text>
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Keith S. Hebert</text>
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                <text>Cleveland "Cleve" Eaton (August 31, 1939 - )&#13;
&#13;
In his long career in music, it is difficult to find a genre or an entertainer or act that Cleve Eaton has either not recorded or toured with. The man dubbed “the Count’s Bassist” because of his long association with Count Basie and his orchestra, Eaton has also worked with such artists as jazz pianist Ike Cole (Nat’s brother), pop artist Minnie Riperton, R&amp;B group The Dells, as well as Julie London, Sammie David, Jr., Herbie Hancock, and The Temptations…and that just touches the surface. Born in Fairfield, Alabama on August 31, 1939, Cleveland Eaton grew up in a house full of musical influence. Between the ages of five to fifteen, Cleve mastered the piano, saxophone, trumpet, and tuba. But it was the string bass with captured Cleve’s interest and, as they say, the rest is history. After earning a degree in music at Tennessee A &amp; I State University, Cleve first connected with Ike Cole in Chicago, become a part of his trio. In 1965, Cleve began a decade-long stint with the Ramsey Lewis Trio, playing bass on such albums as “Wade In The Water” (1966), “Goin’ Latin” (1967), and the number one jazz album “Sun Goddess” (1975). While the Ramsey Lewis Trio was where Cleve made his mark on the national scene, it was his 17-year association with The Count Basie Orchestra that cemented his spot as the preeminent bassist of his time. Eaton’s work with Basie began just two weeks after he left Lewis in a salary dispute. Cleve can be heard on such albums as “Kansas City Shout” (1980), “88 Basie Street” (1983), which won the 1984 Grammy for Best Jazz Instrumental Performance, Big Band, and on Basie’s last album, “Fancy Pants” (1983). Eaton continued his association with The Count Basie Orchestra after Basie’s death in 1984, including on “Big Boss Band” (1990), by George Benson, which featured the Basie orchestra. During this time, Cleve was also heading his own project, Cleve Eaton and Co., which evolved, in 2004, into Cleve Eaton and the Alabama All-Stars. Cleveland Eaton was inducted into the Alabama Jazz Hall of Fame in 1979, and the Alabama Music Hall of Fame in 2008.&#13;
&#13;
Watch and Listen:&#13;
"Count Basie, Cleve Eaton" https://www.youtube.com/watch?v=5YHEWFdhEMc&#13;
"Cleveland Eaton in Concert" https://www.youtube.com/watch?v=XtVJtxxChaw&#13;
"Count Basie - Booty's Blues" https://www.youtube.com/watch?v=Ct_tBKgQAxw&#13;
"Cleve Eaton - Slippin' Into Darkenss" https://www.youtube.com/watch?v=aMb1b7A2O6s</text>
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                <text>“Cleveland Eaton – Alabama Music Hall of Fame” http://alamhof.org/inductees/timeline/2008/cleveland-eaton/ Accessed December 1, 2016&#13;
“Cleveland Eaton Official Website” http://clevelandeatonmusic.com/home/ Accessed December 1, 2016&#13;
“Cleve Eaton Interview – The Birmingham Times 2/5/15” http://www.birminghamtimes.com/2015/02/the-cleve-eaton-story-god-is-in-control/ Accessed December 1, 2016&#13;
&#13;
All images courtesy of Mr. George Lair and the Alabama Music Hall of Fame, unless otherwise noted.</text>
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                <text>Eddie Floyd (June 27, 1937 - )&#13;
&#13;
The “Memphis sound” that mixed Southern soul with R&amp;B, jazz, with a little country and gospel thrown in, was an important and influential sound in the 1960s. Led by such singers as Otis Redding, Sam &amp; Dave, and Wilson Pickett, none was more influential to the sound coming out of the Stax recording studios than singer-songwriter Eddie Floyd. Edward Lee Floyd was born in Montgomery, Alabama, on June 25, 1937. Six weeks later, his family moved to Detroit, Michigan. As a youth, Eddie often migrated between Michigan and Alabama. His exposure to both Southern soul and blues, and to the burgeoning R&amp;B sound that would grow into the Motown sound of the 1960s, no doubt influenced both his singing and songwriting. In 1955, Eddie co-founded The Falcons, an R&amp;B group considered to be the musical godfather to such later Motown groups  asThe Temptations and The Four Tops. The group had a top twenty hit with “You’re So Fine” in 1959. A year later, Wilson Pickett joined the group and, with him, they recorded “I Found a Love” in 1960, backed by the singing group the Primettes, who would later change their name to the Supremes. In 1963, Pickett left the group and The Falcons disbanded. In 1965, Eddie moved to Memphis to work at Stax Records as a songwriter and producer. While at Stax, Eddie wrote “Comfort Me” for Carla Thomas, the title song of her album which peaked at #11 on the R&amp;B chart in 1965. In 1966, Eddie co-wrote “Knock On Wood” with guitarist Steve Cropper, a member of Stax’s house band, Booker T. and the M.G.’s, and was originally intended to be recorded by Otis Redding. However, record executive Jerry Wexler of Atlantic Records, the distributor for Stax, convinced the president of Stax to release Eddie’s demo version instead. Wexler’s instincts proved to be correct, as “Knock On Wood” sold over a million singles and reached #28 on the Billboard Hot 100, as well as spending a week at #1 on the Soul Singles chart. His recording career reborn, Eddie became Stax’s most dependable hitmaker, releasing “I’ve Never Found a Girl (To Love Me Like You Do),” which Eddie also co-wrote with Booker T. Jones and Alvertis Isabell (Al Bell), reached #2 on Billboard’s R&amp;B chart in 1968, and “Raise Your Hand,” another Eddie Floyd co-composition, reached #11 on Billboard’s Black Singles chart in 1967. Both songs, along with “Knock On Wood” have been covered by various artists over the years. Eddie’s singing career, however, didn’t diminish his songwriting career. Frequently teaming up with Cropper, Booker T., or both, to pen such hits as Sam &amp; Dave’s “You Don’t Know What You Mean To Me” (#20 R&amp;B – 1968), Otis Redding’s “I Love You More Than Words Can Say” (#30 R&amp;B – 1967), and Floyd and Cropper’s biggest hit, Wilson Pickett’s “634-5789 (Soulsville, U.S.A.)” (#1 Black Singles – 1966), a song that has been covered by Otis Redding, Trace Adkins, and Bruce Springsteen, among other. Eddie and Wilson also performed the song in the 1998 movie, “Blues Brothers 2000.” When Stax closed its doors due to financial difficulties in 1975, Eddie’s career faltered for the remainder of the decade. The 1980s and 1990s saw a revival of Eddie’s career, as he toured with former Stax labelmates Steve Cropper and Donald “Duck” Dunn as the Blue Brothers Band, as well sitting in with Bill Wyman’s (of The Rolling Stones) group Rhythm Kings on several tour dates. In 2008, Eddie rejoined the revived Stax Records label, releasing “Eddie Loves You So” in 2008, “At Christmas Time” in 2012, and “Down By the Sea” in 2013. In 2003, Eddie was inducted into the Alabama Music Hall of Fame.&#13;
&#13;
Watch and Listen:&#13;
"Knock on Wood - Eddie Floyd" https://www.youtube.com/watch?v=Kceiks__PsE&#13;
"I've Never Found a Girl (To Love Me Like You Do) - Eddie Floyd" https://www.youtube.com/watch?v=fJYRH7JhHW0&#13;
"California Girl - Eddie Floyd" https://www.youtube.com/watch?v=nfAj2UU1ej4&#13;
"634-5789 - Wilson Pickett" https://www.youtube.com/watch?v=My2apquxKKQ&amp;list=PLvC2ishH1j7R11CyBdFTDFw8dGelCM5vF&#13;
"634-5789 - Eddie Floyd, Wilson Pickett, Blues Brothers 2000" https://www.youtube.com/watch?v=XY-t_lJ6GHE</text>
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                <text>Eddie Floyd: Alabama Music Hall of Fame http://alamhof.org/inductees/timeline/2003/eddie-floyd/  Accessed November 29, 2016&#13;
Eddie Floyd Official Website http://eddiefloyd.com/  Accessed November 29, 2016&#13;
Eddie Floyd bio allmusic.com http://www.allmusic.com/artist/eddie-floyd-mn0000168958/  Accessed November 29, 2016&#13;
Soulsville, USA: The Story of STAX Records https://books.google.com/books?id=XLdsRwpZ9oYC&amp;printsec=frontcover&amp;dq=soulsville&amp;sig=ACfU3U0srTq7YeEyniP8y-FMSFpArxeB8w#v=onepage&amp;q=soulsville&amp;f=false/  Accessed December 5, 2016&#13;
Eddie Floyd historyofrock.com http://www.history-of-rock.com/eddie_floyd.htm/ Accessed December 5, 2016&#13;
&#13;
All images courtesy of Mr. George Lair and the Alabama Music Hall of Fame, unless otherwise noted.&#13;
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                <text>Florence, Lauderdale County, FAME Studios, Rick Hall, Muscle Shoals Sound Studio, Sheffield, Elvis Presley, Grateful Dead, Jerry Garcia, Percy Sledge, Rock and Roll Hall of Fame, Alabama Music Hall of Fame</text>
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                <text>Donna Jean Godchaux-MacKay (August 22, 1947 - )&#13;
&#13;
If anyone can lay claim to having lived a life that was marked by being in the right place at the right, Donna Jean Godchaux (pronounced “God-show) can. From growing up in the Florence/Muscle Shoals, Alabama area while the Muscle Shoals recording scene was exploding, to moving to San Francisco where she met her first husband Keith Godchaux, as well as Jerry Garcia, Donna’s life is one of opportunities taken. Born Donna Jean Thatcher on August 22, 1947, in Florence, Alabama, Donna spent her childhood years on the banks of the Tennessee River, attending Sheffield High School, where she was a cheerleader. Music has always been a passion with Donna. As she points out, “I was singing from pretty much as soon as I could talk.” That love of music eventually took her to the various recording studios that had begun to populate the Muscle Shoals area. After graduating from high school in 1965, Donna began singing with her best friend Jeanie Greene in a group that they eventually called Southern Comfort. Jeanie’s husband Marlin was a music producer, working with Rick Hall’s FAME Studios. In 1966, Donna and Jeanie sang backup on Percy Sledge’s megahit “When a Man Loves a Woman,” which Marlin produced for FAME before producing a rerecording at Norala Studios in Sheffield, Alabama. The song spent two weeks at number one on the Billboard Hot 100 chart and four weeks on the Billboard R&amp;B singles chart. In 1969, she and Jeanie hit solid gold again when they sang back-up on Elvis Presley’s number one hit, “Suspicious Minds.” Other albums on which she sang backing vocals include “3614 Jackson Highway” by Cher (1969), on which she also appeared on the album cover, “Boz Scaggs” (1969) by Boz Scaggs (both albums recorded at Muscle Shoals Sound Studio), and “From Elvis in Memphis” (1969), by Elvis Presley, which featured the top five hit “In The Ghetto,” penned by country artist Mac Davis. In 1970, Donna decided it was time for a change of scenery and moved to the San Francisco area. It was here that she met and married Keith Godchaux, a keyboardist playing various clubs and bars in the Bay area. In 1971, the couple introduced themselves the Jerry Garcia, a founding member of the Grateful Dead. From that meeting, Keith was asked to join the band, with Donna joining the group in 1972, singing back-up and occasional lead vocal. The Godchauxs remained with the Grateful Dead until 1979, when they left to try other avenues of music on their own with the band The Heart of Gold. Just a little over a year after leaving, Keith died of injuries sustained in an automobile accident. It was during this time that Donna took a break from music. She remarried, and in the mid-1990s, she and her husband David MacKay, also a musician, moved back to Donna’s home in northwest Alabama, eventually settling in the town of Killen, just a few miles east of Florence, where it all began for her. It was at this time that Donna’s desire to return to music began to take hold, and she began to write songs once again, as well as forming the Donna Jean Godchaux Band with Jeff Mattson in 2009, which also features David MacKay on bass. In addition, Donna has appeared at various venues and concerts with many of her former Dead bandmates, including Bob Weir and Mickey Hart. Donna was inducted into the Rock and Roll Hall of Fame in 1994 as a member of the Grateful Dead, and the Alabama Music Hall of Fame in 2016.&#13;
&#13;
Watch and Listen:&#13;
"Keith &amp; Donna - Sweet Baby" https://www.youtube.com/watch?v=KxKuCLL4Vro&#13;
"Scarlet Begonias - Grateful Dead" https://www.youtube.com/watch?v=xgPLFYNEL1A&#13;
"When a Man Loves a Woman - Percy Sledge" https://www.youtube.com/watch?v=7lp7FtJXp7k&#13;
"Suspicious Minds - Elvis Presley" https://www.youtube.com/watch?v=RxOBOhRECoo&#13;
"Interview - Donna Meeting Garcia, Grateful Dead" https://www.youtube.com/watch?v=N1RzbN-NBTo&#13;
"Interview - Donna Meeting Elvis" https://www.youtube.com/watch?v=Kl8WddfHcR0</text>
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                <text>“Donna Jean MacKay interview, 3/28/1998” http://www.levity.com/gans/Donna.980328.html/ Accessed December 2, 2016&#13;
“Donna Jean Godchaux interview, 2/24/2016” http://www.al.com/entertainment/index.ssf/2016/02/donna_jean_godchaux_alabama_mu.html/ Accessed December 2, 2016&#13;
“Donna Jean Godchaux Band with Jeff Mattson official website” http://donnajeangodchauxband.info/index.html/ Accessed December 2, 2016&#13;
“Hall of fame another stop on Godchaux Mackay's long strange trip” http://www.timesdaily.com/life/hall-of-fame-another-stop-on-godchaux-mackay-s-long/article_f9186616-c058-5771-a530-3521cd97fd3d.html/ Accessed December 2, 2016&#13;
&#13;
All images courtesy of Mr. George Lair and the Alabama Music Hall of Fame.</text>
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                <text>Birmningham, Jefferson County, Big Band music, trumpet, Alabama State Teachers College,Fess Whatley, Ensley, Tuxedo Junction, Alabama Jazz Hall of Fame, Alabama Music Hall of Fame&#13;
&#13;
Watch and Listen:&#13;
"After Hours" https://www.youtube.com/watch?v=3CYQ6YZHMEE&#13;
"Tuxedo Junction" https://www.youtube.com/watch?v=IFeFaZoj2QY&#13;
"Tippin' In" https://www.youtube.com/watch?v=HWc0ObIJydc</text>
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                <text>Erskine Hawkins (July 26, 1914 - November 11, 1993)&#13;
&#13;
When philanthropists donate money to various organizations, schools and charities, most often the result is either a building named in in their honor, or a scholarship, or even a seat on a board of directors. Alabama industrialist Erskine Ramsay took this one step further, by opening savings accounts for families who would name their newborn sons after him. And while most of children did not achieve any amount of celebrity, one did, as a bandleader and trumpeter whose contemporaries included Louis Armstrong. Erskine Ramsay Hawkins was born on July 26, 1914, in Birmingham, Alabama. Erskine early on demonstrated musical proficiency. As a student at the Tuggle Institute, a private African-American boys school in Birmingham, Erskine learned to play the drums, trombone and saxophone. But it was the trumpet that would eventually elevate Hawkins to the heights he eventually reached. Under the tutelage of famed director J.T. “Fess” Whatley, Erskine not only learned how to master the trumpet, but how to read music, as well. After graduating from Tuggle, Hawkins attended the Alabama State Teachers College in Montgomery, Alabama, on an athletic scholarship. Soon, Erskine was spending more time on the stage than on the ballfield. Leading first, the ‘Bama State Revelers, then the ‘Bama State Collegians, Erskine started to show the ability to reach notes on the trumpet thought too high to reach. This ability later led his being called “The Twentieth Century Gabriel.” As the band became more and more popular, causing the group, all students at the college, to miss more classes than they attended, they all soon left school to pursue their musical careers full-time. Leaving Alabama, “Erskine Hawkins and his ‘Bama State Collegians” soon found themselves as one of the house bands at the famed Savoy Ballroom in Harlem. Famed as the place where the “Lindy Hop” was developed, the Savoy was one of the premier venues for music during and after the Harlem Renaissance. It was here that Erskine and the band, now simply called “Erskine Hawkins and His Orchestra” signed with RCA Victor and began cutting records on their Bluebird label. It was also here that Erskine co-wrote what would become his signature song, “Tuxedo Junction.” The title of the songs refers to an area in the Ensley neighborhood of Erskine’s hometown of Birmingham. Tuxedo Park was an area where the lines of the Wylam and Pratt City streetcars crossed, and where a jazz and dance club was located, hence, “Tuxedo Junction.” While Hawkins’ version reached #7 on the National Hit Parade in 1939, it is Glenn Miller’s #1 1940 rendition that most are familiar with. While Erskine penned other songs, like “Don’t Cry Baby” (#11 – Pop, 1943) “After Hours” (#3 R&amp;B – 1946) and “Tippin’ In” (#1 R&amp;B -1945) which were hits, “Tuxedo Junction” is his most famous. Often, when playing the Savoy, the band would sign off with that song to keep the crowds dancing as the next band came to the stage. By the 1950s, the Savoy had closed and Erskine, due to rising costs, had downsized his orchestra, although he would reunite the orchestra on special occasions. During the 1960s, he was a frequent player at the Embers Club in New York City, and, from 1967 to 1993, was the bandleader in the nightclub in The Concord Resort Hotel in Kiamesha Lake, New York, located in the Catskills of New York, about two hours upstate from New York City. Among the many honors that Erskine Hawkins received during his lifetime is an honorary doctorate in music from Alabama State Teachers College in 1947, was one of the first inductees into the Alabama Jazz Hall of Fame in 1978, and a Lifework Award and induction into the Alabama Music Hall of Fame in 1989. Also, the park that inspired the name of Tuxedo Junction was renamed Erskine Hawkins Park in his honor. On November 11, 1993, Erskine Hawkins passed away in Willingboro, New Jersey.&#13;
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                <text>Alabama Music Hall of Fame: Erskine Hawkins  http://www.alamhof.org/inductees/timeline/1989/erskine-hawkins/ Accessed December 4, 2016&#13;
Erskine Hawkins  http://www.encyclopediaofalabama.org/article/h-1365/  Accessed December 4, 2016&#13;
Erskine Hawkins  http://www.allmusic.com/artist/erskine-hawkins-his-orchestra-mn0000206380/biography/  Accessed December 4, 2016&#13;
Erskine Hawkins  http://www.encyclopedia.com/people/literature-and-arts/music-popular-and-jazz-biographies/erskine-hawkins/ Accessed December 4, 2016&#13;
Obituary: Erskine Hawkins  http://articles.latimes.com/1993-11-14/news/mn-56807_1_tuxedo-junction/  Accessed December 4, 2016&#13;
&#13;
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&#13;
Watch and Listen:&#13;
"Heartbreak Hotel - Elvis Presley"  https://www.youtube.com/watch?v=W4euyTDhFnk&#13;
"I May Never Get to Heaven - Conway Twitty" https://www.youtube.com/watch?v=47D2omht1BI&#13;
"Watchin' Girls Go By - Ronnie McDowell" https://www.youtube.com/watch?v=ychMkvLV87w&#13;
"Ain't Gonna Bump No More - Joe Tex" https://www.youtube.com/watch?v=56tBm7nJ1QM</text>
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                <text>Buddy Killen; Alabama Music Hall of Fame  http://www.alamhof.org/inductees/timeline/1985/buddy-killen/  Accessed December 5, 2016&#13;
Buddy Killen   http://www.allmusic.com/artist/buddy-killen-mn0000640267/  Accessed December 5, 2016&#13;
Buddy Killen obituary    http://www.cmt.com/news/1544585/nashville-music-pioneer-buddy-killen-dies/   Accessed December 5, 2016&#13;
Buddy Killen obituary   http://www.nashvillepost.com/home/article/20400528/buddy-killen-passes-away-at-73/   Accessed December 5, 2016&#13;
Killen, Buddy, and Carter, Tom. “By the Seat of My Pants: My Life in Country Music.” New York: Simon &amp; Schuster, 1993.&#13;
&#13;
All images courtesy of Mr. George Lair and the Alabama Music Hall of Fame, unless otherwise noted.</text>
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&#13;
Watch and Listen:&#13;
"I'm Your Puppet - Spooner Oldham, Dan Penn" https://www.youtube.com/watch?v=-nnLE-aBoPQ&#13;
"Paul Schafer Inducts Spooner Oldham into R&amp;R Hall of Fame" https://www.youtube.com/watch?v=iGQiPUTu3z4&#13;
Spooner Oldham R&amp;R Hall of Fame Speech" https://www.youtube.com/watch?v=AP8B24ap0m8&#13;
"RESPECT - Aretha Franklin" https://www.youtube.com/watch?v=fzPXozDgvYs&#13;
"Two In The Morning - Spooner Oldham" https://www.youtube.com/watch?v=tehBrFqX1iw</text>
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                <text>Spooner Oldham Biography http://www.encyclopediaofalabama.org/article/h-2510/ Accessed December 2, 2016&#13;
Spooner Oldham discography http://www.allmusic.com/artist/spooner-oldham-mn0000155405/discography/ Accessed December 2, 2016&#13;
Dan Penn-Spooner Oldham interview http://www.independent.co.uk/arts-entertainment/music-good-ol-boys-in-the-hood-1123527.html Accessed December 2, 2016&#13;
Spooner Oldham bio  - Rock and Roll Hall of Fame website https://www.rockhall.com/inductees/spooner-oldham/ Accessed December 2, 2016&#13;
Dan Penn-Spooner Oldham interview http://www.furious.com/PERFECT/pennoldham.html/ December 2, 2016&#13;
&#13;
All images courtesy of Mr. George Lair and the Alabama Music Hall of Fame, unless otherwise noted.</text>
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                <text>Phil Campbell, Franklin County, Country music, R&amp;B music, Tammy Wynette, George Jones, Charlie Rich, Grand Ole Opry, Musicians Hall of fame, Country Music Hall of Fame, Alabama Music Hall of Fame</text>
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                <text>Billy Sherrill (November 5, 1936 - August 4, 2015)&#13;
&#13;
If at any point during the mid-1960s to the mid-1980s you listened to a song by George Jones, Tammy Wynette, or Charlie Rich, chances are very good that song was either written, produced, or both, by Billy Sherrill. As just a songwriter alone, his influence is considerable. But when combined with his production prowess and his ability to find new talent and guide them towards music that fit their style of singing, Billy reaches legendary status in not just the country music world, but music in general and internationally. Billy Norris Sherrill was born on November 5, 1936, in the small rural town of Phil Campbell, Alabama. His father was an evangelist who Billy would often accompany on his revival tours, playing piano for the services. After playing with various jazz and blues bands in the South in his late teens to early twenties, Billy moved to Nashville in 1962, where he took on the job of managing the Nashville studios of Sam Phillips’ Sun Records. When Phillips sold those studios in 1963, Billy moved over as a producer to Epic Records, a division of Columbia Records, which, at the time, was recording mainly country artists out of its Nashville studios. Since Billy, despite having grown up in the south, had little exposure professionally to the country sound (his main areas of expertise being blues, jazz, and rock and roll), the sound that he did produce was a hybrid of country and pop, a forerunner of the “countrypolitan” sound that would soon move country music from a regional to a national and worldwide audience. It was also here at Epic that Billy became a major player in the country music scene. His first success was with David Houston, who recorded “Livin’ in a House Full of Love,” written by Billy and Glenn Sutton, in 1965. The song reached #3 on Billboard’s country chart in that same year. Houston’s next single, “Almost Persuaded,” also penned by Sherrill and Sutton, spent 9 weeks at #1 on the country charts in 1966, winning the Grammy for Best Country &amp; Western song in 1967, the first of two that Billy would win as songwriter. It was at around this time that Billy met the singer with whom he would be most closely associated with, Tammy Wynette. Billy signed the former hairdresser to Epic after she auditioned for him, and changed her stage name from Wynette Byrd to Tammy Wynette, thinking it would be a better move for her career. From that time, she became Billy’s student and a recording artist for whom he would write some of her biggest songs, including “You’re Good Girl’s Gonna Go Bad,” “I Don’t Wanna Play House,” and her signature song, “Stand By Your Man.” In 1969, Wynette married George Jones, which led to a partnership between not only she and Jones, but also Billy and George. Producing such songs as “The Ceremony” (1972, written by Sherrill), “We’re Gonna Hold On” (1973), and “Golden Ring” (1976), Jones and Sherrill continued their collaboration long after George and Tammy divorced in 1975. In fact, while much of his commercial success came with Wynette, Billy’s relationship with Jones was the one that lasted the longest. Billy produced what would become Jones' signature song, “He Stopped Loving Her Today.” It was Jones’ first number one hit in over six years, and is the one credited with reviving a career that had begun to flounder due to issues related to his behavior and performances. During this same time period, Billy also worked with the third member of what could be called his “Blessed Triumvirate,” Charlie Rich. With songs such as “Behind Closed Doors” and “The Most Beautiful Girl,” (1973), co-written by Sherrill, a lifelong collaboration was born. While not always commercially successful, the music that Charlie Rich produced under Billy is considered to be The Silver Fox's best. The pinnacle of the partnership was when Sherrill won the 1975 Grammy for Best Country Song with Charlie Rich’s recording of “A Very Special Love Song.” The list of additional artists for whom Billy produced or wrote is a veritable Who’s Who of Music. At one time or another, Billy worked with Barbara Mandrell, Johnny Cash, Ray Charles, Andy Williams, Ray Conniff, and Elvis Costello. In 1980, Billy was named vice-president and executive producer of CBS/Nashville, retiring a few years later. Among the many awards and accolades afforded are countless CMA and AMA awards, and enshrinement in the Nashville Songwriters Hall of Fame (1984), the Alabama Music Hall of Fame (1995), the Musicians Hall of Fame (2008), and the Country Music Hall of Fame (2010). Billy Sherrill died on August 4, 2015.&#13;
&#13;
Watch &amp; Listen:&#13;
"Stand By Your Man - Tammy Wynette" https://www.youtube.com/watch?v=DwBirf4BWew&#13;
"He Stopped Loving Her Today - George Jones" https://www.youtube.com/watch?v=ubKUP8c0FHE&#13;
"The Most Beautiful Girl - Charlie Rich" https://www.youtube.com/watch?v=GhqbESuc2v8&#13;
"Rules of the Game - Billy Sherrill" https://www.youtube.com/watch?v=rF5fofS_6Rk&#13;
"Like Makin' Love - Billy Sherrill" https://www.youtube.com/watch?v=6AWFYLnIzIU</text>
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                <text>AMHOF http://www.alamhof.org/inductees/timeline/1995/billy-sherrill/ Accessed December 2, 2016&#13;
Billy Sherrill http://www.allmusic.com/artist/billy-sherrill-mn0000079180/biography/ Accessed December 2, 2016&#13;
Songs http://www.musicvf.com/songs.php?page=artist&amp;artist=Billy+Sherrill&amp;tab=songaswriterchartstab/ Accessed December 2, 2016&#13;
Billy Sherrill Dies http://www.tennessean.com/story/entertainment/2015/08/04/breaking-legendary-producer-billy-sherrill-dies/31110363/ Accessed December 2, 2016&#13;
Country Music HOF http://countrymusichalloffame.org/Inductees/InducteeDetail/billy-sherrill/ Accessed December 2, 2016&#13;
&#13;
All images courtesy of Mr. George Lair and the Alabama Music Hall of Fame, unless otherwise noted.</text>
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&#13;
For many within the African-American community, the line between gospel and soul music is a thin one. A rhythm that pushes the music along, soaring vocals that inspire and lift the crowds out of their seats, freedom within the soul and within the music, all serve to drive both genres forward. No singer better represents this simultaneous confluence and divergence than soul and gospel artist Candi Staton. Born on March 13, 1940, in Hanceville, Alabama, Canzetta Maria Staton initially was involved in the gospel music scene from the mid-1950s to the mid-1960s. Before she was a teenager, Candi began attending the Jewell Christian Academy in Nashville, Tennessee. It was there that she and her sister, who also attended Jewell, were part of a group called the Jewell Gospel Trio. Recording several records that did little commercially, the trio toured the gospel circuit, singing along with such gospels greats as Mahalia Jackson and C.L. Franklin. By the end of the 1950s, Candy had left the group and returned home to Alabama, where she married, had four children, and then divorced her husband. It was in 1968 that, while working at a club in Birmingham, Alabama, she met Clarence Carter, who was recording for Atlantic Records at Rick Hall’s FAME Studios in Muscle Shoals, Alabama. Carter asked her to go on tour with him, but Candi was still married at the time. A year later, Clarence asked once again. Now divorced, she agreed. Over the course of the year, she and Clarence fell in love and were married in 1970. Her new husband also brought her to the attention of Rick Hall. With FAME Records, Candi recorded three albums. While the albums themselves were not huge sellers, they did produce four songs that reached Billboard’s R&amp;B Top Ten charts, including a cover of Tammy Wynette’s hit, “Stand BY Your Man,” which reached #4 in 1971. In 1974, Candi, who had divorced Carter the year before, started recording for Warner Brothers, still working under the production skills of Rick Hall. Of working with Hall, Candi says that, “Rick would come to me and ask my opinion ‘Hey, do you think you can do this’.  We didn’t have an arranger to come in and say ‘I’m gonna take this song and arrange it for Candi’.  All of us had our opinions how the music should go, so we tried different things.  If it didn’t work, we tried something else. Some day we worked on a song all day, and all night.” Her first album for Warner, “Candi,” produced the #6 R&amp;B hit, “As Long As He Takes Care of Home.” It was her next album, "Young Hearts Run Free," that produced her sole #1 hit when the title track was released in 1976. Working with a new producer, David Crawford, and in a marriage that had turned abusive, Candi opened up to Crawford over the course of several conversations about her life. In response, he wrote the song as a way to help her give voice to her situation. Subsequent albums and singles proved to be less successful, and by 1981, disillusioned with the secular music industry, Candi had returned to her gospel roots. Married to her fourth husband, former Ashford &amp; Simpson drummer John Sussewell, together they founded their own label, Beracah Ministries. Her return to gospel found her renewed and experiencing success once again. When the idea of returning to the world of soul music, Candi was initially reluctant. It was a conversation with her pastor sometime in the 1990s that changed her mind, in which he said, “Candi, those songs that you did in the 70s and in the 80s, they’re not bad songs. They’re good songs. Some of them you couldn’t sing because of the way you live now. Young Hearts Run Free wasn’t bad; Stand by Your Man – those songs are classics. Those songs were blessed. They raised your children, they bought you a home. Rethink it. You could go out and bless people again with those songs." Since then Candi has continued to release new material, while still revisiting her old hits that fans have come to know and love. Candi Staton was inducted into the Alabama Music Hall of Fame in 2014, by her old friend, producer and mentor Rick Hall.&#13;
&#13;
Watch and Listen:&#13;
"Young Hearts Run Free"&#13;
https://www.youtube.com/watch?v=5x2PvC_PybY&#13;
"He Called Me Baby" https://www.youtube.com/watch?v=txOo9T1jn5Y&#13;
"Stand By Your Man" https://www.youtube.com/watch?v=RbyStJWvajo&#13;
"When There's Nothing Left  But God" https://www.youtube.com/watch?v=-kWVd5EMRyw&#13;
"Interview - Candi Staton On Celebrating 40 Years Of Young Hearts Run Free" https://www.youtube.com/watch?v=aPG_25-YctA&#13;
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                <text>John Griffin, University of North Alabama</text>
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                <text>Candi Staton official website http://www.candi-staton.com/  Accessed December 6, 2016&#13;
Interview 2006  http://www.soulexpress.net/candistaton.htm/  Accessed December 6, 2016&#13;
Interview, 2011  http://www.soulexpress.net/deep2_2011.htm#candistaton/   Accessed December 6, 2016&#13;
Candi Staton discography  http://www.allmusic.com/artist/candi-staton-mn0000542976/biography/  Accessed December 6, 2016&#13;
&#13;
All images courtesy of Mr. George Lair and the Alabama Music Hall of Fame, unless otherwise noted..</text>
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                <text>Tuscaloosa County, Birmingham, Erskine Hawkins, Cleve Eaton, Sun Ra, Big Band, Jazz, Alabama Jazz Hall of Fame, Alabama Music Hall of Fame, Alabama State University</text>
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&#13;
If Alabama's musical heritage were to have a conductor, a teacher, that person would have to be J.T. “Fess” Whatley. In his tutelage of musicians, first at The Tuggle Institute in Birmingham, of which he was also a graduate, then Industrial High School in Birmingham, Whatley was influential in the careers of many who went on to play with various bands and orchestras, including those of Duke Ellington, Count Basie, and Louis Armstrong. Born John Lewis Whatley sometime around 1895 in rural Tuscaloosa County, Alabama (his exact date of birth is unknown), Whatley’s father moved the family to Birmingham in 1906 so that John and his brother might be able to attend the Tuggle Institute. Originally conceived to give orphaned African-Americans a place to live and learn, the school was eventually opened to all, as racial segregation closed off many public schools to blacks. John’s time at the school greatly influenced him, not only as a student, but as an educator and musician, so much so that he changed his middle name from Lewis to Tuggle. After graduating from the school in 1913, John became its band director in 1913, a position he held until he left in 1917 to teach at Industrial High School. It was here that John picked up the nickname of “Fess,” which was short for “Professor.” Strict in his discipline, he demanded that his music students learn to read music, believing that music was one of the few avenues of success that was open to African-Americans at the time. A former student of his, jazz drummer and Alabama Jazz Hall of Fame inductee Wilson Driver, said that he demanded this of his students, otherwise they couldn’t play in his band. However, as demanding as this seemed, it was also beneficial to the musicians, as Driver said that “When guys would get to New York, they’d say, ‘You from Birmingham? You one of them Fess Whatley men? Yeah? Okay, you can read.’” Whatley’s influence reached beyond the high school at which he taught, helping to establish the ‘Bama State Collegians band at Alabama State Teachers College (now Alabama State University) in Montgomery, Alabama, in 1929, which is still an active jazz orchestra at ASU. Whatley also was an outspoken opponent to segregation and Jim Crow laws, organizing a local chapter of the American Federation of Musicians union in Birmingham in 1939 because blacks were not allowed to join the union because of segregation. In 1969, Whatley witnessed the integration of the chapter he founded with the white chapter already in existence. Whatley’s belief that music was a path to success has been proven correct over the decades since he began his career in music. Former students of Whatley's include trumpeter and band leader Erskine Hawkins, jazz drummer Wilson Driver, jazz pianist Henry Blount, better known as Sun Ra, Cleveland Eaton, bassist for the Ramsey Lewis Trio and the Count Basie Orchestra, and trumpeter Sammy Lowe, just to name a few. All the aforementioned are members of various jazz, blues, and music halls of fame nationwide. Whatley himself was a charter inductee of the Alabama Jazz Hall of Fame in 1978, and was inducted into the Alabama Music Hall of Fame in 1991, joining his former student Erskine Hawkins (1989) as a member, and later joined by former students Cleveland Eaton (2008) and Sun Ra (2014). J.T. “Fess” Whatley died on January 12, 1972, in Birmingham, Alabama. &#13;
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                <text>J.T. “Fess” Whatley: Alabama Music Hall of Fame  http://alamhof.org/inductees/timeline/1991/j-t-fes-whatley/  Accessed December 5, 2016&#13;
Alabama Music Office: Whatley bio  http://www.alabamamusicoffice.com/artists-a-z/w/1967-whatley-john-t-fess/  Accessed December 5, 2016&#13;
Encyclopedia of Alabama: Whatley bio  http://www.encyclopediaofalabama.org/article/h-3240/  Accessed December 5, 2016&#13;
Alabama Women’s Hall of Fame: Carrie Tuggle  http://www.awhf.org/tuggle.html/  Accessed December 5, 2016&#13;
Alabama Jazz Hall of Fame website  http://www.jazzhall.com/index.htm/  Accessed December 5, 2016&#13;
"Fess Whatley's Saxo Society Orchestra" photo http://www.chipstern.com/chip_tribal_wilson.htm/ Accessed December 9, 2016.&#13;
&#13;
All images courtesy of Mr. George Lair and the Alabama Music Hall of Fame, unless otherwise noted.&#13;
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